Reel-time: Combatting fake news online

[vc_row full_width=”stretch_row_content_no_spaces” full_height=”yes” css_animation=”fadeIn” css=”.vc_custom_1531732086773{background: #ffffff url(https://www.indexoncensorship.org/wp-content/uploads/2018/07/FinalBullshit-withBleed.jpg?id=101381) !important;}”][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][vc_custom_heading text=”Manipulating news and discrediting the media are techniques that have been used for more than a century. Originally published in the spring 2017 issue The Big Squeeze, Index’s global reporting team brief the public on how to watch out for tricks and spot inaccurate coverage. Below, Index on Censorship editor Rachael Jolley introduces the special feature” font_container=”tag:h2|text_align:left|color:%23000000″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

FICTIONAL ANGLES, SPIN, propaganda and attempts to discredit the media, there’s nothing new there. Scroll back to World War I and you’ll find propaganda cartoons satirising both sides who were facing each other in the trenches, and trying to pump up public support for the war effort. If US President Donald Trump is worried about the “unbalanced” satirical approach he is receiving from the comedy show Saturday Night Live, he should know he is following in the footsteps of Napoleon who worried about James Gillray’s caricatures of him as very short, while the vertically challenged French President Nicolas Sarkozy feared the pen of Le Monde’s cartoonist Plantu.

When Trump cries “fake news” at coverage he doesn’t like, he is adopting the tactics of Ecuadorean President Rafael Correa. Cor-rea repeatedly called the media “his greatest enemy” and attacked journalists personally, to secure the media coverage he wanted.

As Piers Robinson, professor of political journalism at Sheffield University, said: “What we have with fake news, distorted information, manipulation communication or propaganda, whatever you want to call it, is nothing new.”

Our approach to it, and the online tools we now have, are newer however, meaning we now have new ways to dig out angles that are spun, include lies or only half the story.

But sadly while the internet has brought us easy access to multitudes of sources, and the ability to watch news globally, it also appears to make us lazier as we glide past hundreds of stories on Twitter, Facebook and the digital world. We rarely stop to analyse why one might be better researched than another, whose journalism might stand up or has the whiff of reality about it.

As hungry consumers of the news we need to dial up our scepticism. Disappointingly, research from Stanford University across 12 US states found millennials were not sceptical about news, and less likely to be able to differentiate between a strong news source and a weak one. The report’s authors were shocked at how unprepared students were in questioning an article’s “facts” or the likely bias of a website.

And, according to Pew Research, 66% of US Facebook users say they use it as a news source, with only around a quarter clicking through on a link to read the whole story. Hardly a basis for making any decision.

At the same time, we are seeing the rise of techniques to target particular demographics with political advertising that looks like journalism. We need to arm ourselves with tools to unpick this new world of information.

Rachael Jolley is the editor of Index on Censorship magazine

 

Credit: Ben Jennings

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A Picture Sparks a Thousand Stories

KAYA GENÇ dissects the use of shocking images and asks why the Turkish media didn’t check them

Two days after last year’s failed coup attempt in Turkey, one of the leading newspapers in the country, Sozcu, published an article with two shocking images purportedly showing anti-coup protesters cutting the throat of a soldier involved in the coup. “In the early hours of this morning the situation at the Bosphorus Bridge, which had been at the hands of coup plotters until last night, came to an end,” the piece read. “The soldiers handed over their guns and surrendered. Meanwhile, images of one of the soldiers whose throat was cut spread over social media like an avalanche, and those who saw the image of the dead soldier suffered shock,” it said.

These powerful images of a murdered uniformed youth proved influential for both sides of the political divide in Turkey: the ultra-conservative Akit newspaper was positive in its reporting of the lynching, celebrating the killing. The secularist OdaTV, meanwhile, made it clear that it was an appalling event and it was publishing the pictures as a means of protest.

Neither publication credited the images they had published in their extremely popular articles, which is unusual for a respectable publication. A careful reader could easily spot the lack of sources in the pieces too; there was no eyewitness account of the purported killing, nor was anyone interviewed about the event. In fact, the piece was written anonymously.

These signs suggested to the sceptical reader that the news probably came from someone who did not leave their desk to write the story, choosing instead to disseminate images they came across on social media and to not do their due diligence in terms of verifying the facts.

