03 Nov 14 | Latvia, News and features, Religion and Culture, Russia, United Kingdom
Protest outside the Royal Albert Hall in London over the recent concert staged by Russian singer Valeriya (Photo: Lensi Photography/Demotix)
At first glance, there seems to be little that Latvia’s New Wave music festival and London’s iconic Royal Albert Hall would have in common.
The former is hugely popular contemporary music festival and talent spotting contest on the shores of the Baltic Sea, attracting thousands of revellers from Eastern Europe and beyond. The latter is one of the world’s most famous venues, where some of the global music industry’s biggest and best artists regularly perform. It is also home to the Proms, the premier musical event of the British establishment.
But both have recently been embroiled in the fallout from the crisis in Ukraine, as a culture war between Russia and the west threatens to widen.
Last week it was claimed by Russia’s culture minister that the New Wave festival was on the verge of being cancelled and moved to Russia after three of the headline acts were barred by the Latvian government earlier this year.
The New Wave festival in the town of Jurmala was due to see Oleg Gazmanov, Joseph Kobzon and Alla Perfilova, known as Valeriya, perform in July.
According to the Baltic Times, the trio were banned from attending by the Latvian foreign ministry over their pro Russian views on the Ukraine crises. At the time several members of the Russian State Duma called on the festival to be moved to another Russian seaside resort, and suggested Crimea as an alternative.
“Concerning the organisation of ‘New Wave’ in Crimea, we are ready to cooperate and will gladly host any creative project in Crimea,” Crimea’s Culture Minister Arina Novoselskaya was quoted as saying.
But Russia’s Culture Minister Vladimir Medinsky has reopened the debate by suggesting that the festival is now on the verge of being moved permanently.
“This decision by the Latvian powers that be can be regarded with nothing except astonishment, and as a result, Jurmala stands to suffer serious economic losses,” he told the Baltic Times while at a private meeting in the capital Riga. “We are very close to making the decision to exit, because Russian artists will not tolerate such a slap in the face.”
The six day concert, which gives emerging artists around the world a chance to perform in front of large crowds, was started in 2002 and is considered one of the best in the region. Thousands attend the event and prizes for the winners can be in their tens of thousands of euros.
But big stars attend too.
Kobzon – once dubbed “Russia’s Frank Sinatra” and who is now a Russian MP – said that he was going to file a lawsuit at the European Court of Human Rights over his ban. “I’m suing the Latvian government for moral and material damages,” he told Pravda. “I had paid the hotel 11,500 euros for the time of my stay in Jurmala, but the hotel did not return the money to me.”
The Latvian foreign ministry released a statement at the time that said the three singers “through their words and actions have contributed to the undermining of Ukraine’s sovereignty and territorial integrity.” Latvian Foreign Minister Edgars Rinkevics sent a tweet that “apologists of imperialism and aggression” would be denied entry into Latvia for the festival. The tweet appears to have been deleted.
The issue has once again raised its head after a campaign was launched by anti-Putin activists to have several Russian artists banned from performing in the UK too. Both Kobzon and Valeriya, who were billed to play at a special one-off concert at London’s Royal Albert Hall on 21 October, were again targets of the proposed bans.
According to The Guardian, both artists signed an open letter supporting Putin’s controversial policies in Ukraine. In the week running up to the concert, Valeriya was pictured sitting next to Putin at the Russian F1 Grand Prix.
The London concert went ahead, though it would seem, not exactly as planned. Kobzon reportedly decided to not attend at the last minute, allegedly fearing he would be turned away at the UK border. Over 100 Ukrainian activists picketed the concert, holding placards that read: “Ukrainian Blood on Putin’s Hands” and “Valeria [sic] and Kobzon: Putin’s Voices of War and Death”.
“After the concert we asked some of the people who attended what was said, as they were leaving. They told us Kobzon didn’t perform, “Nadia Pylypchuk, from the London Euromaidan campaign group who organised the protest, told Index on Censorship. “Valeriya told them on stage that Kobzon couldn’t be there because of ill health. But a few days later he performed in Eastern Ukraine. He was just scared that he would not be allowed into the country,” she added.
