16 Jan 20 | News and features
[vc_row][vc_column][vc_single_image image=”111830″ img_size=”full” add_caption=”yes”][vc_column_text]“When I talk about what’s happening in Saudi Arabia, I liken it to a really abusive relationship. First they [the state] gaslight you, they try to convince you that you’re not being abused, that this actually is for your own protection, for your best interests. Then when that doesn’t work out, then they beat you up and… when you escape from them they hunt you down and kill you,” said Safa Al Ahmad, award-winning Saudi Arabian journalist, at the launch of the winter 2019 issue of Index on Censorship magazine.
The issue is on the techniques that macho leaders around the world are using to stifle dissent, democracy and discussion, and how people are fighting back. From Brazilian President Jair Bolsonaro ranting against and disparaging media to Hungary’s Prime Minister Viktor Orbán using a rhetoric of family values to deny the LGBT community and others the same rights as “traditional” nuclear families, the magazine takes a global view.
Al Ahmad was joined for a panel discussion, held at Google HQ in London, with bestselling Chinese novelist Xiaolu Guo, Hungarian activist Dóra Papp and satirist and author Rob Sears. The panel was chaired by Rachael Jolley, editor-in-chief of Index on Censorship magazine.
Each panellist was invited to discuss a world leader. Al Ahmad opened with her striking analogy of abusive relationships to discuss Crown Prince of Saudi Arabia Mohammed bin Salman. She highlighted that her analogy was not an exaggeration, citing women’s rights campaigners who have ended up dead or in prison. “I think the feminist movement in Saudi must have been the most frightening for the state,” she said, explaining the lengths the state has gone to in order to silence women.
Al Ahmad also remarked on the absolutist relationship the Saudi state has with the media: “We [Saudi Arabia] have inventing the rulebook on shutting down dissent of any sort, so the state owns all the media. There is no independent media whatsoever to shut buyout – they already own it.”
Papp observed that Orbán has not locked up or killed dissenters “yet”, but that he is at the stage of attempting to create a sense of discord amongst Hungarians, thereby preventing unified protest. She said: “What this kind of leadership from Orbán is really pro in is… making the nation believe that they have to stay divided in order to protect their own identities and their own values.”
Family values is part of the rhetoric of Orbán’s government, which “concludes in a list of disadvantages for LGBT groups, for single mothers, for anyone who is thinking outside the box”. Papp, a successful campaigner, said that we need to be really cautious and not let this narrative divide people.
Guo, discussing China’s president Xi Jinping, spoke about the importance of a dominating personality in a “strongman” leader in order to control the narrative of a country. She said of Xi: “He has an extremely tough way of dealing with internal turmoil but also a very interesting and mysterious way of dealing with international conflict.” She also commented that tension between Xi and US President Donald Trump seems to be bringing about a cold war that “we thought had disappeared 20 years ago”.
A discussion about macho men would not be complete without a dissection of the presidency of Trump, which Sears did by observing how Trump stifles free expression, not by killing journalists, but by setting the media agenda. Sears highlighted two of Trump’s oratory traits: “One is that he is basically impossible to ignore and the other is that he is basically impossible to engage with.”
He explains that Trump’s repeated use of outrageous, implausible (think “build the wall” and “lock her up”) but clear images forces the media to report on them. He said: “You [journalists] can’t help but respond to them and make them the focus of attention, meaning that it’s tricky for other topics to make it into the highest levels of conversation.”
“I’m sure every politician finds the right language for that purpose. UK Prime Minister Boris Johnson cleary does and some of the other leaders we’ve talked about do as well… I don’t know if they are deliberate methods… but I do think that it’s been extremely effective against a decent, fruitful public debate in the states and worldwide.”
