2 Apr 2020 | News and features, Turkey
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International Journalism Festival/Flickr
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]“In the Middle Ages people watched convicts getting quartered in public squares. Nowadays, on social media, they watch reporters as they live-tweet their ordeals: detention, physical attacks on the streets, losing their livelihoods,” said Turkish author and journalist Kaya Genç.
“For most Turks, watching journalists getting sacked or imprisoned or destroying each other’s careers became entertainment.”
Genç spoke to Index to answer questions posed by the Index youth advisory board about life as a journalist in Turkey under President Recep Tayyip Erdogan, and his latest book, The Lion and the Nightingale: A Journey Through Modern Turkey.
The youth board are elected for six months, and meet once a month online over that period to discuss freedom of expression issues. They are based around the world.
Hana Meihan Davis, from Hong Kong, asked how Erdogan managed to strip Turkey of journalistic freedom. Genç explained that divisions have existed between political sects in the media for decades, which the current ruling party was then able to take advantage of.
“When Islamists were in trouble in the 1990s secularists supported court cases against them; when secularists were locked up some liberals applauded; when Kurds were imprisoned most journalists looked the other way. Now as most of their colleagues are sacked or locked up conservatives act as if all is normal,” said Genç, who is also a contributing editor to Index on Censorship magazine.
Amid this sense of apathy Erdogan moved to create “a small army of loyalists in the media” as other news sites and newspapers were closed down.
Davis followed up her question, asking if people realised what was happening at the time? This is a question often asked when we look back with hindsight at the gradual erosion of freedoms. Were people like a frog who doesn’t realise the temperature of his water is slowly being increased to boiling? Genç said some journalists saw the dangers.
“Reporters and editors declared their independence, or found new patrons, and they are producing excellent work away from the influence of state power. I’m sure they were aware of what was happening while they worked at titles now tamed and indirectly owned by the government.”
The landscape for journalists in Turkey today is rocky terrain. There is an acute awareness of the censorship laws that can be imposed, coupled with a determination to provide much needed accurate reporting.
From the UK, Saffiyah Khalique asked about the laws around “public sensitivities”, which can result in imprisonment for up to a year for disrespecting the beliefs of religious groups, insulting Turkishness and other such “offences”. Genç said they are used within society to silence political dissenters.
“Twitter trolls who present themselves as pro-government journalists use these unclear laws to put their enemies behind bars. If an artist, piano player or actor says something critical about the government, they go through their timeline, find something they find insulting, and ask the public prosecutor to step in.”
Despite this possibility of prosecution being ever around the corner, Genç said he does not feel unsafe or threatened as a journalist in Turkey. “I feel free”, he answered to a question from Emily Boyle, a dual citizen of the UK and Switzerland
Recognising the value of objectivity appears to be Genç’s lifeline. When Indian national Samarth Mishra asked what is the most difficult part of being a journalist in Turkey, Genç said: “The hardest thing for a writer reporting from Turkey is to remain objective. You can’t be bitter about the government. Readers can benefit from the cold heart of a writer who does her best to be objective in her reporting.”
He said: “Our job, as writers, is to hold people with power to account, not to promote this or that political leader, defend this or that political ideology, propagate for this or that country … When a writer inhibits a space where nobody can accuse her of partisanship, believe me the effect of her writing will be much greater.”
The Lion and the Nightingale, Genç’s latest book, was published recently. It takes the reader on a journey through modern Turkey while exploring its history, via interviews he conducted on the road. Egil Sturk, from Sweden, asked Genç if there were any questions he was hesitant to ask his interviewees.
Genç said: “I am hesitant to ask questions about people’s religious beliefs and fiery ideological commitments. I prefer to give them enough space to articulate themselves where the bizarre, the eerie appears like a diamond in a mine. When people feel safe they tell you the most amazing things. Like an analyst you need to just sit there and listen.”
In answer to a question from Aliyah Orr (UK) about the emotional impact of the interviews he was conducting, Genç said:
“The prison chronicle of my friend and colleague Murat Çelikkan … had the strongest emotional effect on me. We used to work together, behind adjacent desks, and his experience in prison was empowering and unsettling. His account of imprisonment was rich with detail and you could see a great writer disappearing into the story’s characters and particulars of his story.”
Faye Gear from Canada asked what is different about today’s landscape in terms of freedom of expression. To tackle the suppression of free speech, Genç said people must think for themselves.
“I grew up idolising individual thinkers and writers: Susan Sontag, Jacques Derrida, Chantal Mouffe, VS Naipaul,” said Genç. “Nowadays we are invited to subscribe to what seems to be the most forward-thinking tribe and then follow its leaders by liking and retweeting their political snippets.”
