Stifling free speech online in the war on fake news

[vc_row][vc_column][vc_single_image image=”97329″ img_size=”full” add_caption=”yes” alignment=”right”][vc_column_text]“Fake news”. The phrase emerged only a matter of years ago to become familiar to everybody. The moral panic around fake news has grown so rapidly that it became a common talking point. In its short life it has been dubbed the Collins Dictionary’s word of 2017 and the Bulletin of Atomic Scientists say it was one of the driving factors that made them set their symbolic Doomsday Clock to two minutes from midnight in 2019. It is a talking point on the lips of academics, media pundits and politicians.

For many, it is feared that “fake news” could lead to the end of democratic society, clouding our ability to think critically about important issues. Yet the febrile atmosphere surrounding it has led to legislation around the world which could potentially harm free expression far more than the conspiracy theories being peddled.

In Russia and Singapore politicians have taken steps to legislate against the risk of “fake news” online. A report published in April 2019 by the Department of Digital, Culture, Media and Sport could lead to stronger restrictions on free expression on the internet in the UK.

The Online Harms White Paper proposes ways in which the government can combat what are deemed to be harmful online activities. However, while some the harmful activities specified — such as terrorism and child abuse — fall within the government’s scope, the paper also declares various unclearly defined practices such as “disinformation” as under scrutiny.

Internet regulation would be enforced by a new independent regulatory body, similar to Ofcom, which currently regulates broadcasts on UK television and radio. Websites would be expected to conform to the regulations set by the body.

According to Jeremy Wright, the UK’s Secretary of State for Digital, Culture, Media and Sport, the intention is that this body will have “sufficient teeth to hold companies to account when they are judged to have breached their statutory duty of care”.

“This will include the power to issue remedial notices and substantial fines,” he says, “and we will consult on even more stringent sanctions, including senior management liability and the blocking of websites.​”

According to Sharon White, the chief executive of the UK’s media regulatory body Ofcom, the term “fake news” is problematic because it “is bandied around with no clear idea of what it means, or agreed definition. The term has taken on a variety of meanings, including a description of any statement that is not liked or agreed with by the reader.”  The UK government prefers to use the term “disinformation”, which it defines as “information which is created or disseminated with the deliberate intent to mislead; this could be to cause harm, or for personal, political or financial gain”.

However, the difficulty of proving that false information was published with an intention to cause harm could potentially affect websites which publish honestly held opinions or satirical content.

As a concept, “fake news” is frequently prone to bleeding beyond the boundaries of any attempt to define it. Indeed, for many politicians, that is not only the nature of the phrase but the entire point of it.

“Fake news” has become a tool for politicians to discredit voices which oppose them. Although the phrase may have been popularised by US President Donald Trump to attack his critics, the idea of “fake news” has since become adopted by authoritarian regimes worldwide as a justification to deliberately silence opposition.

As late US Senator John McCain wrote in a piece for The Washington Post: “the phrase ‘fake news’ — granted legitimacy by an American president — is being used by autocrats to silence reporters, undermine political opponents, stave off media scrutiny and mislead citizens.

“This assault on journalism and free speech proceeds apace in places such as Russia, Turkey, China, Egypt, Venezuela and many others. Yet even more troubling is the growing number of attacks on press freedom in traditionally free and open societies, where censorship in the name of national security is becoming more common.”

In Singapore — a country ranked by Reporters Without Borders as 151 out of 180 nations for press freedom in 2019 — a bill was introduced to parliament ostensibly intended to combat fake news.

Singapore’s Protection from Online Falsehoods and Manipulation Bill would permit government ministers to order the correction or removal of online content which is deemed to be false. It is justified under very broad, tautological definitions which state amongst other things that “a falsehood is a statement of fact that is false or misleading”. On this basis, members of the Singaporean government could easily use this law to censor any articles, memes, videos, photographs or advertising that offends them personally, or is seen to impair the government’s authority.

