Rafael Marques de Morais, Safa Al Ahmad, Amran Abdundi, Mouad “El Haqed” Belghouat and Tamas Bodokuy (Photo: Alex Brenner for Index on Censorship)
A Kenyan woman standing up for women’s rights in one of the world’s most dangerous regions. A Hungarian journalist and his investigative news site. A documentary filmmaker who exposed an unreported uprising in Saudi Arabia. An Angolan journalist who has been repeatedly prosecuted for his work uncovering government and industry corruption. A Moroccan rapper whose music tackles widespread poverty and endemic government corruption.
These were the five individuals named Index on Censorship Freedom of Expression Award winners on 18 March 2015. Three months later, here are updates on their ongoing work.
Rafael Marques de Morais / Journalism
Rafael Marques de Morais (Photo: Alex Brenner for Index on Censorship)
International signatories, from Tiffany & Co and Leber Jewellers to Oscar-winning film director Steve McQueen, and from Blood Diamond film stars David Harewood and Michael Sheen to journalist Sir Harold Evans, recently called on Angolan president José Eduardo dos Santos to abandon the prosecution of investigative journalist Rafael Marques de Morais.
The campaigning journalist returned from collecting his award in London to face trial linked to his book Blood Diamonds. He filed a criminal complaint against a group of generals who he held morally responsible for human rights abuses he uncovered within the country’s diamond trade. For this, they filed a series of libel suits against him in Angola and Portugal.
The media attention that Marques won off the back of his award “helped a great deal” he said. “It raised my profile in the days before my trial and maybe helped to make it an international cause.” In a rare sight for Angola, a number of anti-corruption protesters publicly gathered outside of the Luanda courthouse as his trial opened and covert protests have continued under the cover of darkness since.
Marques’ trial played out in a Kafkaesque way over the subsequent weeks, with behind-the-scenes negotiations leading to criminal defamation charges first being dropped, only for him to suddenly discover that he would instead be sentenced for the alternative crime of malicious prosecution.
The American Bar Association, who monitored the trial throughout, published a report stating that the court had failed to meet international fair trial standards on at least three counts. The ABA Center for Human Rights report found that “throughout the proceedings, the defendant was denied the right to present a defense, induced to make a statement on the basis of false pretenses and compelled to bear the burden of proving his innocence, all in violation of international law.”
Marques’ sentence finally came down on 25 May: six-months imprisonment, suspended for a term of two years. Marques is now appealing against this punishment that effectively seeks to silence him until 2017; coincidentally the same year as Angola’s next elections.
The court also attempted to censor Marques’ book from republication and further distribution but these efforts have blatantly failed with copies of the book widely circulated online and an English language version becoming available for the first time less than a week after his sentence.
Despite the international attention, the situation for Marques and his peers in Angola’s human rights and journalism communities remains grim. Recounting the experience of taking his car to the local garage for repairs recently, the fear is palpable in his voice. “There were two members of the ruling party there, by coincidence. They walked across to the mechanic and warned him not to fix my car unless he wanted to risk becoming collateral damage.”
Marques’ email has also recently been repeatedly hacked and his website www.makaangola.org is presently subject to over 250 attacks per day, forcing him to desist from updating it for the time being.
Marques continues to work closely with Index on Censorship and a number of other international organisations. His recent report on the massacre of a sect at Mount Sumi was published by The Guardian, he continues to keep a close eye on both the persecution of journalists and corruption at the highest levels in Angola, and he is expecting to hear back from the Supreme Court about his appeal in the next few weeks.
Hugely grateful for the support of the international community, Marques remains determined “to continue the good fight for change”.
“I have only the interests of my people at heart,” he says, “and to experience all this persecution, it must mean you are doing something positive, something right.”
Safa Al Ahmad (Photo: Alex Brenner for Index on Censorship)
Joint winner of the Index on Censorship Freedom of Expression Award for Journalism, Safa Al Ahmad has spent much of the past three months in the editing studio.