On 17 July, Istanbul’s medical jurisprudence announced that, among the 99 dead bodies delivered to the morgue in Istanbul, there was no beheaded person. The office of Istanbul’s chief prosecutor also denied the news, and it was declared that the news was fake.

A day later, Sozcu ran a lengthy commentary about how it prepared the article. Editors accepted that their article was based on rumours and images spread on social media. Numerous other websites had run the same news, their defence ran, so the responsibility for the fake news rested with all Turkish media. This made sense. Most of the pictures purportedly showing lynched soldiers were said to come from the Syrian civil war, though this too is unverifiable. Major newspapers used them, for different political purposes, to celebrate or condemn the treatment of putschist soldiers.

More worryingly, the story showed how false images can be used by both sides of Turkey’s political divide to manipulate public opinion: sometimes lies can serve both progressives and conservatives.

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A Case of Mistaken Philanthropy

JEMIMAH STEINFELD writes on the story of Jack Ma’s doppelganger that went too far

Jack Ma is China’s version of Mark Zuckerberg. The founder and executive chairman of successful e-commerce sites under the Alibaba Group, he’s one of the wealthiest men in China. Articles about him and Alibaba are frequent. It’s within this context that an incorrect story on Ma was taken as verbatim and spread widely.

The story, published in November 2016 across multiple sites at the same time, alleged that Ma would fund the education of eight-year-old Fan Xiaoquin, nicknamed “mini Ma” because of an uncanny resemblance to Ma when he was of a similar age. Fan gained notoriety earlier that year because of this. Then, as people remarked on the resemblance, they also remarked on the boy’s unfavourable circumstances – he was incredibly poor and had ill parents. The story took a twist in November, when media, including mainstream media, reported that Ma had pledged to fund Fan’s education.

Hints that the story was untrue were obvious from the outset. While superficially supporting his lookalike sounds like a nice gesture, it’s a small one for such a wealthy man. People asked why he wouldn’t support more children of a similar background (Fan has a brother, in fact). One person wrote on Weibo: “If the child does not look like Ma, then his tragic life will continue.”

Despite the story drawing criticism along these lines, no one actually questioned the authenticity of the story itself. It wouldn’t have taken long to realise it was baseless. The most obvious sign was the omission of any quote from Ma or from Alibaba Group. Most publications that ran the story listed no quotes at all. One of the few that did was news website New China – sponsored by state-run news agency Xinhua. Even then the quotes did not directly pertain to Ma funding Fan. New China also provided no link to where the comments came from.

Copying the comments into a search engine takes you to the source though – an article on major Chinese news site Sina, which contains a statement from Alibaba. In this statement, Alibaba remark on the poor condition of Fan and say they intend to address education amongst China’s poor. But nowhere do they pledge to directly fund Fan. In fact, the very thing Ma was criticised for – only funding one child instead of many – is what this article pledges not to do.

It was not just the absence of any comments from Ma or his team that was suspicious; it was also the absence of any comments from Fan and his family. Media that ran the story had not confirmed its veracity with Ma or with Fan. Given that few linked to the original statement, it appeared that not many had looked at that either.

In fact, once past the initial claims about Ma funding Fan, most articles on it either end there or rehash information that was published from the initial story about Ma’s doppelganger. As for the images, no new ones were used. These final points alone wouldn’t indicate that the story was fabricated, but they do further highlight the dearth of new information, before getting into the inaccuracy of the story’s lead.

Still, the story continued to spread, until someone from Ma’s press team went on the record and denied the news, or lack thereof.

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Not a Laughing Matter

DUNCAN TUCKER digs out the clues that a story about clown killings in Mexico didn’t stand up

Disinformation thrives in times of public anxiety. Soon after a series of reports on sinister clowns scaring the public in the USA in 2016, a story appeared in the Mexican press about clowns being beaten to death.

At the height of the clown hysteria, the little-known Mexican news site DenunciasMX reported that a group of youths in Ecatepec, a gritty suburb of Mexico City, had beaten two clowns to death in retaliation for intimidating passers-by. The article featured a low-resolution image of the slain clowns on a run-down street, with a crowd of onlookers gathered behind police tape.

To the trained eye, there were several telltale signs that the news was not genuine.