In addition to more conventional definitions of public interest, the term is defined in the bill as including anything which “could be prejudicial to the friendly relations of Singapore with other countries.” The end result is that Singaporeans could potentially be charged not only for criticising their own government, but Singapore’s allies as well.

Marte Hellema, communications and media programme manager for the human rights organisation FORUM-ASIA explains her organisation’s concerns: “We are seriously concerned that the bill is primarily intended to repress freedom of expression and silence dissent in Singapore.”

Hellema pointed out that the law would be in clear violation of international human rights standards and criticised its use of vague terms and lack of definitions.

“Combined with intrusive measures such as the power to impose heavy penalties for violations and order internet services to disable content, authorities will have the ability to curtail the human rights and fundamental freedoms of anyone who criticises the government, particularly human rights defenders and media,” Hellema says.

In Russia, some of the most repressive legislation to come out of the wave of talk about “fake news” was signed into law earlier this year.

In March 2019, the Russian parliament passed two amendments to existing data legislation to combat fake news on the internet.

The laws censor online content which is deemed to be “fake news” according to the government, or which “exhibits blatant disrespect for the society, government, official government symbols, constitution or governmental bodies of the Russian Federation”.

Online news outlets and users which repeatedly run afoul of the laws will face fines of up to 1.5 million roubles (£17,803) for being seen to have published “unreliable” information.

Additionally, individuals who have been accused of specifically criticising the state, the law or the symbols which represent them risk further fines of 300,000 roubles (£3,560) or even prison sentences.

The move has been criticised by public figures and activists, who see the new laws as an attempt to stifle public criticism of the government and increase control over the internet. The policy is regarded as a continuation of previous legislation in Russia designed to suppress online anonymity and blacklist undesirable websites.[/vc_column_text][/vc_column][/vc_row]

Why we find it impossible to talk about birth, death and marriage

[vc_row][vc_column][vc_custom_heading text=”Vital moments during our lifetimes are complicated by taboos about what we can and can’t talk about, and we end up making the wrong decisions just because we don’t get the full picture, says Rachael Jolley in the winter 2018 issue of Index on Censorship magazine” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][vc_column_text]

Birth, Marriage and Death

Birth, Marriage and Death, the winter 2018 issue of Index on Censorship magazine.

Birth, marriage and deaththese are key staging posts. And that’s one reason why this issue looks at how taboos around these subjects have a critical impact on our world.

Sadly, there are still many of us who feel we can’t talk about problems openly at these times. Societal pressure to conform can be a powerful element in this and can help to create stultifying silences that frighten us into not being able to speak.

Being unable to discuss something that has a major and often complex impact on you or your family can lead to ignorance, fear and terrible decisions.

Not knowing about information or medical advice can also mean exposing people to illness and even death.

The Australian Museum sees death as the last taboo, but it also traces where those ideas have come from and how we are sometimes more shy to talk about subjects now than we were in the past.

The Sydney-based museum’s research considers how different cultures have disposed of the dead throughout history and where the concepts of cemeteries and burials have come from.

For instance, in Ancient Rome, only those of very high status were buried within the city walls, while the Ancient Greeks buried their dead within their homes.

The word “cemetery” derives from the Greek and Roman words for “sleeping chamber”, according to the Australian Museum, which suggests that although cremation was used by the Romans, it fell out of favour in western Europe for many centuries, partly because those of the Christian faith felt that setting fire to a body might interfere with chances of an afterlife.

Taboos about death continue to restrict speech (and actions) all around the world. In a six-part series on Chinese attitudes to death, the online magazine Sixth Tone revealed how, in China, people will pay extra not to have the number “4” in their mobile telephone number because the word sounds like the Mandarin word for “death”.

It also explores why Chinese families don’t talk about death and funerals, or even write wills.

In Britain, research by the charity Macmillan Cancer Support found just over a third of the people they surveyed had thoughts or feelings about death that they hadn’t shared with anyone. Fears about death concerned 84% of respondents, and one in seven people surveyed opted out of answering the questions about death.

These taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis.

Mental health campaigner Alastair Campbell wrote in our winter 2015 issue that when he was growing up, no one ever spoke about cancer or admitted to having it.

It felt like it would bring shame to any family that admitted having it, he remembered. Campbell said that he felt times had moved on and that in Britain, where he lives, there was more openness about cancer these days, although people still struggle to talk about mental health.

Hospice director Elise Hoadley tells one of our writers, Tracey Bagshaw, for her article on the rise of death cafes (p14), that British people used to be better at talking about death because they saw it up close and personal. For instance, during the Victorian period it would be far more typical to have an open coffin in a home, where family or friends could visit the dead person before a funeral. And vicar Laura Baker says of 2018: “When someone dies we are all at sea. We don’t know what to do.”

In a powerful piece for this issue (p8), Moscow-based journalist Daria Litvinova reports on a campaigning movement in Russia to expose obstetric abuse, with hundreds of women’s stories being published. One obstacle to get these stories out is that Russian women are not expected to talk about the troubles they encounter during childbirth. As one interviewee tells Litvinova: “And generally, giving birth, just like anything else related to women’s physiology, is a taboo subject.” Russian maternity hospitals remain institutions where women often feel isolated, and some do not even allow relatives to visit. “We either talk about the beauty of a woman’s body or don’t talk about it at all,” said one Russian.

Elsewhere, Asian-American women talk to US editor Jan Fox (p27) about why they are afraid to speak to their parents and families about anything to do with sex; how they don’t admit to having partners; and how they worry that the climate of fear will get worse with new legislation being introduced in the USA.

As we go to press, not only are there moves to introduce a “gag rule” – which would mean removing funding from clinics that either discuss or offer abortion – but in the state of Ohio, lawmakers are discussing House Bill 565, which would make abortions illegal even if pregnancies arise from rape or incest or which risk the life of the mother. These new laws are likely to make women more worried than before about talking to professionals about abortion or contraception.

Don’t miss our special investigation from Honduras, where the bodies of young people are being discovered on a regular basis but their killers are not being convicted. Index’s 2018 journalism fellow Wendy Funes reports on p24.

We also look at the taboos around birth and marriage in other parts of the world. Wana Udobang reports from Nigeria (p45), where obstetrician Abosede Lewu tells her how the stigma around Caesarean births still exists in Nigeria, and how some women try to pretend they don’t happen — even if they have had the operation themselves. “In our environment, having a C-section is still seen as a form of weakness due to the combination of religion and culture.”

Meanwhile, there’s a fascinating piece from China about how its new two-child policy means women are being pressurised to have more children, even if they don’t want them — a great irony when, only a decade ago, if women had a second child they had to pay.

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” size=”xl” align=”right” custom_color=”#dd3333″][/vc_column_inner][vc_column_inner width=”3/4″][vc_custom_heading text=”Taboos, especially around death and illness, can stop people asking for help or finding support in times of crisis” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column_inner][/vc_row_inner][vc_column_text]

In other matters, I have just returned from the annual Eurozine conference of cultural journals, this year held in Vienna. It was interesting to hear about a study into the role of this specific type of publication. Research carried out by Stefan Baack, Tamara Witschge and Tamilla Ziyatdinova at the University of Groningen, in the Netherlands, is looking at what long-form cultural journalism does and what it achieves.

The research is continuing, but the first part of the research has shown that this style of magazine or journal stimulates creative communities of artists and authors, as well as creating debates and exchanges across different fields of knowledge. Witschge, presenting the research to the assembled editors, said these publications (often published quarterly) have developed a special niche that exists between the news media and academic publishing, allowing them to cover issues in more depth than other media, with elements of reflection.

She added that in some countries cultural journals were also compensating for the “shortcomings and limitations of other media genres”. Ziyatdinova also spoke of the myth of the “short attention span”.