Despite several attempts by Index to contact the Royal Albert Hall, the venue declined to answer questions about the concert, including whether Kobzon had performed.
A week later, Kobzon, who was born in the Donbass region, would be banned from entering Ukraine by the Kiev government. He nevertheless returned through the porous Russian border, which the Kiev government has little control over, to perform a concert at the Donetsk Opera House.
According to Buzzfeed he was joined on stage by rebel leader Alexander Zakharchenko for the Soviet classic I Love You, Life. Although Zakharchenko was clearly a little rusty. “It’s fine,” Kobzon reassured him after the performance. “I’m an even worse soldier than you are a singer.”
For activists back in the UK, the London concert was proof that Russia’s elite preaches one message to his home audience, whilst acting very differently abroad.
“Such hypocrisy is unacceptable,” Andrei Sidelnikov, an anti-Putin activist who has been given political asylum in the UK and who started the campaign to have the concert scrapped, told The Guardian. “In Russia, they declare that western values are bad, wrong, and not suitable for Russia. Then they travel to western countries to earn money, spend holidays, and buy real estate.”
This article was originally posted on 3 November at indexoncensorship.org
02 Nov 14 | Campaigns, Russia, Statements
Aleksandr Bastrykin
Head of the Investigative Committee of Russian Federation
The Investigative Committee of Russian Federation
105005, Russia, Moscow, Technicheskii Lane, 2
Sunday 2 November 2014
Dear Mr Bastrykin,
RE: Request for investigation into the murder of Akhmednabi Akhmednabiyev to be transferred to the Central Investigative Department of the Russian Federation’s Investigative Committee.
On the International Day to End Impunity for Crimes against Journalists (2 November) we, the undersigned organisations, are calling upon you, in your position as Head of the Investigative Committee of the Russian Federation, to help end the cycle of impunity for attacks on those who exercise their right to free expression in Russia.
We are deeply concerned regarding the failure of the Russian authorities to protect journalists in violation of international human rights standards and Russian law. We are highlighting the case of Ahkmednabi Akhmednabiyev, a Russian independent journalist who was shot dead in July 2013 as he left for work in Makhachkala, Dagestan. In his work as deputy editor of independent newspaper Novoye Delo, and a reporter for online news portal Caucasian Knot, Akhmednabiyev, 51, had actively reported on human rights violations against Muslims by the police and Russian army.
His death came six months after a previous assassination attempt carried out in a similar manner in January 2013. That attempt was wrongly logged by the police as property damage, and was only reclassified after the journalist’s death. This shows a shameful failure to investigate the motive behind the attack and prevent further attacks, despite a request from Akhmednabiyev for protection. The journalist had faced previous threats, including in 2009, when his name was on a hit-list circulating in Makhachkala, which also featured Khadjimurad Kamalov, who was gunned down in December 2011. The government’s failure to address these threats is a breach of the State’s “positive obligation” to protect an individual’s freedom of expression against attacks, as defined by European Court of Human Rights case law (Dink v. Turkey).
A year after Akhmednabiyev’s killing, with neither the perpetrators nor instigators identified, the investigation was suspended in July 2014. As well as ensuring impunity for his murder, such action sets a terrible precedent for future investigations into attacks on journalists in Russia. ARTICLE 19 joined the campaign to have his case reopened, and made a call for the Russian authorities to act during the United Nations Human Rights Council (HRC) session in September 2014. During the session, HRC members, including Russia, adopted a resolution on safety of journalists and ending impunity. States are now required to take a number of measures aimed at ending impunity for violence against journalists, including “ensuring impartial, speedy, thorough, independent and effective investigations, which seek to bring to justice the masterminds behind attacks”.
While the Dagestani branch of the Investigative Committee has now reopened the case, as of September 2014, more needs to be done in order to ensure impartial, independent and effective investigation. We are therefore calling on you to raise Akhmednabiyev’s case to the Office for the investigation of particularly important cases involving crimes against persons and public safety, under the Central Investigative Department of the Russian Federation’s Investigative Committee.