While many readers do not take the time to investigate the source of stories that appear on their Facebook newsfeeds, a quick glance at DenunciasMX’s “Who are we?” page reveals that the site is co-run by social activists who are tired of being “tricked by the big media mafia”. Serious news sources rarely use such language, and the admission that stories are partially authored by activists rather than by professionally-trained journalists immediately raises questions about their veracity.

The initial report was widely shared on social media and quickly reproduced by other minor news sites but, tellingly, it was not reported in any of Mexico’s major newspapers – publications that are likely to have stricter criteria with regard to fact-checking.

Another sign that something was amiss was that the reports all used the vague phrase “according to witnesses”, yet none had any direct quotes from bystanders or the authorities

Yet another red flag was the fact that every news site used the same photograph, but the initial report did not provide attribution for the image. When in doubt, Google’s reverse image search is a useful tool for checking the veracity of news stories that rely on photographic evidence. Rightclicking on the photograph and selecting “Search Google for Image” enables users to sift through every site where the picture is featured and filter the results by date to find out where and when it first appeared online.

In this case, the results showed that the image of the dead clowns first appeared online in May 2015, more than a year before the story appeared in the Mexican press. It was originally credited to José Rosales, a reporter for the Guatemalan news site Prensa Libre. The accompanying story, also written by Rosales, stated that the two clowns were shot dead in the Guatemalan town of Chimaltenango.

While most of the fake Mexican reports did not have bylines and contained very little detail, Rosales’s report was much more specific, revealing the names, ages and origins of the victims, as well as the number of shell casings found at the crime scene. Instead of rehashing rumours or speculating why the clowns were targeted, the report simply stated that police were searching for the killers and were working to determine the motive.

As this case demonstrates, with a degree of scrutiny and the use of freely available tools, it is often easy to differentiate between genuine news and irresponsible clickbait.

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Not North Korea

ABRAHAM T ZERE dissects the moment that Eritreans mistook saucy satire for real news

In recent years, the international media have dubbed Eritrea the “North Korea of Africa”, due to their striking similarities as closed, repressive states that are blocked to international media. But when a satirical website run by exiled Eritrean journalists cleverly manipulated the simile, the site stoked a social media buzz among the Eritrean diaspora.

Awaze Tribune launched last June with three news stories, including “North Korean ambassador to UN: ‘Stop calling Eritrea the North Korea of Africa’.”

The story reported that the North Korean ambassador, Sin Son-ho, had complained it was insulting for his advanced, prosperous, nuclear-armed nation to be compared to Eritrea, with its “senile idiot leader” who “hasn’t even been able to complete the Adi Halo dam”.

With apparent little concern over its authenticity, Eritreans in the diaspora began widely sharing the news story, sparking a flurry of discussion on social media and quickly accumulating 36,600 hits.

The opposition camp shared it widely to underline the dismal incompetence of the Eritrean government. The pro-government camp countered by alleging that Ethiopia must have been involved behind the scenes.

The satirical nature of the website should have seemed obvious. The name of the site begins with “Awaze”, a hot sauce common in Eritrean and Ethiopian cuisines. If readers were not alerted by the name, there were plenty of other pointers. For example, on the same day, two other “news” articles were posted: “Eritrea and South Sudan sign agreement to set an imaginary airline” and “Brexit vote signals Eritrea to go ahead with its long-planned referendum”.

Although the website used the correct name and picture of the North Korean ambassador to the UN, his use of “senile idiot” and other equally inappropriate phrases should have betrayed the gag.

Recently, Eritrean President Isaias Afwerki has been spending time at Adi Halo, a dam construction site about an hour’s drive from the capital, and he has opened a temporary office there. While this is widely known among Eritreans, it has not been covered internationally, so the fact that the story mentioned Adi Halo should also have raised questions of its authenticity with Eritreans. Instead, some readers were impressed by how closely the North Korean ambassador appeared to be following the development.

The website launched with no news items attributed to anyone other than “Editor”, and even a cursory inspection should have revealed it was bogus. The About Us section is a clear joke, saying lines such as the site being founded in 32AD.

Satire is uncommon in Eritrea and most reports are taken seriously. So when a satirical story from Kenya claimed that Eritrea had declared polygamy mandatory, demanding that men have two wives, Eritrea’s minister of information felt compelled to reply.