At a time when editors and analysts continue to debate the future of periodicals in various forms, this study was heartening. It suggests that there still is an audience for what they describe as “cultural journals” such as ours – magazines that are produced on a regular, but not daily basis which aim to analyse as well as report what is going on around the world. Lionel Barber, the editor of the Financial Times newspaper, spoke of his vision of the media’s future at the James Cameron Memorial Lecture at London’s City University in November. As well as arguing that algorithms were not going to take over, he said he was convinced that print had a future. He said: “I still believe in the value and future of print: the smart, edited snapshot of the news, with intelligent analysis and authoritative commentary.”

His belief in magazines as an item that will continue to be in demand, if they offer something different from  something readers have already consumed, was made clear: “Magazines, which also count as print – are they going to just disappear? No. Look at The Spectator, look at the sales of Private Eye.”

The vibrancy of the magazine world was also clear at this year’s British Society of Magazine Editors awards in London, with hundreds of titles represented. Jeremy Leslie, the owner of the wonderful Magculture shop in London (which stocks Index on Censorship) received a special award for his commitment to print. This innovative shop stocks only magazines, not books, and has carved out a niche for itself close to London’s City University. Well done to Jeremy. Index was also shortlisted for the specialist editor of the year award, so we are celebrating as well.

We hope you will continue to show your commitment to this particular magazine, in print or in our beautiful digital version, and think of buying gift subscriptions for your friends at this holiday time (check out https://shop.exacteditions.com/index-on-censorship for a digital subscription from anywhere in the world). We appreciate your support this year, and every year, and may you have a happy 2019.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on Birth, Marriage and Death.

Index on Censorship’s winter 2018 issue is Birth, Marriage and Death, What are we afraid to talk about?  We explore these taboos in the issue.

Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Birth, Marriage and Death” font_container=”tag:h3|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F12%2Fbirth-marriage-death%2F|||”][vc_column_text]The winter 2018 issue of Index on Censorship magazine explores taboos surrounding birth, marriage and death. What are we afraid to talk about?

With: Liwaa Yazji, Karoline Kan, Jieun Baek[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_row_inner][vc_column_inner][vc_single_image image=”104225″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/12/birth-marriage-death/”][/vc_column_inner][/vc_row_inner][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:h3|text_align:left”][vc_row_inner][vc_column_inner][vc_column_text]In print, online. In your mailbox, on your iPad.

Subscription options from £18 or just £1.49 in the App Store for a digital issue.

Every subscriber helps support Index on Censorship’s projects around the world.

SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

No impunity: Who killed journalist Pavel Shemeret?

[vc_row][vc_column][vc_single_image image=”103553″ img_size=”full” add_caption=”yes”][vc_column_text]Before his death, Pavel Sheremet was one of Ukraine’s leading investigative journalists. He most notably investigated government corruption and border smuggling in his native Belarus, leading to his arrest in 1997 but winning him CPJ’s International Press Freedom Award in the process. He was detained, harassed and arrested because of his work.

Then, in 2016, he was assassinated. And Ukrainian authorities still have not uncovered who’s to blame.

Sheremet had just left his home in Kyiv, Ukriane the morning of July 20, on his way to Radio Vesti’s offices to host his morning show. He’d only driven a few hundred feet when the car exploded, and he was dead.

Ukraine’s prime minister, Volodymyr Groysman, called the news “terrible” on the day of Sheremet’s death, and other Ukrainian officials said they were dedicated to solving the murder. An investigation was launched. But, even two years later, no arrests have been made and no police leads have been made public. Any developments in the investigation have been kept quiet, and many journalists have taken the case into their own hands.

A documentary titled “Killing Pavel,” released in May 2017 by two investigative journalism organisations, highlighted the gaps of Ukraine’s official investigation, in addition to showing footage from security cameras outside Sheremet’s apartment building. They identified a former member of the SBU, Ukraine’s security agency, outside the building the night before Sheremet’s death. The SBU is one of the organisations tasked with investigating the murder.