Click here to read more about the current magazine
Listen to Rachael Jolley and deputy editor of the magazine, Jemimah Steinfeld, discuss the current issue on Resonance radio here [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
13 Dec 19 | Magazine, Magazine Contents, Volume 48.04 Winter 2019
[vc_row][vc_column][vc_custom_heading text=”With contributions from Jeffrey Wasserstrom, Miriam Grace Go, Tammy Lai-ming Ho, Karoline Kan, Rob Sears, Jonathan Tel and Caroline Lees”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Winter 2019 issue of Index on Censorship magazine looks at the current pack of macho leaders and how their egos are destroying our freedoms. In this issue Rappler news editor Miriam Grace Go writes about how the president of the Philippines, Rodrigo Duterte, tries to position himself as the man by being as foul-mouthed as possible. Indian journalist Somak Goshal reports on how Narenda Modi presents an image of being both the guy next door, as well as a tough guy – and he’s got a large following to ensure his message gets across, come what may. The historian Jeffrey Wasserstrom considers exactly who the real Chinese leader Xi Jinping is – a man of poetry or military might? And Stefano Pozzebon talks to journalists in Brazil who are right in the firing line of Jair Bolsonaro’s vicious attacks on the media. Meanwhile Mark Frary talks about the tools that autocrats are using to crush dissent and Caroline Lees looks at the smears that are becoming commonplace as a tactic to silence journalists. Plus a very special spoof on all of this from bestselling comedic writer Rob Sears.
In our In Focus section, we interview Jamie Barton, who headlined this year’s Last Night at the Proms, an article that fits nicely with another piece on a new orchestra in Yemen from Laura Silvia Battaglia.
In our culture section we publish a poem from Hong Kong writer Tammy Lai-ming Ho, which addresses the current protests engulfing the city, plus two short stories written exclusively for the magazine by Kaya Genç and Jonathan Tel. There’s also a graphic novel straight out of Mexico.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Will the real Xi Jinping please stand up by Jeffrey Wasserstrom: China’s most powerful leader since Mao wears many hats – some of them draconian
Challenging Orbán’s echo chamber by Viktória Serdült: Against the odds a new mayor from an opposition party has come to power in Budapest. We report on his promises to push back against Orbán
Taking on the lion by Stefano Pozzebon: With an aggressive former army captain as president, Brazilian journalists are having to employ bodyguards to keep safe. But they’re fighting back
Seven tips for crushing free speech in the 21st century by Rob Sears: Hey big guy, we know you’re the boss man, but here are some tips to really rule the roost
“Media must come together” by Rachael Jolley and Jan Fox: Interview with the New York Times’ lawyer on why the media needs to rally free speech. Plus Trump vs. former presidents, the ultimate machometer
Tools of the real technos by Mark Frary: The current autocrats have technology bent to their every whim. We’re vulnerable and exposed
Modi and his angry men by Somak Ghoshal: India’s men are responding with violence to Modi’s increasingly nationalist war cry
Global leaders smear their critics by Caroline Lees: Dissenters beware – these made-up charges are being used across borders to distract and destroy
Sexism is president’s power tool by Miriam Grace Go: Duterte is using violent language and threats against journalists, Rappler’s news editor explains
Stripsearch by Martin Rowson: Putin, Trump, Bolsonaro – macho or… nacho?
Sounds against silence by Kaya Genç: Far from a bad rap here as Turkey’s leading musicians use music to criticise the government
Un-mentionables by Orna Herr: The truths these world leaders really can’t handle
Salvini exploits “lack of trust” in Italian media by Alessio Perrone: The reputation of Italian media is poor, which plays straight into the hands of the far-right politician
Macho, macho man by Neema Komba: A toxic form of masculinity has infected politics in Tanzania. Democracy is on the line
Putin’s pushbacks by Andrey Arkhangelskiy: Russians signed up for prosperity not oppression. Is Putin failing to deliver his side of the deal?[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column][vc_custom_heading text=”Global View”][vc_column_text]Trying to shut down women by Jodie Ginsberg: Women are being forced out of politics as a result of abuse. We need to rally behind them, for all our sakes[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]Dirty industry, dirty tactics by Stephen Woodman: Miners in Brazil, Mexico and Peru are going to extremes to stop those who are trying to protest
Music to Yemen’s ears by Laura Silvia Battaglia: Could a new orchestra in Yemen signal the end of oppressive Houthi rule? These women hope so
Play on by Jemimah Steinfeld: The darling of the opera scene, Jamie Barton, and the woman behind a hit refugee orchestra, discuss taboo breaking on stage
The final chapter by Karoline Kan: The closing of Beijing’s iconic Bookworm has been met with cries of sadness around the world. Why?