Applauded for her documentary Saudi’s Secret Uprising, Al Ahmad’s new film The Rise of the Houthis – first distributed at this year’s Index on Censorship Freedom of Expression Awards Gala and since screened by both the BBC and PBS Frontline – has won wide critical acclaim.
Next month, on 6 July, BBC worldwide will also premiere a follow-up film that Al Ahmad has produced and directed, with Gaith Abdulahad exploring the present situation in the south of Yemen.
Now regularly invited to attend international public meetings, from Copenhagen to Geneva to Washington DC, Al Ahmad says she thinks that the award has brought more exposure – both for credible investigative journalism from Saudi Arabia, and for her work.
Is that a good thing for a journalist who has made her name through operating undercover? It is a challenge, she says, to find ways to do credible journalism about Saudi Arabia and the region without being on the ground. But there are complex stories, beyond TV, that Al Ahmad would increasingly like to focus on.
Abdundi, who knows many students from the college, immediately joined with other women leaders to organise strong community protests against Al-Shabaab.
“It was a barbaric attack done by a crazy group who have no respect for human life,” she said. “It was a sad day for the people of Kenya and the victims of the attack. But it will not scare [the] people of northern Kenya as we will continue and fight to overcome them”.
Abdundi hopes to help further through her ongoing work with her grassroots community organisation Frontier Indigenous Rights Network, tracking arms movements across the dangerous border with Sudan and travelling to meetings in Nairobi to report observations. “Security is improving now,” says Abdundi.
Winning the Index on Censorship Freedom of Expression Award for Campaigning, and sharing the story of the people of northern Kenya with the wider world, “made me so happy” she says. “The award ceremony was aired by all community radios in northern Kenya and reached many people. I am happy because it will give women courage to stand up for their rights”.
Spending a week in Index on Censorship’s office in London was “an opportunity to see how you work” Abdundi said, and has inspired her to want to develop a new website for her work, helping her to “spread her message to all corner[s] of northern Kenya”.
Tamas Bodoky (Photo: Alex Brenner for Index on Censorship)
Atlatszo.hu, Tamas Bodoky’s investigative news website in Hungary has continued to gather praise and acclaim, including another award, the Theodor Heuss Medal.
“All of this recognition is very helpful,” said Bodoky. “We are always afraid of retaliation and this offers us a level of protection… Hungarian authorities are very aware of this international attention and it is less likely that they will attack as we continue with our investigative projects.”
Atlatszo continues to publish three to four articles and numerous blog posts each week, including an English newsletter, often drawing on FOI requests to try to bring more transparency to Hungarian public life.
The campaigning journalists scored a major recent success with their campaign to demand political party foundations make information on their beneficiaries, income and spending publicly available. When political party Jobbik’s foundation refused to comply, Atlatszo took action. It began legal proceedings that proved sufficient to make them capitulate.
Bodoky’s organisation is now using this newly available information to research deeper, exploring “far right networks” and, he says, some curious connections between governing party Fidesz and football club Ferencvarosi TC.
As he looks ahead, Bodoky is especially concerned by the looming threat of a foreign NGO law – holding all NGO’s with foreign funding “accountable and transparent” by forcing them to register.
“We don’t know exactly when they will seek to expose and limit foreign funding, but the Russian recipe is definitely on the table,” says Bodoky. Fortunately his organisation has been totally open and transparent since 2013.
Rapper El Haqed (Photo: Alex Brenner for Index on Censorship)
Rapper Mouad Belghouat, better known as El Haqed (“the enraged” in Arabic) continues to rail against the endemic corruption and widespread poverty he says he sees in Morocco.
Imprisoned three times since 2011, El Haqed was not only prohibited from performing publicly in his homeland but had also been struggling to obtain visas to travel or perform internationally.
The good news is that his visit to the UK has helped him to overcome this obstacle, recently spending five weeks touring Norway, Sweden and Denmark. Highlights included performing live during Oslo’s 1 May celebrations and working with the organisation Freemuse to record a new Fela Kuti cover as part of a group of Arab and Iranian revolutionary artists (listen here). “It was much easier to be there because I went to England and came back,” said Belghouat.
