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The exhibition Seeing Auschwitz, which opened recently in South Kensington, London, focuses on the images which play a large part in our collective perception of the Holocaust. What makes the images in this exhibition unique is that they were predominantly taken by the perpetrators of the Holocaust.
A focus of the exhibition is to try and humanise these images. Blown up large, we are invited to study the small detail for any stories we can see. A farewell embrace, children laughing, a gaze up to the sky.
The pictures in the exhibition were taken over a three-month period in 1944. The clear, more polished photos taken by the Nazis are juxtaposed by a section of the exhibition which shows several snatched photos taken by the Sonderkommando (work units made up of death camp prisoners). One of the photos (it’s not known how they accessed a camera) shows a group of women being forced naked, a hurried snapshot of terror. Drawings made after the war by one of the Sonderkommando gives an insight into the horror of the gas chambers.
One interesting photo is taken by neither perpetrator nor victim. The image, taken by a 14-year-old boy from his bedroom window, shows inmates from Dachau on a death march through his village. It places the horrors of the concentration camp, very rarely, in a normal, suburban setting.
The exhibition reminds us that, with around two million visitors per year, Auschwitz itself isn’t the only place we can understand what happened there. It can also be ‘seen’ in the void - the absence of large Jewish populations, common in towns and cities throughout Europe before the Second World War, which signifies whole generations of people who will never be born.
Attempts to destroy evidence of the Holocaust by the Nazis failed overall. Aside from antisemitic and right-wing conspiracy theorists, the world is clear about what the Holocaust was, and who the perpetrators were.
Similar efforts to bear witness to atrocities continue today. In March 2022, at least 458 people were killed in and around the town of Bucha in Ukraine by the invading Russian Army, which Russia’s UN envoy denied and claimed was a ‘staged provocation’. Journalists and civilians alike collected evidence to prove that was a falsehood. Elsewhere it is not so easy. In a chilling echo of the Holocaust, around five years ago there were reports that China was building internment camps for its Uyghur population, a mainly Muslim ethnic minority living in the far north western region of the country. The Chinese Foreign Ministry publicly denied there was a genocide in 2021; reporters are rarely allowed into the region where the genocide is taking place and when they are, they are often followed and/or their press trips tightly controlled. Those who have left the region are subject to harassment and intimidation, as we reported in our Banned by Beijing report. Still, a growing network of brave individuals are speaking out, journalists are working hard to obtain information and a clear picture of what is taking place is emerging.
Like Sydney Silverman did in 1942, it’s important for organisations like Index on Censorship to pressure those in power to take action against human rights abuses, to support those who are on the frontlines of gathering information and to also fight back against denial in spite of evidence. In an age of misinformation and disinformation, the fear is that evidence of atrocities, like the Bucha and Uyghur genocides, become distorted from the side of the perpetrator. Seeing Auschwitz reminds us to look deeper into what we’re viewing.
Every day there seems to be a new public controversy, with clear free speech elements, which dominates our public discourse for a day or two. Each one typically leads to a discussion within Index, our professional staff debating not just whether we should make an intervention and what that could look like. But sometimes, more importantly, the team has the intellectual debate about where the lines on the right to freedom of speech fall. What are the rights and responsibilities we all have towards the societies we live in? Where is the line on incitement, on hate speech, on civility?
From Kanye West, to the revoking of TV Rain’s broadcast licence in Latvia, to the death of Jiang Zemin. All had freedom of expression angles, all were complicated, no part of the reality behind the news was clear cut and nuance in the debate was seemingly lost in the maelstrom of the debate.
Personally I struggle with Kanye West being given a platform by anyone; his words incite violence against a minority and there can be little debate that his public statements amount to hate speech. I have spent the majority of my life campaigning against racism and anti-Jewish hate and Mr West, aka Ye, is clearly a racist who espouses views that I will always challenge. And I struggle to be convinced that he has the right to celebrate and justify his racism on every platform available.
However, there are those within the Index family, including some of our founders, who consider (or considered) free speech to be an absolute right - where no limitations on speech could be tolerated. That freedom of expression enables us to shine a light on extremist views and therefore can act as an antidote to them. Intellectually I can understand that approach, I even have huge sympathy with it. Pushing extremist views to the fringes and making them illicit, gives them a mystery and an appeal that they otherwise might not attract. But there has to be a balance, at least in my opinion.
Which brings me back to the right to speak versus the right to be heard. I have the absolute right to write this blog but you have the absolute right not to read it. I have the right to speak, to draw, to argue, but you have the right to ignore me. Because the Universal Declaration of Human Rights gives me the right to have my own views and to be able to share them without fear or favour - but it doesn’t force anyone to have to listen to them. So the onus is on all of us to find the balance between respecting our freedom of expression and protecting and enhancing the public spaces of the societies we live in.
At the end of every year, Index on Censorship launches a campaign to focus attention on human rights defenders, dissidents, artists and journalists who have been in the news headlines because their freedom of expression has been suppressed during the past twelve months. As well as this we focus on the authoritarian leaders who have been silencing their opponents.
Last year, we asked for your help in identifying 2021's Tyrant of the Year and you responded in your thousands. The 2021 winner, way ahead of a crowded field, was Turkish president Recep Tayyip Erdogan, followed by China’s Xi Jinping and Syria’s Bashar al-Assad .
The polls are now open for the title of 2022 Tyrant of the Year and we are focusing on 12 leaders from around the globe who have done more during the past 12 months than other despots to win this dubious accolade.
Click on those in our rogues' gallery below to find out why the Index on Censorship team believe each one should be named Tyrant of the Year and then click on the form at the bottom of those pages to cast your vote. The closing date is Monday 9 January 2023.
VOTING HAS NOW CLOSED. SEE WHO YOU VOTED AS TYRANT OF THE YEAR 2022 HERE.