Index on Censorship CEO Jodie Ginsberg said: “We support people’s right to protest publicly and openly. In a free and democratic society that may mean hearing things that shock, offend or disturb. However, protesters do not have the right to physically intimidate others or prevent their free movement. Nevertheless, the suggested use of buffer zones by a London council to prevent protests has the potential to set a dangerous precedent that could be used against all forms of speech – including those who wish to protest on environmental or political issues, for example. Buffer zones are too a blunt tool to deal with public protests. We have legislation that deals with harassment and maintaining public access. Protesters who block the free movement of others or physically harass others could be pursued under that legislation.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator][vc_custom_heading text=”Stay up to date on free expression” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
Join the our mailing list and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1507825054163-140d08ec-3391-5″ taxonomies=”6534″][/vc_column][/vc_row]
Join Index on Censorship and English PEN for a vigil outside the Turkish embassy in support of Ayşe Çelik and others currently persecuted for speaking out in Turkey. This vigil is part of a global campaign launched by the Initiative for Freedom of Expression – Turkey.
Çelik, a teacher, will stand trial beginning on Friday, accused of “promoting terrorist organisation propaganda” after she called in to a popular television entertainment show to plead for more media coverage of abuse and killings of civilians in Diyarbakir, south-east Turkey.
Thirty-one people who co-signed Çelik’s statement will also be tried alongside her. They all face more than seven years in prison if found guilty.
Index on Censorship stands with Ayşe Çelik and will not ignore this breach of her basic right to freedom of expression. We denounce the current crackdown undertaken by authorities in Turkey and call for the immediate and unconditional release of imprisoned writers Ahmet Altan, Mehmet Altan, Asli Erdogan and Necmiye Alpay.
We will be outside the Turkish embassy from 2pm to 3pm.
Here is the full statement that landed Çelik in court:
Are you aware of what’s going on in Southeast Turkey? Unborn children, mothers, people are being killed here. As a performer, as a human being you should not remain silent to what’s happening. You should say stop. I want to say one more thing. There are miserable people who are glad to hear that children are dying. We, more correctly I, cannot say anything to these people, but shame on you. I’m sorry I want to say one more thing. I’m a teacher and I’m asking all teachers (who fled the area): How will they ever go back to these places? How will they look at those innocent children’s faces and into their eyes? I can’t speak really. The things happening here are reflected so differently on TV screens or on the media. Don’t remain silent. As a human being, have a sensitive approach. See, hear and lend a hand to us. It’s a pity, don’t let those people, those children die; don’t let the mothers cry anymore. I can’t even speak over the sounds of the bombs and bullets. People are struggling with starvation and thirst, babies and children too. Don’t remain silent.
When: Friday 23 September 2pm
Where: 43 Belgrave Square, London SW1X 8PA (Map)
Films, like every kind of art, are often made purely for cinema’s sake – but sometimes they aren’t. Some of the most iconic recent films have actually played a major role in inspiring rights’ movements and protests around the world.
Ten Years, recipient of Hong Kong’s best film award on 3 April 2016, is just one of the latest examples of how cinema can side up with rights: films have often given protests momentum and a cultural reference.
Sometimes, directors have spoken out publicly in favour of protests; other times the films themselves have documented political abuses. In other cases, protesters and activists have given a film a new life, turning it into an icon for their protests on social media even against the directors’ original ideas.
Here are a few recent cases of popular films that have become symbols of rights’ movements around the world:
Directed by Chow Kwun-Wai with a $64,500 budget, Ten Years is a “political horror” set in a dystopian 2025 Hong Kong. In the five short stories told in the film, Chow Kwun-Wai warns against the effects that ten years of Beijing’s influence would have on Hong Kong: The erosion of human rights, the destruction of local culture and heavy censorship.
According to the South China Morning Post, Ten Years was not intended to be a political film, but the political content is explosive to the extent that some critics have dubbed it “the occupy central of cinema”.
China Digital Times reports that both the film and the awards ceremony are banned in China. On Sina Weibo, China’s leading social network, the searches “Ten Years + Film Awards” (十年＋金像) and “Ten Years + film” (十年＋电影) are blocked from results.
Birdman
Winner of a 2015 Oscar, Birdman’s plot is not about rights or protests: The film told the story of a popular actor’s struggles years after his success impersonating a superhero.
But Mexican director’s Alejandro González Iñárritu’s acceptance speech turned it into the symbol of a protest against Mexican President Enrique Peña Nieto.
After asking for a respect and dignity for Mexican immigrants in the USA, Iñárritu said in his speech: “I want to dedicate this award for my fellow Mexicans, the ones who live in Mexico. I pray that we can find and build a government that we deserve.”
The speech came after the Mexican government declared the death of 43 students who went missing while organising a protest.
Iñárritu’s speech made Twitter erupt against Peña Nieto’s government under the hashtag #ElGobiernoQueMerecemos, “the government we deserve”.
Twitter user Guillermo Padilla said, “Now we are only missing a good ‘director’ in this country” – a play on words since “director” means both director and leader in Spanish.
