28 Apr 2021 | Magazine, Magazine Editions, Volume 50.01 Spring 2021
Author
Ma Jian is an award-winning Chinese writer. His latest novel is China Dream. His work is banned in China
Singer
Gelareh Sheibani was born in Iran and took keyboard lessons as a youngter. She found a passion for singing in her teenage years but solo singing in the country was not permitted. After the release of the video for her song Nagoo Tanhaei and the follow-up she was arrested and prosecuted. She later left the country and now lives in Turkey
Journalist
Sarah Sands is Chair of the Gender Equality Advisory Council for G7 and a board member of Index on Censorship. Sands was the former editor of BBC’s Today programme
15 Jan 2021 | Opinion, Ruth's blog
[vc_row][vc_column][vc_single_image image="116027" img_size="full"][vc_column_text]Irony - a situation in which something which was intended to have a particular result has the opposite or a very different one
Censored - suppressed, altered or deleted as objectionable
Words are important and while language is ever evolving some words have had the same meaning for decades, even centuries, and there are simply no excuses for misrepresenting them to try and fit your political worldview. Words have status, they have legal bearing and they are also a thing of beauty enabling us to communicate with each other.
This week we saw the ultimate unintentionally ironic political statement during the debate in the House of Representatives concerning Donald Trump’s second impeachment. Rep Marjorie Taylor Greene, a freshman Republican congresswoman from Georgia, stood up to defend the rhetoric of the president, speaking from the US Capitol, from the chamber of Congress, the home of US democracy, on live television and while being live streamed around the world, with a face mask which read “CENSORED”.
Perhaps it was a veiled reference to Trump’s removal from Twitter? But at that very moment, the congresswoman herself, with her words and her world view being heard by literally millions of people and recorded for posterity in both the media and the Congressional Record, was not being censored. Her voice wasn’t being limited, she wasn’t being forced to restrict her language or caveat her political position. She is fortunate to live in a country where free speech is still both protected and valued. And to suggest otherwise undermines the global fight for the right to free speech in repressive regimes.
Senator Josh Hawley has had his book contract cancelled by Simon & Schuster. They said “[a]fter witnessing the disturbing, deadly insurrection that took place on Wednesday in Washington, D.C. We did not come to this decision lightly. As a publisher it will always be our mission to amplify a variety of voices and viewpoints; at the same time we take seriously our larger public responsibility as citizens, and cannot support Senator Hawley after his role in what became a dangerous threat to our democracy and freedom.”
Hawley is claiming that he is being cancelled, that his constitutional right to free speech is being attacked and that he is suing. We know that because Hawley was featured in nearly every news outlet which covers the USA, both foreign and domestic. Hawley remains a senator, he has the right to speak to his nation in every sitting outlining his priorities and world view. His words were published this week in an op-ed in his local media. He hasn’t been silenced or cancelled, his lucrative book deal has. And even if that sets a bad precedent – a debate we will explore further at Index over the coming months – it is not the same thing.
Our right to free speech is precious. It is something that we need to cherish. Not abuse. And we need to be honest about when it is and is not being threatened. It is being threatened in Belarus, where our own correspondent Andrei Aliaksandrau has just been arrested by the regime. It is under threat in Egypt where according to the Egyptian Initiative for Personal Rights 60,000 political prisoners are incarcerated. It is nonexistent in Xinjiang province, China, where millions of Uighurs have been sent to re-education camps. It is not being threatened in the USA – it may be being challenged but these words mean different things.
I believe passionately about our right to free speech. I think everybody has the right to speak, to argue their position, to tell their stories. But there is a difference from having the right to speak and the right to be heard. Simply put you don’t have the latter, it is not a universal right, which can be unjust and for some incredibly damaging but it’s the reality we live in.
This brings me to the other controversy of the week, which warrants a great deal of debate and conversation. Something Index is going to launch in the coming weeks – the suspension of Trump from his social media accounts. Most online platforms are corporate entities, who balance responsibilities to defend free speech and to protect their users. They have a duty of care to their customers as well as to their corporate reputations. They also facilitate a great deal of our national and personal conversations. And they have made the remarkable decision to remove the President of the United States from their sites. They had the right to do this, but the question is should they have removed him and more importantly who decided he shouldn’t be there?