The discovery obviously led to questions. Though the former SBU agent denied involvement in the murder, authorities have not stated why he was there that night.

Two months later, the CPJ published an investigative report into Sheremet’s death and found that Ukraine’s primary line of questioning was focused on Russian involvement, though the country has not given evidence of their interference.

Meanwhile, the police chief in charge of the investigation resigned due to obstruction by her superiors, and police and security service officials are pointing fingers at each other for destruction of video evidence.

In the same report, the CPJ said that 35 Ukrainian investigators were working on the case, along with three state prosecutors, and conducting 1,800 interviews and reviewing 150 terabytes of video footage. Yet no suspects have been identified, even with security camera footage showing two people planting the bomb under Sheremet’s car and a clear photograph of one of the assassins.

The CPJ said the possibility of Ukrainian involvement “casts doubt on the credibility of the official investigation,” and recommended the Ukrainian president invite an “independent international inquiry” to ensure accountability. Though the president said he would accept such an investigator, no action has been taken.

The failure by the Ukranian government to properly investigate Sheremet’s death and to quickly place the blame on Russia has not gone unnoticed. They have been criticised by a number of human rights organisations and advocacy groups, including Index.[/vc_column_text][vc_column_text]Additional reporting by Gillian Trudeau[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”96085″ img_size=”full”][vc_column_text]Maltese investigative journalist Daphne Caruana Galizia was killed by a car bomb near her home in Bidniji, Malta. Caruana Galizia reported on high-profile corruption investigations and had been sued multiple times. She filed a police report 15 days before the attack saying she was receiving death threats. Two months after the murder, 10 people were detained in connection with Galizia’s death. Three are now awaiting trial and have entered not guilty pleas. The magistrate will decide whether to excuse the men or take them into prosecution in front of a judge and jury. In the meantime, The Daphne Project is dedicated to investigating Galizia’s death and carrying on her work.[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_single_image image=”98320″ img_size=”full”][vc_column_text]Ján Kuciak, a Slovakian investigative journalist, and his fiance were shot dead in their home on 21 February 2018. Kuciak was reporting on tax fraud among businessmen connected to the country’s ruling party. He had previously filed a complaint against businessman Marian Kočner, who was allegedly connected with the bankruptcy of Real Štúdio KFA. A month after the murders, on 27 March, investigators examined the crime scene but found no evidence. On 27 September, police detained eight people connected to Kuciak’s murder. Among them were Tomáš S, Miroslav M and Alena Z. Alena Z is said to have worked as an Italian-Slovak interpreter for businessman Marian Kočner. A sum of €70,000 was paid for the contract killing of Kuciak, prosecutor general Jaromír Čižnár said, according to Slovak newspaper Sme. Sme quoted Čižnár who stated that it is still unclear who ordered the contract killing and would not confirm or deny if Marian Kočner is a lead suspect, but said further charges could be made in the case. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1541160123163-ad0ff09d-ff03-10″ taxonomies=”6564″][/vc_column][/vc_row]

Too dangerous to stay: Russia’s journalists are leaving the country

[vc_row][vc_column][vc_single_image image=”102893″ img_size=”full”][vc_column_text]

A country with the largest territory in the world and a turbulent modern history, Russia is home to one of the most difficult media landscapes and censorship has been tightening its grip with new-found strength.

Free media was virtually non-existent during the decades of Soviet rule. It wasn’t until 1991 that Soviet leader Mikhail Gorbachev signed a decree allowing the first independent media outlets to emerge. This was also the year the Soviet Union ceased to be, and Russia was born in its stead. The constitution of Russia, adopted in 1993, guaranteed, among other rights and freedoms, the freedom of speech.