Sadly, Akhmednabiyev’s case is only one of many where impunity for murder remains. The investigations into the murders of journalists Khadjimurad Kamalov (2011), Natalia Estemirova (2009) and Mikhail Beketov (who died in 2013, from injuries sustained in a violent attack in 2008), amongst others have stalled. The failure to bring both the perpetrators and instigators of these attacks to justice is contributing to a climate of impunity in the country, and poses a serious threat to freedom of expression.
Cases of violence against journalists must be investigated in an independent, speedy and effective manner and those at risk provided with immediate protection.
Yours Sincerely,
ARTICLE 19
Amnesty International
Albanian Media Institute
Association of Independent Electronic Media (Serbia)
Azerbaijan Human Rights Centre
Center for Civil Liberties (Ukraine)
Center for National and International Studies (Azerbaijan)
Civic Assistance Committee (Russia)
Civil Society and Freedom of Speech Initiative Center for the Caucasus
Committee to Protect Journalists
Glasnost Defence Foundation (Russia)
Helsinki Citizens’ Assembly – Vanadzor (Armenia)
Helsinki Committee of Armenia
Human Rights House Foundation
Human Rights Monitoring Institute (Lithuania)
Human Rights Movement “Bir Duino-Kyrgyzstan”
Memorial (Russia)
Moscow Helsinki Group
Norwegian Helsinki Committee
Index on Censorship
International Partnership for Human Rights
International Press Institute
International Youth Human Rights Movement
IREX Europe
Kazakhstan International Bureau for Human Rights and Rule of Law
Kharkiv Regional Foundation – Public Alternative (Ukraine)
PEN International
Public Verdict Foundation (Russia)
Reporters without Borders
The Kosova Rehabilitation Center for Torture Victims
World Press Freedom Committee
cc.
President of the Russian Federation
Vladimir Putin
23, Ilyinka Street, Moscow, 103132, Russia
Prosecutor General of the Russian Federation
Yury Chaika
125993, GSP-3, Moscow, Russia
st. B.Dmitrovka 15a
Minister of Justice of the Russian Federation
Alexander Konovalov
Ministry of Justice of the Russian Federation
119991, GSP-1, Moscow, street Zhitnyaya, 14
Chairman of the Presidential Council for Civil Society and Human Rights
Mikhail Fedotov
103132, Russia, Moscow
Staraya Square, Building 4
Head of the Investigative Committee of the Russian Federation for the Republic of Dagestan
Edward Kaburneev
The Investigative Committee of the Russian Federation for the Republic of Dagestan
367015, Republic of Dagestan, Makhachkala,
Prospekt Imam Shamil, 70 A
Ambassador of the Permanent Delegation of the Russian Federation to UNESCO
H. E. Mrs Eleonora Mitrofanova
UNESCO House
Office MS1.23
1, rue Miollis 75732 Paris Cedex 15
16 Oct 14 | News and features, Politics and Society, Russia
Russia’s All-Russian Memorial Society faces closure after the Justice Ministry filed a suit with the country’s Supreme Court late last month.
The Justice Ministry filed its suit on 26 September, though Russian news outlets only publicised the case last week.
Recently, Memorial, a long-time critic of the Kremlin, has tried to gain more information on political prisons and has sought justice for victims of political persecution.
Russian prosecutors first sued for Memorial to register as a “foreign agent” under a law that targets groups that receive grants from abroad. However, the court struck down this request.
The Supreme Court will hold another hearing on 13 November, according to Radio Free Europe.
Updated 31 October. An earlier version of this article incorrectly reported that the International Memorial Society, an Index on Censorship award winner, was the subject of the Kremlin action.
This article was posted on 16 October 2014 and updated on 31 October 2014 at indexoncensorship.org
12 Sep 14 | Belarus, Europe and Central Asia, News and features, Russia
(Photo: Okras/Wikimedia Commons)
Pity poor Dmitry Dayneko. The Belarusian teen recently completed the ice-bucket challenge, as millions like him have before, and posted the video of himself being drenched in cold water on social media. So far, so hilarious/tedious (depending on your view of the challenge), but, ultimately, quite harmless.