It was not a decision that was taken lightly. “I do not celebrate or feel pride in our having to ban @realDonaldTrump from Twitter, or how we got here. After a clear warning we’d take this action, we made a decision with the best information we had based on threats to physical safety both on and off Twitter. Was this correct?” wrote CEO of Twitter Jack Dorsey.
In his thoughtful thread on the action he wrote: “Having to take these actions fragment the public conversation. They divide us. They limit the potential for clarification, redemption, and learning. And sets a precedent I feel is dangerous: the power an individual or corporation has over a part of the global public conversation.”
As Dorsey himself acknowledges we need to explore what role these companies really play in our society. Are they merely platforms enabling us to engage within a framework they determine? Are they publishers responsible for every word on their sites? Do they govern the public space or merely facilitate it? And do we know what they are doing? Their actions can determine who speaks and who is heard. We need a really robust conversation about where the red lines should be on online content and what is or isn’t acceptable. These questions have been circulating for a while but have never felt more crucial to be addressed than this week. These are the questions that will define our online presence in the years ahead, so we need answers now.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
17 Jun 2020 | Magazine, Magazine Contents, Volume 49.02 Summer 2020
[vc_row][vc_column][vc_custom_heading text="With contributions from Katherine Parkinson, David Hare, Marina Lalovic, Geoff White and Timandra Harkness"][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Summer 2020 issue of Index on Censorship magazine looks at just how much of our privacy we are giving away right now. Covid-19 has occurred at a time when tech giants and autocrats have already been chipping away at our freedoms. Just how much privacy is left and how much will we now lose? This is a question people in Turkey are really concerned about, as many feel the home was the last refuge for them for privacy, but now contact tracing apps might rid them of that. It's a similar case for those in China, and the journalist Tianyu M Fang speaks about his own, haphazard experience of using a contact tracing app there. We also have an article from Uganda on the government spies that are everywhere, plus tech experts talking about just how much power apps like Zoom and tech like drones have.
In our In Focus section, we interview journalists in Serbia, Hungary and Kashmir who are trying to report the truth in places where the truth can be as dangerous, if not more, than Covid-19. And we have an interview with and poet from the playwright David Hare.
We have a very special culture section in this issue. Three playwrights have written short plays for the magazine around the theme of pandemics. V (formerly Eve Ensler), the author of The Vagina Monologues, takes you to the aftermath of a nuclear disaster; Katherine Parkinson of The IT Crowd writes about online dating during quarantine; Lebanese playwright Lucien Bourjeily is inspired by recent events in his country in his chilling look at protest right now.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text="Special Report"][vc_column_text]
Back-up plan by Timandra Harkness: Don’t blindly give away more freedoms than you sign up for in the name of tackling the epidemic. They’re hard to reclaim
The eyes of the storm by Issa Sikiti da Silva: Spies are on the streets of Uganda making sure everyone abides by Covid-19 rules. They’re spying on political opposition too. A dispatch from Kampala
Zooming in on privacy concerns by Adam Aiken: Video app Zoom is surging in popularity. In our rush to stay connected, we need to make security checks and not reveal more than we think
Seeing what's around the corner by Richard Wingfield: Facial recognition technology may be used to create immunity “passports” and other ways of tracking our health status. Are we watching?
Don't just drone on by Geoff White: If drones are being used to spy on people breaking quarantine rules, what else could they be used for? We investigate
Sending a red signal by Tianyu M Fang: When a contact tracing app went wrong a journalist was forced to stay in their home in China
The not so secret garden by Tom Hodgkinson: Better think twice before bathing naked in the backyard. It’s not just your neighbours that might be watching you. Where next for privacy?