In 2018 it is still the same country with the same constitution, but the initial euphoria for freedom ended abruptly in 2003 after the shake-up of the television channel NTV. From its foundation in 1993 through the early 2000s, NTV was the largest private broadcaster in Russia and a stronghold of free speech, which didn’t suit Vladimir Putin, who first became president in 2000. Witty, free-spoken hosts openly criticised the government, reported on its failures and produced sharp political satire. The undermining of the channel began in 1999 with governmental lawsuits, and the final blow was dealt soon after the tragic events around Nord Ost, the three-day theatre siege in 2002, also known as the Dubrovka terror attack. Putin’s displeasure with NTV’s honest coverage and investigation into the death of 129 hostages, who inhaled an unidentified state-administered gas, resulted in the firing of the network’s CEO Boris Jordan. Soon after, the channel ceased to exist only to be reborn as a state-controlled media outlet with the same name.

Today, mass media in Russia is quite a different scene. The government sets the tone for many things, including the attitude towards journalists. Who are the good guys and who are the bad guys? Which news events should be covered in state media and which are too upsetting to show to the country?

State-owned and state-friendly TV channels like Channel 1 and Rossiya are known for meticulously filtering the inflow of news and dropping the themes and subjects that may throw shadow on the government. The few independent outlets left standing, like Ekho Moskvy, Novaya Gazeta and Dozhd TV, have to endure harassment from power structures and take part in legal battles against governmental institutions and businesses willing to censor them.

Recent additions to Russian legislation make it easier to prosecute media outlets for their reporting. Financial struggle is also real for many Russian media, which are being purchased and reshaped according to the tastes of the new owners, who often happen to have close ties to the Kremlin. That’s what happened to RBC newspaper and TV channel, among others.

Self-censorship is prevalent in newsrooms as well.

The number of threats and acts of violence against journalists has increased three-fold within the last two years, reported Natalia Kostenko, the head of the ONF Centre for Legal Support of Journalists, at a conference in March 2018.  Kostenko cited restriction of access, verbal threats, physical violence, damage to personal belongings and lawsuits as the most common misdemeanours against media workers.

However, media freedom is not the only concern in today’s Russia. The political climate has changed drastically over the last few years: the country has seen a surge of nationalism, xenophobia and religious fervour, and the revival of Soviet methods of dealing with “thought criminals”. Under recently passed legislation, a person can be imprisoned for a social media like or repost if anyone considers it to be hateful or extremist. The economic stagnation and financial crisis, which began in 2014 as the result of sanctions against Russia’s actions in Crimea and Donbass, has been an important factor in all of this and contributed to a new wave of emigration, or “brain drain”, that has hit the country. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”102871″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Journalists are emigrating from the country for the same reasons as other groups. Some leave to pursue better career opportunities at foreign news outlets. Some follow their families or marry abroad. Some simply want a safer, more open environment for themselves and their children.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”102872″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Veteran TV host Tatiana Lazareva found herself unable to find any work on Russian television after she and her husband Mikhail Shatz took part in covering opposition leader Alexey Navalny‘s protests in 2012. This got them blacklisted on most Russian TV channels. “I don’t have a profession anymore,” Lazareva told Dozhd TV in an interview last year. “As I see it now, they wanted to take not only television away from us, but any chance to make money, wanted us, like, to crawl on our knees and beg.”

She moved to Spain, where she and her family had been spending their holidays for 15 years, to raise her youngest daughter. Lazareva continues her charity work in Russia and heads a motivational programme for people over 50, but the door to journalism in her country remains closed.

Lazareva’s example is not unique, and many young journalists now prefer to either start their careers abroad or change professions. For some journalists, leaving Russia is the only possible choice.