Working it out by Steven Borowiec: An exclusive interview about workplace bullying with the Korean Air steward who was forced to kneel and apologise for not serving nuts correctly
Protest works by Rachael Jolley and Jemimah Steinfeld: Two activists on how their protest movements led to real political change in Hungary and Romania
It’s a little bit silent, this feeling inside by Silvia Nortes: Spain’s historic condemnation of suicide is contributing to a damaging culture of silence today[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]Hong Kong writes by Tammy Lai-ming Ho: A Hong Kong poet talks to Index from the frontline of the protests about how her writing keeps her and others going. Also one of her poems published here
Writing to the challenge by Kaya Genç: Orna Herr speaks to the Turkish author about his new short story, written exclusively for the magazine, in which Turkish people get obsessed with raccoons
Playing the joker by Jonathan Tel: The award-winning writer tells Rachael Jolley about the power of subversive jokes. Plus an exclusive short story set in a Syrian prison
Going graphic by Andalusia Knoll Soloff and Marco Parra: Being a journalist in Mexico is often a deadly pursuit. But sometimes the horrors of this reality are only shown in cartoon for, as the journalist and illustrator show[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]Governments seek to control reports by Orna Herr: Journalists are facing threats from all angles, including new terrorist legislation[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]Culture vultures by Jemimah Steinfeld: The extent of art censorship in democracies is far greaten than initially meets the eye, Index reveals[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
LISTEN HERE[/vc_column_text][/vc_column][/vc_row]
27 Sep 18 | Europe and Central Asia, Mapping Media Freedom, Media Freedom, media freedom featured, News and features, Russia
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A country with the largest territory in the world and a turbulent modern history, Russia is home to one of the most difficult media landscapes and censorship has been tightening its grip with new-found strength.
Free media was virtually non-existent during the decades of Soviet rule. It wasn’t until 1991 that Soviet leader Mikhail Gorbachev signed a decree allowing the first independent media outlets to emerge. This was also the year the Soviet Union ceased to be, and Russia was born in its stead. The constitution of Russia, adopted in 1993, guaranteed, among other rights and freedoms, the freedom of speech.
In 2018 it is still the same country with the same constitution, but the initial euphoria for freedom ended abruptly in 2003 after the shake-up of the television channel NTV. From its foundation in 1993 through the early 2000s, NTV was the largest private broadcaster in Russia and a stronghold of free speech, which didn’t suit Vladimir Putin, who first became president in 2000. Witty, free-spoken hosts openly criticised the government, reported on its failures and produced sharp political satire. The undermining of the channel began in 1999 with governmental lawsuits, and the final blow was dealt soon after the tragic events around Nord Ost, the three-day theatre siege in 2002, also known as the Dubrovka terror attack. Putin’s displeasure with NTV’s honest coverage and investigation into the death of 129 hostages, who inhaled an unidentified state-administered gas, resulted in the firing of the network’s CEO Boris Jordan. Soon after, the channel ceased to exist only to be reborn as a state-controlled media outlet with the same name.
Today, mass media in Russia is quite a different scene. The government sets the tone for many things, including the attitude towards journalists. Who are the good guys and who are the bad guys? Which news events should be covered in state media and which are too upsetting to show to the country?
State-owned and state-friendly TV channels like Channel 1 and Rossiya are known for meticulously filtering the inflow of news and dropping the themes and subjects that may throw shadow on the government. The few independent outlets left standing, like Ekho Moskvy, Novaya Gazeta and Dozhd TV, have to endure harassment from power structures and take part in legal battles against governmental institutions and businesses willing to censor them.
Recent additions to Russian legislation make it easier to prosecute media outlets for their reporting. Financial struggle is also real for many Russian media, which are being purchased and reshaped according to the tastes of the new owners, who often happen to have close ties to the Kremlin. That’s what happened to RBC newspaper and TV channel, among others.
Self-censorship is prevalent in newsrooms as well.
The number of threats and acts of violence against journalists has increased three-fold within the last two years, reported Natalia Kostenko, the head of the ONF Centre for Legal Support of Journalists, at a conference in March 2018. Kostenko cited restriction of access, verbal threats, physical violence, damage to personal belongings and lawsuits as the most common misdemeanours against media workers.