The sci-fi blockbuster Hunger Games took a life of its own in Thailand, where student demonstrators turned the protagonist’s salute into a symbol of rebellion against the ruling junta.
In the film, set in a heavily oppressed country where every year young people are forced to fight to death in a nationally televised contest, protagonist Katniss Everdeen defies the central government and inspires a rebellion against totalitarian rule. Her three-finger salute becomes the symbol of the protest.
In Thailand, students started to use the three-finger salute as a symbol of rebellion after the military government took power with a coup on 22 May 2014 and clamped down on all forms of protest, censored the country’s news media, limited the right to public assembly and arrested critics and opponents. According to The New York Times, hundreds of academics, journalists and activists have been detained for up to a month.
The Guardian reported that social activist Sombat Boonngam-anong wrote on Facebook: “Raising three fingers has become a symbol in calling for fundamental political rights.”
Since then, using the salute in public in groups of more than five people has been prohibited through martial law.
V for Vendetta
V for Vendetta holds a special place among films about freedom of speech. In 2005, it was incredibly successful bringing the themes freedom of speech and rebellion against tyranny into the mainstream media debate.
In the film, a freedom fighter plots to overthrow the tyranny ruling on Britain in a dystopian future. The mask he always wears has the features of Guy Fawkes, an English Catholic who attempted to blow up the parliament on 5 November 1605.
The mask has since become an icon. According to The Economist, the mask has become a regular feature of many protests. Among others, it has been adopted by the Occupy movement and Julian Assange, the founder of WikiLeaks.
David Lloyd, author of the graphic novel on which the film is based, has called the mask a “convenient placard to use in protest against tyranny … It seems quite unique, an icon of popular culture being used this way.”
Suffragette
In 2015, the film historical drama Suffragette inspired a protest against the government’s cuts to women services in Britain.
The film shows the struggle for women’s rights that took place in the beginning of the 20th century, when Emmeline Pankhurst led an all-women fight to gain the right to vote.
Before the movie premiere in London’s Leicester Square, activists from the feminist group Sister Uncut broke away from the main crowd, and laid down on the red carpet.
According to The Independent, they chanted “It is our duty to fight for our freedom,” and held signs reading “Dead women can’t vote” and “2 women killed every week” to draw attention to domestic violence and cuts to women’s services.
One protester told The Independent: “We’re the modern suffragettes and domestic violence cuts are demonstrating that little has changed for us 97 years later.”
Order your copy of the spring issue of Index on Censorship here.
Saturday 23 April marks the 400th anniversary of Shakespeare’s death. The Bard’s work has long been used to tackle difficult or controversial issues; issues that most often only received an audience due to the cloak of his respectability. To honour the occasion Index has put together a list of all things Shakespeare.
Shakespeare and his role in protest and dissent is the theme of the spring 2016 issue of Index on Censorship magazine: Staging Shakespearean Dissent; Plays That Protest, Provoke and Slip by the Censors. The issue features pieces that explore how the bard’s plays have been used to circumvent censorship and tackle difficult issues around the world; from Bollywood adaptions to Othello in apartheid-era South Africa and a ground-breaking recent performance of Romeo and Juliet between Kosovan and Serbian theatres, along with reports on theatre upsetting people in the USA, and interviews with directors around the world
Index on Censorship magazine editor Rachael Jolley introduces our Shakespeare special issue with her editorial piece, How Shakespeare’s plays smuggle protest. In this piece Jolley discusses how the work of “established” or “historic” playwrights gave actors the chance to tackle themes that would otherwise never be allowed.
Shakespeare was no stranger to censorship, from the Elizabethan to Jacobean police states. In this extract actor and theatre director Simon Callow looks at how his plays amused monarchs and dictators but also prompted their anger.
My Mate Shakespeare recasts the playwright as a brandy loving bingo addict, struggling in a war zone. The poem, which was published in the spring issue of Index on Censorship magazine, was written by poet Edin Suljic following a visit to his home country, Former Yugoslavia. The issue also features an interview with the poet, who fled to London in 1991 ahead of the country’s impending war, discussing his inspiration for the poem and his involvement with theatre group Bards Without Borders.
The theatre and censorship reading list is a compilation of articles from the magazine archive covering theatre censorship across the world. From the censorship of Romeo and Juliet in US high school textbooks to Janet Suzman’s controversial production of Othello in apartheid-era South Africa, to the banning of performances of Macbeth in actors’ homes in Czechoslovakia.
In an interview with magazine editor Rachael Jolley an award-winning cartoonist, Ben Jennings, discusses his design for the latest Index on Censorship magazine cover on the 400th anniversary of William Shakespeare’s death.
Hitler was a Shakespeare fan; Stalin feared Hamlet; Othello broke ground in apartheid-era South Africa; and Brazil’s current political crisis can be reflected by Julius Caesar. Across the world different Shakespearean plays have different significance and power. In our global guide to using Shakespeare to battle power some of our writers talk about some of the most controversial performances and their consequences.
Order your full-colour print copy of our Shakespeare magazine special here, or take out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.
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