Vocal and straightforward, Karina Orlova had been a journalist at Ekho Moskvy radio for over a year when the attack on the French magazine Charlie Hebdo took place. A few days after the massacre, she hosted a show with Maxim Shevchenko, a right-wing journalist and then-member of the Russian Presidential Council on Human Rights. Orlova asked Shevchenko to comment on the threatening statement made by Chechen Republic leader Ramzan Kadyrov in response to exiled businessman Mikhail Khodorkovsky’s suggestion that every media outlet should republish Charlie Hebdo’s controversial Prophet Mohammed caricatures as an act of solidarity. Kadyrov called Khodorkovsky “the enemy of all Muslims” and his “personal enemy”, and said he hoped someone “would make the fugitive answer” for his words.  Shevchenko kept defending Kadyrov’s point of view, while Orlova attempted to get Shevchenko to acknowledge the severity of the threats and report them to the council. For this, she too became a target. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”102873″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Orlova’s mother discovered that threats were being made under the journalist’s profile on a website for local journalists. Orlova then began receiving threats through her Facebook account. She could tell there was something different about these threats – they weren’t like the usual outbursts she encountered while on air. The men, residents of Chechnya and Ingushetia, didn’t try to hide their identity. They called Orlova “the enemy of Islam” and promised to kill her in many different ways. At the same time, Kadyrov directed threats to Ekho’s staff chief editor Alexey Venediktov.

In haste, Orlova packed her things and boarded a flight to the United States, which she believed to be the safest place for her. It took her some time to feel comfortable in the new environment and polish her English skills. She still contributes to Ekho, but her main job is with an American political magazine.

“Return to Russia? I can’t, I don’t want to and I won’t. Russia is a dangerous country where the raging of the power structures got even more out of hand in the last three years,” Orlova says. “There are no independent courts, the police only chases the “enemies of the state” and robs local businesses.”

Despite being away from Russia for three years, Orlova’s name hasn’t been forgotten. “In January 2018 director Nikita Mikhalkov filmed an episode of his TV show, Besogon (“Exorcist” in Russian), about me. He called me Goebbels and a fascist for an old article in which I suggested that Russia needed a lustration, and all people who worked in the Soviet system should be excluded from the government. Last time Besogon covered an Ekho journalist, Tanya Felgengauer was brutally attacked,” Orlova said.

Echo Moskvy's Tatiana Felgengauer, a long-time host and one of the editor-in-chief’s deputies, was stabbed several times in the neck in the station's office. (Photo: Facebook)

Echo Moskvy’s Tatiana Felgengauer, a host and one of the editor-in-chief’s deputies, was stabbed several times in the neck in the station’s office. (Photo: Facebook)

Ekho host Tatiana Felgengauer was stabbed in the throat in October 2017 at the station’s headquarters. The attacker pepper-sprayed a guard and went for Felgengauer once he reached the office. He was deemed to be a paranoid schizophrenic and sentenced to compulsory medical treatment by the court.

Yulia Latynina

Yulia Latynina (Twitter)

As one of the most noticeable and outspoken radio hosts in Moscow, Felgengauer was criticised by Russian state outlets more than once. Just a week before the attack she was called a “traitor of the motherland” on state television for attending a conference sponsored by foreign human rights organisations. She survived thanks to quick medical attention and has since fully recovered and returned to work. Nevertheless, it was a very close call.

Soon after the attack Ksenia Larina, another Ekho journalist, began receiving death threats. Not taking any chances, she promptly left the country for Europe.

Yulia Latynina hosted her own show at Ekho while also contributing to the newspaper Novaya Gazeta. The sharp-tongued novelist and journalist has been an object of criticism for many years, but the final straw for her came in September 2018 when her car was burned out right outside her country house, which had previously been sprayed with a dangerous military-grade chemical. Latynina now spends her time between different countries and has no plans to return to Russia.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_column_text]

No other Russian outlet has seen more of their journalists threatened, attacked and murdered over the years than Novaya Gazeta. One of the last bastions of Russian free press standing, the newsroom works under extreme pressure, carrying on in the same line of work as their fallen colleagues, who paid with their lives to get the truth out.