In recent years, Eritrea’s tightly closed system has, not surprisingly, led people to be far less critical of news than they should be. This and the widely felt abhorrence of the regime makes Eritrean online platforms ready consumers of such satirical news.

 

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And That’s a Cut

Journalist NATASHA JOSEPH spots the signs of fiction in a story about circumcision

The smartest tall tales contain at least a grain of truth. If they’re too outlandish, all but the most gullible reader will see through the deceit. Celebrity death stories are a good example. In South Africa, dodgy “news” sites routinely kill off local luminaries like Desmond Tutu. The cleric is 85 years old and has battled ill health for years, so fake reports about his death are widely circulated.

This “grain of truth” rule lies at the heart of why the following headline was perhaps believed. The headline was “Men can now circumcise themselves at home, it is easy – says minister of health”. Circumcision is a common practice among a number of African cultural groups. Medical circumcision is also on the rise. So it makes sense that South Africa’s minister of health would be publicly discussing the issue of circumcision.

The country has also recently unveiled “DIY HIV testing kits” that allow people to check for HIV in their own homes. This is common knowledge, so casual or less canny readers might conflate the two procedures.

The reality is that most of us are casual readers, snacking quickly on short pieces and not having the time to engage fully with stories. New levels of engagement are required in a world heaving with information.

The most important step you can take in navigating this terrible new world is to adopt a healthy scepticism towards everything. Yes, it sounds exhausting, but the best journalists will tell you that it saves a lot of time to approach information with caution. My scepticism manifests as what I call my “bullshit detector”. So how did my detector react to the “DIY circumcision” story?

It started ringing instantly thanks to the poor grammar evident in the headline and the body of the text. Most proper news websites still employ sub editors, so lousy spelling and grammar are early warning signals that you’re dealing with a suspicious site.

The next thing to check is the sourcing: where did the minister make these comments? To whom? All this article tells us is that he was speaking “in Johannesburg”. The dearth of detail should signal to tread with caution. If you’ve got the time, you might also Google some key search terms and see if anyone else reported on these alleged statements. Also, is there a journalist’s name on the article? This one was credited to “author”, which suggests that no real journalist was involved in production.

The article is accompanied by some graphic illustrations of a “DIY circumcision”. If you can stomach it, study the pictures. They’ll confirm what I immediately suspected upon reading the headline: this is a rather grisly example of false “news”.

Finally, make sure you take a good look at the website that runs such an article. This one appeared on African News Updates.

That’s a solid name for a news website, but two warning bells rang for me: the first bell was clanged by other articles, which ranged from the truth (with a sensational bent) to the utterly ridiculous. The second bell rang out of control when I spotted a tab marked “satire” along the top. Click on it and there’s a rant ridiculing anyone who takes the site seriously. Like I needed any excuse to exit the site and go in search of real news.

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Get the Tricks of the Trade

Veteran journalist RAYMOND JOSEPH explains how a handy new tool from South Africa can teach you core journalism skills to help you get to the truth

It’s been more than 20 years since leading US journalist and journalism school teacher Melvin Mencher released his Reporter’s Checklist and Notebook, a brilliant and simple tool that for years helped journalists in training.

Taking cues from Mencher’s, there’s now a new kid on the block designed for the digital age. Pocket Reporter is a free app that leads people through the newsgathering process – and it’s making waves in South Africa, where it was launched in late 2016.

Mencher’s consisted of a standard spiral-bound reporter’s notebook, but also included tips and hints for young reporters and templates for a variety of stories, including a crime, a fire and a car crash. These listed the questions a journalist needed to ask.

Cape Town journalist Kanthan Pillay was introduced to Mencher’s notebook when he spent a few months at the Harvard Business School and the Nieman Foundation in the USA. Pillay, who was involved in training young reporters at his newspaper, was inspired by it. Back in South Africa, he developed a website called Virtual Reporter.

“Mencher’s notebook got me thinking about what we could do with it in South Africa,” said Pillay. “I believed then that the next generation of reporters would not carry notebooks but would work online.”

Picking up where Pillay left off, Pocket Reporter places the tips of Virtual Reporter into your mobile phone to help you uncover the information that the best journalists would dig out. Cape Town-based Code for South Africa re-engineered it in partnership with the Association of Independent Publishers, which represents independent community media.