However, media freedom is not the only concern in today’s Russia. The political climate has changed drastically over the last few years: the country has seen a surge of nationalism, xenophobia and religious fervour, and the revival of Soviet methods of dealing with “thought criminals”. Under recently passed legislation, a person can be imprisoned for a social media like or repost if anyone considers it to be hateful or extremist. The economic stagnation and financial crisis, which began in 2014 as the result of sanctions against Russia’s actions in Crimea and Donbass, has been an important factor in all of this and contributed to a new wave of emigration, or “brain drain”, that has hit the country. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”102871″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Journalists are emigrating from the country for the same reasons as other groups. Some leave to pursue better career opportunities at foreign news outlets. Some follow their families or marry abroad. Some simply want a safer, more open environment for themselves and their children.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”102872″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Veteran TV host Tatiana Lazareva found herself unable to find any work on Russian television after she and her husband Mikhail Shatz took part in covering opposition leader Alexey Navalny‘s protests in 2012. This got them blacklisted on most Russian TV channels. “I don’t have a profession anymore,” Lazareva told Dozhd TV in an interview last year. “As I see it now, they wanted to take not only television away from us, but any chance to make money, wanted us, like, to crawl on our knees and beg.”
She moved to Spain, where she and her family had been spending their holidays for 15 years, to raise her youngest daughter. Lazareva continues her charity work in Russia and heads a motivational programme for people over 50, but the door to journalism in her country remains closed.
Lazareva’s example is not unique, and many young journalists now prefer to either start their careers abroad or change professions. For some journalists, leaving Russia is the only possible choice.
Vocal and straightforward, Karina Orlova had been a journalist at Ekho Moskvy radio for over a year when the attack on the French magazine Charlie Hebdo took place. A few days after the massacre, she hosted a show with Maxim Shevchenko, a right-wing journalist and then-member of the Russian Presidential Council on Human Rights. Orlova asked Shevchenko to comment on the threatening statement made by Chechen Republic leader Ramzan Kadyrov in response to exiled businessman Mikhail Khodorkovsky’s suggestion that every media outlet should republish Charlie Hebdo’s controversial Prophet Mohammed caricatures as an act of solidarity. Kadyrov called Khodorkovsky “the enemy of all Muslims” and his “personal enemy”, and said he hoped someone “would make the fugitive answer” for his words. Shevchenko kept defending Kadyrov’s point of view, while Orlova attempted to get Shevchenko to acknowledge the severity of the threats and report them to the council. For this, she too became a target. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”102873″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Orlova’s mother discovered that threats were being made under the journalist’s profile on a website for local journalists. Orlova then began receiving threats through her Facebook account. She could tell there was something different about these threats – they weren’t like the usual outbursts she encountered while on air. The men, residents of Chechnya and Ingushetia, didn’t try to hide their identity. They called Orlova “the enemy of Islam” and promised to kill her in many different ways. At the same time, Kadyrov directed threats to Ekho’s staff chief editor Alexey Venediktov.
In haste, Orlova packed her things and boarded a flight to the United States, which she believed to be the safest place for her. It took her some time to feel comfortable in the new environment and polish her English skills. She still contributes to Ekho, but her main job is with an American political magazine.
“Return to Russia? I can’t, I don’t want to and I won’t. Russia is a dangerous country where the raging of the power structures got even more out of hand in the last three years,” Orlova says. “There are no independent courts, the police only chases the “enemies of the state” and robs local businesses.”
Despite being away from Russia for three years, Orlova’s name hasn’t been forgotten. “In January 2018 director Nikita Mikhalkov filmed an episode of his TV show, Besogon (“Exorcist” in Russian), about me. He called me Goebbels and a fascist for an old article in which I suggested that Russia needed a lustration, and all people who worked in the Soviet system should be excluded from the government. Last time Besogon covered an Ekho journalist, Tanya Felgengauer was brutally attacked,” Orlova said.
Echo Moskvy’s Tatiana Felgengauer, a host and one of the editor-in-chief’s deputies, was stabbed several times in the neck in the station’s office. (Photo: Facebook)
Ekho host Tatiana Felgengauer was stabbed in the throat in October 2017 at the station’s headquarters. The attacker pepper-sprayed a guard and went for Felgengauer once he reached the office. He was deemed to be a paranoid schizophrenic and sentenced to compulsory medical treatment by the court.
Yulia Latynina (Twitter)
As one of the most noticeable and outspoken radio hosts in Moscow, Felgengauer was criticised by Russian state outlets more than once. Just a week before the attack she was called a “traitor of the motherland” on state television for attending a conference sponsored by foreign human rights organisations. She survived thanks to quick medical attention and has since fully recovered and returned to work. Nevertheless, it was a very close call.
Soon after the attack Ksenia Larina, another Ekho journalist, began receiving death threats. Not taking any chances, she promptly left the country for Europe.