Until recently limited to publishing and sharing his work via YouTube and Facebook, El Haqed has also begun something of an offline resurgence back home. Approached by promoters in his home town of Casablanca after winning the Index on Censorship Freedom of Expression Arts Award brought him widespread local media coverage, El Haqed now hopes to stage his first live concert on home soil in a long time this Friday 19 June. (Update 22 June 2015: Morocco: Police block concert by Index award-winning rapper El Haqed)
“Usually people find many excuses not to work with him,” according to Belghouat’s brother and manager Abderrahim Belghouat, “but so far this time no people have yet come and told the venue ‘don’t work with him’…”
Update 23 June 2015: El Haqed has now cancelled his planned tour of five of Morocco’s least affluent towns. The planned series of concerts would have teamed El Haqed with six other local musicians to “bring joy to poorer people in cities without theatres, cinemas and cultural areas, in the old Moroccan way, by making music for free outdoors”.
El Haqed is determinedly hopeful, “the Index award has shown Moroccan authorities that you can’t stop me,” he said, “the more of an effort they make to silence me, the more my voice arrives everywhere.”
Safa Al Ahmad has spent the last three years covertly filming a mass uprising in Saudi Arabia’s Eastern Province that had, until her film, gone largely unreported. She did this in a country where those accused of dissent can face execution and travelling solo as a female is restricted. Al Ahmad’s 30-minute documentary, Saudi’s Secret Uprising, gave a rare glimpse of civil unrest from the region when it was broadcast by the BBC in May 2014. Since her important documentary aired Al Ahmad has faced extensive and violent online threats, and has been advised for her own safety not to return to her country. She is the joint recipient of the 2015 Index on Censorship Freedom of Expression Award for Journalism.
Saudi Arabia is a mystery, even to its own people.
Parts of our history deliberately concealed, the present muddled with rumours and half-truths.
The government-owned and controlled media play a major role in the dissemination of those false realities of ourselves and others.
This makes facts a precious commodity in Saudi Arabia.
The uprising in the east of Saudi Arabia is a perfect example of how well the government has succeeded in controlling the story and the narrative around an unprecedented event in modern Saudi history. And it also exposes the failure of media in not cutting through the government’s narrative.
Since the protests started in Qatif in early 2011 along with the rest of the Arab world, youth were arrested and given death sentences for posting on Facebook, like Mohmed Alnmir. Poets like Adel Al Labad, and human rights activist Fathil Al Manasif were given 15 year sentences for threatening “social stability”. So called anti-terrorism laws were introduced to criminalise most forms of dissent.
For the film I made that tells this story, and shares my opinions, I have been accused of lying and spying, advocating terrorism, aiding and abetting terrorists, and of course I have been called a heretic.
As a journalist in the Middle East people think they have the right to constantly ask what religion or sect you belong to and judge your work accordingly. It has become nearly impossible to do a story without talking about Sunnis and Shia. But sectarianism is used as a tool, as a weapon, to further confuse and tangle an already complicated political landscape. It has become acceptable reductive language in the media, both Arab and western, to explain our world.
In Saudi Arabia, it was used to isolate and crush a fledgling uprising. A clever way to stop the rest of the country from joining those who have the same demands – to stop political oppression, free political prisoners, have transparent and just courts, stop corruption, and have equal rights for all citizens.
But in the end, the uprising became reduced into a story of “Shia” minority protesting the majority Sunni rulers. A true statement at face value, but not the whole complicated, messy truth.
Documentary maker and journalist Safa Al Ahmad (Photo: Alex Brenner for Index on Censorship)
A Kenyan woman speaking out for women in one of the world’s most dangerous regions and a female journalist who exposed an unreported uprising in Saudi Arabia are among the winners of this year’s Index on Censorship Freedom of Expression Awards.
“Our shortlisted nominees are all tackling direct and serious threats to stifle free speech,” said Index on Censorship CEO Jodie Ginsberg. “We were humbled and inspired by their stories, and their dedication to ensuring we can all speak freely.”