It quickly gained traction among AIP’s members. Their editors don’t always have the time to brief reporters – who might be inexperienced journalists or untrained volunteers – before they go out on stories.

This latest iteration of the tool, in an age when any smartphone user can be a reporter, is aimed at more than just journalists. Ordinary people without journalism training often find themselves on the frontline of breaking news, not knowing what questions to ask or what to look out for.

Code4SA recently wrote code that makes it possible to translate the content into other languages besides English. Versions in Xhosa, one of South Africa’s 11 national languages, and Portuguese are about to go live. They are also currently working on Afrikaans and Zulu translations, while people elsewhere are working on French and Spanish translations.

“We made the initial investment in developing Pocket Reporter and it has shown real world value. It is really gratifying to see how the project is now becoming community-driven,” said Code4SA head Adi Eyal.

Editor Wara Fana, who publishes his Xhosa community paper Skawara News in South Africa’s Eastern Cape province, said: “I am helping a collective in a remote area to launch their own publication, and Pocket Reporter has been invaluable in training them to report news accurately.” His own journalists were using the tool and he said it had helped improve the quality of their reporting.

Cape Peninsula University of Technology journalism department lecturer Charles King is planning to incorporate Pocket Reporter into his curriculum for the news writing and online-media courses he teaches.

“What’s also of interest to me is that there will soon be Afrikaans and Xhosa versions of the app, the first languages of many of our students,” he said.

Once it has been downloaded from the Google Play store, the app offers a variety of story templates, covering accidents, fires, crimes, disasters, obituaries and protests.

The tool takes you through a series of questions to ensure you gather the correct information you need in an interview.

The information is typed into a box below each question. Once you have everything you need, you have the option of emailing the information to yourself or sending it directly to your editor or anyone else who might want it.

Your stories remain private, unless you choose to share them. Once you have emailed the story, you can delete it from your phone, leaving no trace of it.

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This article originally appeared in the spring 2017 issue of Index on Censorship magazine.

Kaya Genç is a contributing editor for Index on Censorship magazine based in Istanbul, Turkey

Jemimah Steinfeld is deputy editor of Index on Censorship magazine

Duncan Tucker is a regular correspondent for Index on Censorship magazine from Mexico

Journalist Abraham T Zere is originally from Eritrea and now lives in the USA. He is executive director of PEN Eritrea

Natasha Joseph is a contributing editor for Index on Censorship magazine and is based in Johannesburg, South Africa. She is also Africa education, science and technology editor at The Conversation

Raymond Joseph is former editor of Big Issue South Africa and regional editor of South Africa’s Sunday Times. He is based in Cape Town and tweets @rayjoe

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”91220″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228408533808″][vc_custom_heading text=”There’s nothing new about fake news” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228408533808|||”][vc_column_text]June 2017

Andrei Aliaksandrau takes a look at fake news in Belarus[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”99282″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064227508532452″][vc_custom_heading text=”Fake news: The global silencer” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064227508532452|||”][vc_column_text]April 2018

Caroline Lees examines fake news being used to imprison journalists [/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”88803″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229808536482″][vc_custom_heading text=”Taking the bait” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064229808536482|||”][vc_column_text]April 2017

Richard Sambrook discusses the pressures click-bait is putting on journalism[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”The Big Squeeze” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F12%2Fwhat-price-protest%2F|||”][vc_column_text]The spring 2017 issue of Index on Censorship magazine looks at multi-directional squeezes on freedom of speech around the world.

Also in the issue: newly translated fiction from Karim Miské, columns from Spitting Image creator Roger Law and former UK attorney general Dominic Grieve, and a special focus on Poland.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”88802″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/12/what-price-protest/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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Contents: The abuse of history

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The spring 2018 issue of Index on Censorship magazine takes a special look at how governments and other powers across the globe are manipulating history for their own ends.

In this issue, we examine the various ways and areas where historical narratives are being changed, including a Q&A with Chinese and Japanese people on what they were taught about the Nanjing massacre at school; the historian known as Mosul Eye gives a special insight into his struggle documenting what Isis were trying to destroy; and Raymond Joseph takes a look at how South Africa’s government is erasing those who fought against apartheid.

The issue features interviews with historians Margaret MacMillan and Neil Oliver, and a piece addressing who really had free speech in the Tudor Court from Lucy Worsley.