Yulia Latynina hosted her own show at Ekho while also contributing to the newspaper Novaya Gazeta. The sharp-tongued novelist and journalist has been an object of criticism for many years, but the final straw for her came in September 2018 when her car was burned out right outside her country house, which had previously been sprayed with a dangerous military-grade chemical. Latynina now spends her time between different countries and has no plans to return to Russia.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_column_text]
No other Russian outlet has seen more of their journalists threatened, attacked and murdered over the years than Novaya Gazeta. One of the last bastions of Russian free press standing, the newsroom works under extreme pressure, carrying on in the same line of work as their fallen colleagues, who paid with their lives to get the truth out.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102877″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2000, Igor Domnikov, reported on business corruption in Moscow. Beaten to death outside his apartment by multiple men wielding hammers. Some of the murderers were arrested and sentenced in 2007, while the mastermind of the crime was let go.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102880″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2003, Yury Schekochikhin, investigative journalist. Died of a mysterious 16-day illness, possibly poison. Real cause of death never determined, independent investigation banned, case closed.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”85407″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2006, Anna Politkovskaya, most famous for reporting about the Second Chechen War. First poisoned in 2004, recovered; then shot dead in her apartment building right on Vladimir Putin’s birthday. Murderers found and jailed, mastermind never found, investigation closed. Politkovskaya won an Index on Censorship Freedom of Expression Award for her courageous journalism.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102879″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2009, lawyer Stanislav Markelov and freelance reporter Anastasia Baburova. Both shot in the head on a Moscow side street in broad daylight. Both the killers and the mastermind found and jailed.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102878″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2009, Natalia Estemirova, human rights activist and journalist in Chechnya. Abducted near her home and found dead with bullet wounds in a woodland miles away. The killer was identified by the officials and allegedly killed in ambush. The newspaper staff is skeptical of this version, as the man’s DNA samples didn’t match the ones found on the crime scene.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
It would only be fair to say that Novaya Gazeta management knows pretty well when a threat is real. So instead of waiting for governmental protection, they take their own precautions. Here are just some of the recent stories of those who left the country before it was too late, related by the paper’s former chief editor Dmitry Muratov:
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102890″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Sergey Zolovkin used to be a police officer who solved many crimes, co-founded Sochi newspaper and was a Novaya Gazeta author. He was threatened many times, his car sabotaged, relatives beaten up, an attempt on his life made in 2002 – the would-be killer was caught on the spot as Zolovkin was armed; he moved to Germany soon after.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102891″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Maynat Abdulaeva (Kurbanova) was reporting from Grozny, Chechnya, for years, until she and her family started receiving death threats. She has been living in Germany under PEN program Writers in Exile since 2004.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102889″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Evgeniy Titov left in 2016. He reported on human rights violations in Krasnodar and corruption around Sochi 2014 Olympics, was threatened by the police and private individuals, and requested asylum in Lithuania.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102888″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Elena Milashina co-authored the 2017 world-famous investigation about hundreds of gay men kidnapped, tortured and killed in Chechnya in a covert attempt to “purge” the region. Having been previously attacked and beaten up in 2006 and 2012, she fled Russia following death threats from Chechen officials and Muslim preachers, but continued to cover the region.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102885″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Ali Feruz (pen name) reported on hate crimes, LGBTQ and migrant worker’s rights. He was born in Uzbekistan, though his mother was Russian. He escaped from the country after being detained and tortured by the Uzbek National Security Service, who wanted his cooperation. Feruz moved to Russia and tried to obtain a Russian citizenship on jus sanguinis principle. His initial appeal was turned down, but a new case looked promising. He was suddenly arrested in August 2017 and sentenced to deportation to Uzbekistan. In the following three and a half months Feruz was abused and tortured in detention – and no one got punished for it. He was rescued and granted asylum by the German government, and will never be able to return to Russia. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102886″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Elena Kostychenko was one of Novaya Gazeta’s most fearless and fierce reporters, having covered complex stories all over Russia. She is also a feminist and LGBTQ activist, and in 2011 was left with a concussion after being attacked at a pride parade in Moscow. In 2016 Kostychenko was brutally beaten in Beslan while covering a protest of the mothers whose children died in the 2004 school terror attack. She is still recovering from psychological aftershocks, abroad.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text]
528 press freedom violations in Russia verified by Mapping Media Freedom as of 27/9/2018
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09 Jan 18 | Media Freedom, News and features, Russia
[vc_row][vc_column][vc_single_image image=”97381″ img_size=”full” add_caption=”yes”][vc_column_text]Often referred to as the only independent radio station in Russia, Echo Moskvy has for some time been subjected to state pressure, but 2017 was particularly bad with one radio host almost killed, two journalists in exile and several more detained or menaced in the course of their work.