Except apparently it wasn’t. Dmitry and the friends who poured cold water over his head say they were summoned by local authorities and given a stern warning to behave themselves, apparently on the orders of the KGB in Minsk. The reason? Not the icy water itself, but Dmitry’s temerity in nominating Belarus’ president, Alexander Lukashenko, to do the challenge next.
Lukashenko, one feels, is not a man who does lighthearted fun. One cannot imagine him posting a selfie of himself holding a cocktail with an umbrella in it, hashtagged #YOLO. One cannot even begin to think what he’d wear on fancy dress day at Bestival. He’s probably weirdly competitive at bowling. He does not do Wii.
This does not make him an exceptional dictator. In the history of autocrats, I can’t think of a single one who was mainly in it for the laughs, unless it was fun of the crushing your enemies, seeing them driven before you, and hearing the lamentations of their women variety.
In journalist Ben Judah’s recent, acclaimed essay on the court of Vladimir Putin, he describes a lonesome, rigid emotionless figure, whose only apparent joy is ice hockey, which Judah says, Putin finds “graceful and manly and fun”. This is quite normal for a man of his age and geographical situation (Lukashenko has the same love for ice hockey). But there is a difference between “fun” and “funny”; playing sport is fun. It may even be more fun if your opponents are scared of you. What it is not, though, is funny.
Because dictatorships don’t — can’t — do funny. People can make great jokes about authoritarian regimes, certainly. Ben Lewis’s Hammer And Tickle details the jokes that got people through Soviet communism between 1917 and 1989, most of which revel in the jarring, depressing juxtaposition between Soviet promises of milk and honey and everyday reality (“What is the definition of capitalism?” “The exploitation of man by man” “And what is the definition of communism?” “The exact opposite”.)
But those within the regime, within The Party, never, ever find themselves funny, which is why the generals end up with such large hats.
A couple of years ago, a viral video spread of Belarusian soldiers putting on a display on the country’s Independence Day. It was synchronised, controlled, disciplined, and one the campest things I have ever seen — the Red Army choreographed by Busby Berkeley. But this would not for one moment have occurred to anyone in charge.
Funny doesn’t work for dictatorships because funny usually involves humanity, and vulnerability. This is the appeal of the viral ice bucket challenge video: not admiring the superhuman feat of standing still while freezing water cascades over you, but laughing at the apprehension beforehand, and the hopping and shouting and screaming in the moments afterwards.
In the hands of the likes of Putin or Lukashenko and their apparatchiks, the challenge would have to become a real feat of strength and endurance: somehow Vladimir Putin would invent colder iced water than everyone else did, and then have more of it poured on him than anyone thought possible. And it would be boring because he would not flinch. And then he would not nominate anyone else, because, well, where do you go after Vladimir Putin or Alexander Lukashenko? What man could equal such a task?
Andy Warhol once pointed out that in America, an odd consumer egalitarianism existed: “You can be watching TV and see Coca-Cola,” the artist said, “and you know that the president drinks Coke, Liz Taylor drinks Coke, and just think, you can drink Coke, too. A Coke is a Coke and no amount of money can get you a better Coke than the one the bum on the corner is drinking.”
The same is true of viral phenomena like the ice bucket challenge, or the Harlem Shake before it (that meme aggravated the Azerbaijaini authorities so much that people were arrested for allegedly taking part in it). There’s no way of making throwing water over someone’s head much more than it is. The Harlem Shake effectively died when people started trying to make slicker or (shudder) sexier versions.
In spite of near-ubiquitous celebrity participation, an ice bucket challenge is an ice bucket challenge is an ice bucket challenge.
In spite of its claim to oversee a “social state” that works “for the sake of the people”, the Soviet nostalgist regime of Lukashenko cannot bear such egalitarianism.
This article was posted on 11 Sept 2014 at indexoncensorship.org