Index on Censorship 2015 Freedom of Expression award winners: Rafael Marques de Morais (journalism), Safa Al Ahmad (journalism), Amran Abdundi (campaigning), Mouad “El Haqed” Belghouat (arts) and Tamas Bodoky (digital activism) (Photo: Alex Brenner for Index on Censorship)
Awards are presented in four categories: journalism, arts, campaigning and digital activism. The winners were Saudi journalist Safa Al Ahmad and Angolan reporter Rafael Marques de Morais (journalism – jointly awarded); Moroccan rapper “El Haqed” (arts); Kenyan women’s rights campaigner Amran Abdundi (campaigning); and Hungarian freedom of information website Atlatszo (digital activism).
The crime of free expression
Journalist and campaigner Mariane Pearl, journalism award recipient Rafael Marques de Morais, Guardian editor Alan Rusbridger and journalism award recipient Safa Al Ahmad (Photo: Alex Brenner for Index on Censorship)
Al Ahmad was recognised for her documentary Saudi’s Secret Uprising, which exposed details of an unreported mass demonstration in Saudi Arabia. “Safa Al Ahmad dared to go into places that are difficult for women and for reporters, to bring that information back and share it with the world,” said Turkish author Elif Shafak, one of the five judges. Saudi Arabia is a mystery, even to its own people, said Al Ahmad in her acceptance speech: “Parts of our history is deliberately concealed, the present is muddled with rumours and half-truths. The government-owned and controlled media play a major role in the dissemination of those false realities of ourselves and others. This makes facts a precious commodity in Saudi Arabia.”
Angolan investigative reporter Marques de Morais has been repeatedly prosecuted for his work exposing government and industry corruption and will go on trial on 24 March charged with defamation. “Rafael is a very important individual doing very important work in a very, very difficult environment,” said judge Sir Keir Starmer QC. Marques de Morais dedicated his speech to the Zone 9 group of Ethiopian bloggers currently in jail “for the crime of exercising their right to freedom of expression”.
Doughty Street barrister Keir Starmer, campaigning award recipient Amran Abdundi and Index on Censorship CEO Jodie Ginsberg (Photo: Alex Brenner for Index on Censorship)
The winner in the campaigning category, Amran Abdundi, is a women’s rights activist based in north-eastern Kenya and runs a group helping women along the dangerous border with Somalia, where terrorism and extremist violence dominate. Judge Martha Lane Fox said: “Amran Abdundi was a standout candidate for me. She is doing something incredibly powerful in an unbelievably complicated and dangerous situation.” Abdundi dedicated her award to the “marginalised women of northern Kenya… who will now know that their struggles and their efforts to fight for their rights are being recognised internationally”.
Help us let the world know the truth
Arts category winner Mouad “El Haqed” Belghouat, novelist Elif Shafak and actor Stella Odunlami (Photo: Alex Brenner for Index on Censorship)
Arts category winner Mouad “El Haqed” Belghouat is a Moroccan rapper and human rights activist whose music highlights widespread poverty and endemic government corruption in Morocco. He has been imprisoned on spurious charges three times in as many years, most recently in 2014. Belghouat said in his acceptance speech: “I have been through difficult times: I was jailed, fired from my work, rejected by many friends. I am still forbidden to sing in my own country. But after all that I am still determined that I will never change my position. I will fight for freedom, equality and human rights for ever.” Lane Fox said Belghouat had taken his music and “translated it into a kind of online activism, but then, crucially, mobilised people in the street”.
The digital award, decided by public vote, went to Hungarian investigative news outlet Atlatszo.hu managed by Tamás Bodoky. The website acts as watchdog to a Hungarian government which has increasingly tightened its grip on press freedom in the country. Editor-in-chief Bodoky said Atlatszo.hu called on all those who believe that independent journalism in Hungary is under threat. “All those who agree that politics and business interests have sunk their claws into everyday life. All those who know that taxpayer money is vanishing. We are calling on you to help us let the world know the truth.”