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We also take a look at how victims of the Franco regime in Spain may finally be put to rest in Silvia Nortes’ article; Irene Caselli explores how a new law in Colombia making history compulsory in school will be implemented after decades of conflict; and Andrei Aliaksandrau explains how Ukraine and Belarus approach their Soviet past.

The special report includes articles discussing how Turkey is discussing – or not – the Armenian genocide, while Poland passes a law to make talking about the Holocaust in certain ways illegal.

Outside the special report, Barry Humphries aka Dame Edna talks about his new show featuring banned music from the Weimar Republic and comedian Mark Thomas discusses breaking taboos with theatre in a Palestinian refugee camp.

Finally, we have an exclusive short story by author Christie Watson; an extract from Palestinian author Abbad Yahya’s latest book; and a poem from award-winning poet Mahvash Sabet.

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A date (not) to forget, by Louisa Lim: The author on why her book about Tiananmen would be well-nigh impossible to research today

Who controls the past controls the future…, by Sally Gimson: Fall in line or be in the firing line is the message historian are receiving from governments around the world

Another country, by Luka Ostojić: One hundred years after the creation of Yugoslavia, there are few signs it ever existed in Croatia. Why?

No comfort in the truth, by Annemarie Luck: It’s the episode of history Japan would rather forget. Instead comfort women are back in the news

Unleashing the past, by Kaya Genç: Freedom to publish on the World War I massacre of Turkish Armenians is fragile and threatened

Stripsearch, by Martin Rowson: Mister History is here to teach you what really happened

Tracing a not too dissident past, by Irene Caselli: As Cubans prepare for a post-Castro era, a digital museum explores the nation’s rebellious history

Lessons in bias, by Margaret MacMillan, Neil Oliver, Lucy Worsley, Charles van Onselen, Ed Keazor: Leading historians and presenters discuss the black holes of the historical universe

Projecting Poland and its past, by Konstanty Gebert: Poland wants you to talk about the “Polocaust”

Battle lines, by Hannah Leung and Matthew Hernon: One battle, two countries and a whole lot of opinions. We talk to people in China and Japan about what they learnt at school about the Nanjing massacre

The empire strikes back, by Andrei Aliaksandrau: Ukraine and Belarus approach their former Soviet status in opposite ways. Plus Stephen Komarnyckyj on why Ukraine needs to not cherry-pick its past

Staging dissent, by Simon Callow: When a British prime minister was not amused by satire, theatre censorship followed. We revisit plays that riled him, 50 years after the abolition of the state censor

Eye of the storm, by Omar Mohammed: The historian known as Mosul Eye on documenting what Isis were trying to destroy

Desert defenders, by Lucia He: An 1870s battle in Argentina saw the murder of thousands of its indigenous people. But that history is being glossed over by the current government

Buried treasures, by David Anderson: Britain’s historians are struggling to access essential archives. Is this down to government inefficiency or something more sinister?

Masters of none, by Bernt Hagtvet: Post-war Germany sets an example of how history can be “mastered”. Poland and Hungary could learn from it

Naming history’s forgotten fighters, by Raymond Joseph: South Africa’s government is setting out to forget some of the alliance who fought against apartheid. Some of them remain in prison

Colombia’s new history test, by Irene Caselli: A new law is making history compulsory in Colombia’s schools. But with most people affected by decades of conflict, will this topic be too hot to handle?

Breaking from the chains of the past, by Audra Diptee: Recounting Caribbean history accurately is hard when many of the documents have been destroyed

Rebels show royal streak, by Layli Foroudi: Some of the Iranian protesters at recent demonstrations held up photos of the former shah. Why?

Checking the history bubble, by Mark Frary: Historians will have to use social media as an essential tool in future research. How will they decide if its information is unreliable or wrong?