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102877″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2000, Igor Domnikov, reported on business corruption in Moscow. Beaten to death outside his apartment by multiple men wielding hammers. Some of the murderers were arrested and sentenced in 2007, while the mastermind of the crime was let go.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102880″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2003, Yury Schekochikhin, investigative journalist. Died of a mysterious 16-day illness, possibly poison. Real cause of death never determined, independent investigation banned, case closed.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”85407″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2006, Anna Politkovskaya, most famous for reporting about the Second Chechen War. First poisoned in 2004, recovered; then shot dead in her apartment building right on Vladimir Putin’s birthday. Murderers found and jailed, mastermind never found, investigation closed. Politkovskaya won an Index on Censorship Freedom of Expression Award for her courageous journalism.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102879″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2009, lawyer Stanislav Markelov and freelance reporter Anastasia Baburova. Both shot in the head on a Moscow side street in broad daylight. Both the killers and the mastermind found and jailed.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102878″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]2009, Natalia Estemirova, human rights activist and journalist in Chechnya. Abducted near her home and found dead with bullet wounds in a woodland miles away. The killer was identified by the officials and allegedly killed in ambush. The newspaper staff is skeptical of this version, as the man’s DNA samples didn’t match the ones found on the crime scene.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

It would only be fair to say that Novaya Gazeta management knows pretty well when a threat is real. So instead of waiting for governmental protection, they take their own precautions. Here are just some of the recent stories of those who left the country before it was too late, related by the paper’s former chief editor Dmitry Muratov:

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102890″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Sergey Zolovkin used to be a police officer who solved many crimes, co-founded Sochi newspaper and was a Novaya Gazeta author. He was threatened many times, his car sabotaged, relatives beaten up, an attempt on his life made in 2002 – the would-be killer was caught on the spot as Zolovkin was armed; he moved to Germany soon after.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102891″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Maynat Abdulaeva (Kurbanova) was reporting from Grozny, Chechnya, for years, until she and her family started receiving death threats. She has been living in Germany under PEN program Writers in Exile since 2004.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102889″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Evgeniy Titov left in 2016. He reported on human rights violations in Krasnodar and corruption around Sochi 2014 Olympics, was threatened by the police and private individuals, and requested asylum in Lithuania.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102888″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Elena Milashina co-authored the 2017 world-famous investigation about hundreds of gay men kidnapped, tortured and killed in Chechnya in a covert attempt to “purge” the region. Having been previously attacked and beaten up in 2006 and 2012, she fled Russia following death threats from Chechen officials and Muslim preachers, but continued to cover the region.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102885″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Ali Feruz (pen name) reported on hate crimes, LGBTQ and migrant worker’s rights. He was born in Uzbekistan, though his mother was Russian. He escaped from the country after being detained and tortured by the Uzbek National Security Service, who wanted his cooperation. Feruz moved to Russia and tried to obtain a Russian citizenship on jus sanguinis principle. His initial appeal was turned down, but a new case looked promising. He was suddenly arrested in August 2017 and sentenced to deportation to Uzbekistan. In the following three and a half months Feruz was abused and tortured in detention – and no one got punished for it. He was rescued and granted asylum by the German government, and will never be able to return to Russia. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”102886″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Elena Kostychenko was one of Novaya Gazeta’s most fearless and fierce reporters, having covered complex stories all over Russia. She is also a feminist and LGBTQ activist, and in 2011 was left with a concussion after being attacked at a pride parade in Moscow. In 2016 Kostychenko was brutally beaten in Beslan while covering a protest of the mothers whose children died in the 2004 school terror attack. She is still recovering from psychological aftershocks, abroad.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_column_text]

528 press freedom violations in Russia verified by Mapping Media Freedom as of 27/9/2018

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI3MDAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRm1hcHBpbmdtZWRpYWZyZWVkb20udXNoYWhpZGkuaW8lMkZzYXZlZHNlYXJjaGVzJTJGMTAwJTJGbWFwJTIyJTIwZnJhbWVib3JkZXIlM0QlMjIwJTIyJTIwYWxsb3dmdWxsc2NyZWVuJTNFJTNDJTJGaWZyYW1lJTNF[/vc_raw_html][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1538042702741-bc2cc3fd-837d-0″ taxonomies=”7349, 6564″][/vc_column][/vc_row]