Entrepreneur Martha Lane Fox, digital activism award recipient Tamas Bodoky and actor Jolyon Rubinstein (Photo: Alex Brenner for Index on Censorship)
The awards were presented by the judges along with special guests including Guardian editor Alan Rusbridger.
A special award was also given on the evening to honour the many Azerbaijani journalists and activists jailed or forced into exile or hiding following a recent crackdown by the government. Former award winner and journalist Idrak Abbasov, who was forced to flee Azerbaijan last year, accepted the award on behalf of all those facing persecution in the country. “I call upon the world community to help Azerbaijan… so that our colleagues might be released and that our country might become a normal state in which we and others might live freely,” Abbasov told the audience in a video speech.
The evening featured an exhibition of specially commissioned cartoons by international cartoonists, reflecting on the past 12 months for free expression. Most of the artists had direct experience of persecution over their work, including Syrian political cartoonist Ali Ferzat – a former Index award winner – and Malaysia’s Zunar. “In the wake of the attacks on Charlie Hebdo, we wanted to pay homage to the work of cartoonists who are so often the first to face censorship in any move to stifle free expression,” said Index’s Jodie Ginsberg.
Safa Al Ahmad is a Saudi journalist and documentary maker who has spent the last three years covertly filming an unreported mass uprising in Saudi Arabia’s Eastern Province.
Her 30-minute documentary, Saudi’s Secret Uprising, was broadcast by the BBC in May 2014, and has drawn widespread attention to the violent and bloody protests.
Al Ahmad took enormous risks in her regular filming trips to the Eastern Province. First, as a woman travelling alone, she drew the attention of Saudi officials, who operate in a country in which women have limited control over their day-to-day lives. Second, she carried a camera full of footage of dissenting activists. Saudi Arabia is ranked by Freedom House as one of the most restrictive Arab countries in terms of free expression – Al Ahmad would almost certainly have faced severe punishment if caught filming.
She also directed Al Qaeda in Yemen: A new front in 2012, documenting one of the militant group’s principal strongholds; she is currently editing her second Yemen documentary. Her article about the restrictive treatment of women in Saudi Arabia compared to neighbouring Arab countries, Wishful Thinking, was featured in the PEN award-winning book Diaries of an Unfinished Revolution.
Al Ahmad’s film work was done in Qatif, an urban area home to the world’s biggest oil field. But the dilapidated area has seen little of the vast wealth provided by these natural reserves. Qatif is the centre of Shia Muslims in Saudi Arabia, who make up less than 15 per cent of the country’s population. Residents believe that they are subject to sectarian discrimination by the Sunni monarchy.
Impoverished and blocked from celebrating Shia religious festivals by authorities, people from across the Eastern Province began peacefully demonstrating in March 2011. Buoyed by the ongoing Arab Spring, the protests for improved civil rights quickly gained traction, becoming the biggest series of political demonstrations ever witnessed in Saudi Arabia.
But faced with a government which refused to meaningfully engage with protesters or recognise the demonstrations as a serious issue, activists soon turned violent. Stones and molotov cocktails were thrown at police forces, and handguns were increasingly used. In the subsequent two years of conflict, 20 activists and two policemen were killed, and hundreds of people were detained for months at a time without trial.
Al Ahmad single-handedly broke the media blackout on the protests holding sway both inside and outside the country, where the image of Saudi Arabia as a relatively stable region has dominated. She travelled into the heart of the violence and searched, sometimes for months, for protesters willing to speak to her. She interviewed activists on the government’s most wanted list, who would later be killed or imprisoned. Eventually, she gained the activists’ trust to the point that she was given dozens of hours of footage of the violent protests.
Extensive and violent online abuse has been directed at Al Ahmad by Saudi government supporters. They regard the documentary as sectarian propaganda, even though the documentary ends by showing the destructive belligerence of many protesters.
She has sparked a row between the BBC and the Saudi government, who contacted the broadcaster to express their displeasure at the documentary’s characterisation of events. She has been informally advised not to return to the country, where her family live.