Franco’s ghosts, by Silvia Nortes: Many bodies of those killed under Franco’s regime have yet to be recovered and buried. A new movement is making more information public about the period

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Global view, by Jodie Ginsberg: If we don’t support those whose views we dislike as much as those whose views we do, we risk losing free speech for all

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How gags can remove gags, by Tracey Bagshaw: Comedian Mark Thomas discusses the taboos about stand-up he encountered in a refugee camp in Palestine

Behind our silence, by Laura Silvia Battaglia: Refugees feel that they are not allowed to give their views in public in case they upset their new nation, they tell our interviewer

Something wicked this way comes, by Abigail Frymann Rouch: They were banned by the Nazis and now they’re back. An interview with Barry Humphries on his forthcoming Weimar Republic cabaret

Fake news: the global silencer, by Caroline Lees: The term has become a useful weapon in the dictator’s toolkit against the media. Just look at the Philippines

The muzzled truth, by Michael Vatikiotis: The media in south-east Asia face threats from many different angles. It’s hard to report openly, though some try against the odds

Carving out a space for free speech, by Kirsten Han: As journalists in Singapore avoid controversial topics, a new site launches to tackle these

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Just hurting, not speaking, by Christie Watson: Rachael Jolley interviews the author about her forthcoming book, why old people are today’s silent community and introduces a short story written exclusively for the magazine

Ban and backlash create a bestseller, by Abbad Yahya: The bestselling Palestinian author talks to Jemimah Steinfeld about why a joke on Yasser Arafat put his life at risk. Also an extract from his latest book, translated into English for the first time

Ultimate escapism, by Mahvesh Sabet: The award-winning poet speaks to Layli Foroudi about fighting adversity in prison. Plus, a poem of Sabet’s published in English for the first time

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Index around the world, by Danyaal Yasin: Research from Mapping Media Freedom details threats against journalists across Europe

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]

Frightening state, by Jemimah Steinfeld: States are increasing the use of kidnapping to frighten journalists into not reporting stories

[/vc_column_text][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”The Abuse of History” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F12%2Fwhat-price-protest%2F%20|||”][vc_column_text]The spring 2018 issue of Index on Censorship magazine takes a special look at how governments and other powers across the globe are manipulating history for their own ends

With: Simon Callow, Louisa Lim, Omar Mohammed [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”99222″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/12/what-price-protest/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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TB Davie Memorial Lecture: David Benatar writes to Mahmood Mamdani

[vc_row][vc_column][vc_column_text]From: David Benatar
Subject: TB Davie Memorial Lecture
Date: 02 April 2017 at 12:49:25 AM SAST
To: Mahmood Mamdani

Dear Professor Mamdani

I understand that you are scheduled to give the TB Davie Memorial Lecture this year. This named lecture, as you know, is devoted to the theme of academic freedom and freedom more generally. What you might not know is that the 2016 lecture was going to be given by Mr. Flemming Rose, cultural editor of the Jyllands-Posten newspaper and notable defender of freedom of expression. However, the University Executive, over the protestations of the then-members of the Academic Freedom Committee disinvited Mr Rose because they perceived him as a controversial speaker. I responded to this ironic and outrageous breach of academic freedom here: http://www.politicsweb.co.za/opinion/uct-a-blow-against-academic-freedom

The Academic Freedom Committee’s term of office came to an end at around this time and the new committee has invited you to be the speaker in 2017. While it is possible that you might use the opportunity of the TB Davie lecture to criticise the University for having disinvited Mr Rose, it would be far more effective if you and other potential speakers in future years refused to give the lecture. Until Mr Rose’s disinvitation is reversed, the TB Davie lecture will be a farce. Thus I urge you to indicate to the Academic Freedom Committee that you will not deliver a TB Davie lecture until Mr Rose has been allowed to deliver the lecture he was invited to give.

Yours sincerely,
David Benatar[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1501498075189-5ba0ae4f-e1a9-10″ taxonomies=”16315, 4524, 8562″][/vc_column][/vc_row]

Contents: The big squeeze

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The spring issue of Index on Censorship magazine looks at how pressures on free speech are currently coming from many different angles, not just one. Richard Sambrook, former director of global news at the BBC, shows how journalists are in a bind, caught between what advertisers want and what readers want. Also looking at journalists, Duncan Tucker casts his eye on the grave situation in Mexico, where getting to the truth involves working against the government, violent cartels and even coworkers.

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Meanwhile, in the Maldives Zaheena Rasheed shows how a mix of forces conspire against those who want to write anything beyond the usual tourist sale pitch.

But the squeezes on free expression don’t just concern journalists. Annemarie Luck reports from Japan, where penis festivals are popular, but women struggle to discuss their own bodies. Can they find a voice through art and manga? For musician Smockey from Burkina Faso, art should indeed be a way to confront truth and yet that’s not always the case. Expectations run high for him to not be “too political” in his lyrics.