In the face of an atmosphere of censorship, Genç remains defiant. In answer to a question from Satyabhama Rajoria, from India, about the struggles he faces as a journalist and author, Genç said: “There is of course always the anxiety that comes with publishing your writing, but that is healthy. Bullies, from the left and the right, may take your sentences out of context but that, too, is something one can deal with.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”112300″ img_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”3″ grid_id=”vc_gid:1585828417099-e398f95f-d0bf-6″ taxonomies=”7355″][/vc_column][/vc_row]
30 Mar 2020 | Magazine, Magazine Contents, Volume 49.01 Spring 2020
[vc_row][vc_column][vc_custom_heading text=”With contributions from Ak Welsapar, Julian Baggini, Alison Flood, Jean-Paul Marthoz and Victoria Pavlova”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Spring 2020 issue of Index on Censorship magazine looks at our own role in free speech violations. In this issue we talk to Swedish people who are willingly having microchips inserted under their skin. Noelle Mateer writes about living in China as her neighbours, and her landlord, embraced video surveillance cameras. The historian Tom Holland highlights the best examples from the past of people willing to self-censor. Jemimah Steinfeld discusses holding back from difficult conversations at the dinner table, alongside interviewing Helen Lewis on one of the most heated conversations of today. And Steven Borowiec asks why a North Korean is protesting against the current South Korean government. Plus Mark Frary tests the popular apps to see how much data you are knowingly – or unknowingly – giving away.
In our In Focus section, we sit down with different generations of people from Turkey and China and discuss with them what they can and cannot talk about today compared to the past. We also look at how as world demand for cocaine grows, journalists in Colombia are increasingly under threat. Finally, is internet browsing biased against LBGTQ stories? A special Index investigation.
Our culture section contains an exclusive short story from Libyan writer Najwa Bin Shatwan about an author changing her story to people please, as well as stories from Argentina and Bangladesh.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Special Report”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Willingly watched by Noelle Mateer: Chinese people are installing their own video cameras as they believe losing privacy is a price they are willing to pay for enhanced safety
The big deal by Jean-Paul Marthoz: French journalists past and present have felt pressure to conform to the view of the tribe in their reporting
Don’t let them call the tune by Jeffrey Wasserstrom: A professor debates the moral questions about speaking at events sponsored by an organisation with links to the Chinese government
Chipping away at our privacy by Nathalie Rothschild: Swedes are having microchips inserted under their skin. What does that mean for their privacy?
There’s nothing wrong with being scared by Kirsten Han: As a journalist from Singapore grows up, her views on those who have self-censored change
How to ruin a good dinner party by Jemimah Steinfeld: We’re told not to discuss sex, politics and religion at the dinner table, but what happens to our free speech when we give in to that rule?
Sshh… No speaking out by Alison Flood: Historians Tom Holland, Mary Fulbrook, Serhii Plokhy and Daniel Beer discuss the people from the past who were guilty of complicity
Making foes out of friends by Steven Borowiec: North Korea’s grave human rights record is off the negotiation table in talks with South Korea. Why?
Nothing in life is free by Mark Frary: An investigation into how much information and privacy we are giving away on our phones
Not my turf by Jemimah Steinfeld: Helen Lewis argues that vitriol around the trans debate means only extreme voices are being heard
Stripsearch by Martin Rowson: You’ve just signed away your freedom to dream in private
Driven towards the exit by Victoria Pavlova: As Bulgarian media is bought up by those with ties to the government, journalists are being forced out of the industry
Shadowing the golden age of Soviet censorship by Ak Welsapar: The Turkmen author discusses those who got in bed with the old regime, and what’s happening now
Silent majority by Stefano Pozzebon: A culture of fear has taken over Venezuela, where people are facing prison for being critical
Academically challenged by Kaya Genç: A Turkish academic who worried about publicly criticising the government hit a tipping point once her name was faked on a petition
Unhealthy market by Charlotte Middlehurst: As coronavirus affects China’s economy, will a weaker market mean international companies have more power to stand up for freedom of expression?
When silence is not enough by Julian Baggini: The philosopher ponders the dilemma of when you have to speak out and when it is OK not to[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In Focus”][vc_column_text]Generations apart by Kaya Genç and Karoline Kan: We sat down with Turkish and Chinese families to hear whether things really are that different between the generations when it comes to free speech
Crossing the line by Stephen Woodman: Cartels trading in cocaine are taking violent action to stop journalists reporting on them
A slap in the face by Alessio Perrone: Meet the Italian journalist who has had to fight over 126 lawsuits all aimed at silencing her
Con (census) by Jessica Ní Mhainín: Turns out national censuses are controversial, especially in the countries where information is most tightly controlled
The documentary Bolsonaro doesn’t want made by Rachael Jolley: Brazil’s president has pulled the plug on funding for the TV series Transversais. Why? We speak to the director and publish extracts from its pitch
Queer erasure by Andy Lee Roth and April Anderson: Internet browsing can be biased against LGBTQ people, new exclusive research shows[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][vc_column_text]Up in smoke by Félix Bruzzone: A semi-autobiographical story from the son of two of Argentina’s disappeared
Between the gavel and the anvil by Najwa Bin Shatwan: A new short story about a Libyan author who starts changing her story to please neighbours
We could all disappear by Neamat Imam: The Bangladesh novelist on why his next book is about a famous writer who disappeared in the 1970s[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][vc_column_text]Demand points of view by Orna Herr: A new Index initiative has allowed people to debate about all of the issues we’re otherwise avoiding[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]Ticking the boxes by Jemimah Steinfeld: Voter turnout has never felt more important and has led to many new organisations setting out to encourage this. But they face many obstacles[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Subscribe”][vc_column_text]In print, online, in your mailbox, on your iPad.
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SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Read”][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Listen”][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index’s South Korean correspondent Steven Borowiec
LISTEN HERE[/vc_column_text][/vc_column][/vc_row]