Hackers paradise by Stephen Woodman: Hackers across Latin America are taking advantage of the current crisis to access people’s personal data. If not protected it could spell disaster
Italy's bad internet connection by Alessio Perrone: Italians have one of the lowest levels of digital skills in Europe and are struggling to understand implications of the new pandemic world
Less than social media by Stefano Pozzebon: El Salvador’s new leader takes a leaf out of the Trump playbook to use Twitter to crush freedoms
Nowhere left to hide by Kaya Genç: Privacy has been eroded in Turkey for many years now. People fear that tackling Covid-19 might take away their last private free space
Open book? by Somak Ghoshal: In India, where people are forced to download a tracking app to get paid, journalists are worried about it also being used to access their contacts
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text="In Focus"][vc_column_text]
Knife-edge politics by Marina Lalovic: An interview with Serbian journalist Ana Lalic, who forced the Serbian government to do a U-Turn
Stage right (and wrong) by Jemimah Steinfeld: The playwright David Hare talks to Index about a very 21st century form of censorship on the stage. Plus a poem of Hare’s published for the first time
Inside story: Hungary's media silence by Viktória Serdült: What’s it like working as a journalist under the new rules introduced by Hungary’s Viktor Orbán? How hard is it to report?
Life under lockdown: A Kashmiri Journalist by Bilal Hussain: A Kashmiri journalist speaks about the difficulties - personal and professional - of living in the state with an internet shutdown during lockdown
The truth will out by John Lloyd: Journalists need to challenge themselves and fight for media freedoms that are being eroded by autocrats and tech companies
Extremists use virus to curb opposition by Laura Silvia Battaglia: Covid-19 is being used by religious militia as a recruitment tool in Yemen and Iraq. Speaking out as a secular voice is even more challenging
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text="Culture"][vc_column_text]
Masking the truth by V: The writer of The Vagina Monologues (formerly known as Eve Ensler) speaks to Index about attacks on the truth. Plus a new version of her play about living in a nuclear wasteland
Time out by Katherine Parkinson: The star of The IT Crowd discusses online dating and introduces her new play, written for Index, that looks at love and deception online
Life in action by Lucien Bourjeily: The Lebanese director talks to Index about how police brutality has increased in his country and how that informed the story of his new play, published here for the first time
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text="Index around the world"][vc_column_text]
Putting abuse on the map by Orna Herr: The coronavirus crisis has seen a huge rise in media attacks. Index has launched a map to track these
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text="Endnote"][vc_column_text]
Forced out of the closet by Jemimah Steinfeld: As people live out more of their lives online right now, our report highlights how LGBTQ dating apps can put people’s lives at risk
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width="1/3"][vc_custom_heading text="Subscribe"][vc_column_text]In print, online, in your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship's projects around the world.
SUBSCRIBE NOW[/vc_column_text][/vc_column][vc_column width="1/3"][vc_custom_heading text="Read"][vc_column_text]The playwright Arthur Miller wrote an essay for Index in 1978 entitled The Sin of Power. We reproduce it for the first time on our website and theatre director Nicholas Hytner responds to it in the magazine
READ HERE[/vc_column_text][/vc_column][vc_column width="1/3"][vc_custom_heading text="Listen"][vc_column_text]In the Index on Censorship autumn 2019 podcast, we focus on how travel restrictions at borders are limiting the flow of free thought and ideas. Lewis Jennings and Sally Gimson talk to trans woman and activist Peppermint; San Diego photojournalist Ariana Drehsler and Index's South Korean correspondent Steven Borowiec
LISTEN HERE[/vc_column_text][/vc_column][/vc_row]
16 Jun 2020 | Magazine, Magazine Editions, Volume 49.02 Summer 2020
Journalist
Issa Sikiti da Silva is an award-winning freelance journalist who has traveled extensively across Africa. Born in Kinshasa, the capital of the Democratic Republic of Congo, he has lived in South Africa and worked as a foreign correspondent in West Africa. His work has been published in nearly 40 media outlets
Actor and playwright
Katherine Parkinson is a Bafta-award winning English actress. She has appeared in several television series, including The IT Crowd and Humans. She has also appeared in such films as How to Lose Friends & Alienate People and The Boat That Rocked, as well as on stage in various high profile West End shows. In 2019 Parkinson’s debut work as a playwright, Sitting, had its London premiere, after a month-long run at the Edinburgh Fringe
Playwright
David Hare is a playwright and film-maker. He has written over thirty stage plays which include Plenty and Pravda (with Howard Brenton). For film and television, he has written nearly thirty screenplays which include Licking Hitler, The Hours, The Reader and Denial. In a millennial poll of the greatest plays of the 20th century, five of the top 100 were his