On 23 October, a 48-year-old man broke into Echo Moskvy’s office in the centre of Moscow and stabbed Tatiana Felgengauer, the long-time host and one of the editor-in-chief’s deputies, several times in the neck. Felgengauer was hospitalised in a critical condition and underwent several operations. She has yet to return to work and is still in recovery.
Felgengauer’s attacker, Boris Grits, was sent for a psychiatric evaluation. During an interrogation by police, he said the host had been harassing him for several years using telepathy. However, the efficiency of the attack left some doubt as to whether his madness was real or just a cover for a well-planned assault.
“It’s obvious to me that he was well prepared. He knew when and where to look for me and very confidently disabled the guard at the first security post,” Felgengauer told Mapping Media Freedom. “This man knew what he was doing.”
Earlier in October Felgengauer featured heavily in a defamatory new report entitled Echo of State Department shown on the state-run national TV channel Rossiya-24. The report claimed that Echo Moskvy co-operates with foreign NGOs, whose presence in Russia was significantly cut after the adoption of the law on “foreign agents”.
The report cited a meeting between Felgengauer, another popular host Alexandr Pluschev and the editor-in-chief of Orenburg department Maxim Kurnikov, along with representatives from Reporters Without Borders and the Robert Bosch Stiftung Foundation in September 2017. It also stated that Ekho Moskvy gives airtime to opposition politicians and accused the radio station of “selling information weapons” to the Associated Press, The Wall Street Journal, Sky News and others. This was in relation to the station’s separate news agency that co-operates with Russian and international media organisations. The journalists reacted to the report on Twitter, making fun of the factual errors.
“If you have seen these videos, you would have noticed how outrageously unprofessional they are,” Felgengauer says. “Any person who watches them, even if he or she doesn’t like Echo Moskvy and is a fan of Putin, would not be able to take such badly done work seriously. I’m not taking it seriously either. For me, it was just a reason to laugh.”
But the defamation campaign against the radio station is no joke. Another report was shown on the state-owned First Channel in July. It claimed that Echo Moskvy and other media outlets were financed by the US Congress through the Broadcasting Board of Governors. The state-owned company Gazprom-media, which owns Echo Moskvy, issued an official statement saying this report was false. In March, the pro-Kremlin tabloid Life also claimed that Echo Moskvy was being checked following the suspicion it is a “foreign agent”. The report was denied by the Ministry of Justice.
“In recent years an image of the enemy has been formed very actively: the enemy comes from outside Russia. It’s a classic trick, hundreds of years old,” Felgengauer says. “And even if an enemy is inside the country, he is somehow working for the external enemy, which is why any person who is out of favour is accused of working for the state department.”
Such reports are part of the broader campaign against foreign media that started in 2014 with a law limiting foreign ownership of Russian media and peaked this year, in late November, when Vladimir Putin signed a new law deeming media outlets that receive funding from overseas as foreign agents and restricting their activity in Russia.
Echo Moskvy was also affected by the law on foreign capital. According to new amendments to the media law that came into force in January 2016, foreign shares in Russian media must not exceed 20%. Alexey Vendiktov, the editor-in-chief of Echo Moskvy, said in an interview with Novaya Gazeta that American EM Holding used to hold 15.92% of the company’s shares, which was in line with the law. But in February 2017 Russian media regulator Roskomnadzor apparently found a new interpretation of the law when it asked EM Holding to withdraw all funding from the station.
“According to them, a foreign company cannot be the co-owner of a media outlet in the Russian Federation,” editor-in-chief Alexey Venediktov said in an interview with the RNS agency. In March 2017 the radio station changed its structure to allow a complete withdrawal of EM Holding’s capital. However, this did not halt accusations from the press in September and October that they were working for foreign powers.
“State media’s role is propaganda,” Sergey Buntman, a deputy editor-in-chief of the radio station, told Mapping Media Freedom. “Russia is like a fortress under siege; everybody is against Russia and there are lots of external and internal enemies – that’s how they are creating the atmosphere which is, in my opinion, extremely aggressive and intolerant.”
Many Echo Moskvy journalists experienced this aggression first hand. In April, radio host Olga Bychkova was insulted on air by a guest, the famous Soviet, Ukrainian, Russian and Estonian writer Mikhail Veller, who threw a cup at her while swearing. In May three radical activists of the far-left movement Drugaya Rossiya (Another Russia) at the Open Dialogs forum in St. Petersburg doused Venediktov with whisky for “betraying Russia”. In July in Orenburg, editor-in-chief of local branch Echo Moskvy, Maxim Kurnikov, was assaulted while reporting on a meeting of opposition volunteers. Reporter Alexandr Pluschev was detained on 26 March, and Andrey Poznyakov on 12 June. Both were covering anti-corruption protests in Moscow for Echo Moskvy.
“It’s all connected to the state of media and human rights and the general situation in the country, which deteriorated throughout 2017,” says Buntman. “Since 2013, the pressure on independent media has progressively gotten worse. The situation is clearly not going to become better this year.”
In September 2017, Yulia Latynina, a prominent columnist and contributor to Echo Moskvy and the independent newspaper Novaya Gazeta, fled Russia after several instances of intimidation. “I have left Russia in connection to threats to my life,” the journalist wrote on Twitter on 10 September. The latest incident took place on 3 September next to Latynina’s parents’ house in the village of Peredelkino, southwest of Moscow, when her car was set on fire. In July 2017, her car and her parents’ house had been sprayed with noxious gas. Neither incident has been properly investigated.
“There is no progress in the investigation at all,” Latynina tells Mapping Media Freedom, six months after the attack on her house. “It is especially outrageous because I was not the only one who suffered in this case. The reagent that our house was sprayed with turned out to be not only horribly stinky but also dangerous to health. Since that incident, my mother started having problems with her lungs. My parents, 77 and 79 years-old, as well as five our neighbours, including two elderly people and two children, suffered as well.”
The lack of police response came as no surprise to Latynina. When an attacker poured faeces on her in 2016, an investigator not only declined to open a criminal case due to “absence of the event of a crime”, but was considering opening a criminal case against the columnist for “false denunciation”.
“The false denunciation was that I reported the crime that had never happened,” Latynina says. “However, after some consideration, he decided not to do it.”
Latynina believes that the attacks were orchestrated and covered up by the FSB. “I can’t prove it, so I’ll just say that in my opinion those attacks are connected to the same structures, that control ‘trolls from Olgino’ tied with ‘Kremlin chef’ Evgeny Prigozhin,” says Latynina referring to her publications on the infamous “troll factory” that reportedly used social media networks to spread propaganda and fake news among Russian users and later, during the 2016 US election campaign, among American users too.
Latynina explains the recent rise in violence against journalists as being influenced by the upcoming presidential election in March 2018, when Vladimir Putin will run for the post again.
“First of all, the proximity of the upcoming elections. Secondly, there’s the steady toughening of the regime; it goes from mild to full dictatorship,” Latynina says. “Before 2014, the regime was based on two main factors: oil money and television. There was enough oil money for everybody, and it was considered that television can brainwash the nation. Now there is no money and people tend to stop watching television. Vremya [the main news programme on Channel One ] is watched by 5 million people, whose average age is 65. [Opposition politician Alexey] Navalny’s movie about Dimon [the investigation of prime-minister Dmitry Medvedev’s links to shady charity funds that own luxurious property and yachts] was watched on Youtube by 25 million people.”
After the attack on Felgengauer, another prominent Echo Moskvy host, Ksenia Larina, also left Russia. “I have decided to have Ksenia Larina evacuated,” Venediktov said in an interview to Dozhd TV. “She will leave the country for at least half a year until her security is guaranteed, because the next blow from a knife to someone’s throat could come after Solovyov’s show, and he would be the instigator. I have no other means to protect my journalists.”
Following the attack, Dmitry Muratov, the editor-in-chief of Novaya Gazeta, said that he planned to arm his journalists, but both Felgengauer and Latynina agree that it would not help.
“The security of journalists can be provided only by one condition: it is the state complying with its own laws,” Latynina says.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Mapping Media Freedom” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-times-circle” color=”black” background_style=”rounded” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]
Since 24 May 2014, Mapping Media Freedom’s team of correspondents and partners have recorded and verified more than 3,700 violations against journalists and media outlets.
Index campaigns to protect journalists and media freedom. You can help us by submitting reports to Mapping Media Freedom.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
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