Universities, normally the cradle of free expression, aren’t faring too well either, as two articles show. Jan Fox reports from the USA, where bias response teams are becoming a staple of US collegiate life. In South Africa Fees Must Fall has created a divide between right and left, writes Natasha Joseph, with neither side talking to each other and those in the middle being silenced altogether.

Outside of our special report, Roger Law, creator of the iconic TV satire Spitting Image, talks about the great fun he had with the series back in the day and questions whether the show would be able to air today. Alfonso Lázaro de la Fuente might say no. He was one of the Spanish puppeteers arrested last year for a show that referenced Basque-separatist organisation ETA. In an Index exclusive, he explains what the charges have meant for his personal and professional life.

Want to know how to spot fake news? Then read Reel-time news in which Index’s team of experienced global reporters offer tips on how to spot fake news from a mile/screen away. And don’t miss Martin Rowson‘s fake o’clock news, a hilarious – and sinister – take on what a future of alternative facts would look like.

Index also publish an interview with Turkish journalist Canan Coşkun, whose coworkers are currently in jail, and a pair of writers discuss the situation of free speech in Poland, which is tumbling down global charts following the election of the Law and Justice party. And in the UK, former attorney general Dominic Grieve reveals that MPs are avoiding hard talk in parliament.

Finally, the culture section includes a short story from award-winning French writer Karim Miské and original work from Vyacheslav Huk, a Crimean novelist who is unable to publish work in his mother tongue.

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The Big Squeeze: Freedom of speech under pressure

Fact-filled future? by Rachael Jolley: Journalists need to step up, and produce more detailed news coverage. The public needs it

Between a rock and a hard place, by Duncan Tucker: Mexico’s journalists face threats from cartels, the government and each other

Reality rapped, by Smockey: An award-winning musician from Burkina Faso explains why he won’t water down his lyrics to avoid rocking the boat, despite pressure to do so

Talking a tightrope, by
 Kaya Genç: Despite the crackdown in Turkey, the post-Gezi spirit still survives among the determined

Taking the bait, by Richard Sambrook: The quest for instant gratification online is seriously compromising news reporting 

Dangerous minds, by Natasha Joseph: Rather than creating an alliance, Fees Must Fall is limiting free speech at South Africa’s universities, leaving some early supporters disheartened 

Japan’s Madonna complex, by Annemarie Luck: Japan’s contradictory attitudes include highly sexualised images of women and women not being allowed to talk about sex-related subjects

Squeezed in the closet, by Hannah Leung: Get married and be quiet are the messages China’s LGBT community is given 

Degrees of separation, by Jan Fox: The author investigates units appearing on US campuses suggesting students should report lecturers who they feel are biased

Dying to tell a story, by Sadaf Saaz: The list of what Bangladesh writers cannot talk about is getting longer, but that isn’t stopping some from writing

Trouble in paradise, by Zaheena Rasheed: Behind the image of palm-lined beaches is a side of the Maldives the government doesn’t want you to see

Your cover is shown, by Mark Frary: Tech giants and governments are out to get your data. Soon it might be impossible to remain anonymous 

Stripsearch cartoon, by Martin Rowson: Tune in to the fake o’clock news

Composing battle lines, by Steven Borowiec: Why have South Korean pop stars found themselves caught in crossfire between their country and China?

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We have no time for fear, by Canan Coşkun: A Turkish journalist on the perils of reporting in her country when fellow reporters are imprisoned 

Reel-time news, by Natasha Joseph, Kaya Genç, Jemimah Steinfeld, Duncan Tucker, Abraham T Zere, Raymond Joseph: As “fake news” dominates headlines, Index’s global team of experienced journalists offers tips on how to spot falsehoods before you click and share

Singing from the same hymn sheet, by Suhrith Parthasarathy: Rising Indian nationalism is creating a repressive state where non-conformity is deemed unpatriotic  

Poland: Special Focus, by Wojciech Przybylski, Marcin Król: Poland has gone from free speech hero to villain almost overnight. Two writers discuss the shift and why history is being rewritten 

Shooting from the hip, by Irene Caselli: A new mayor in a Mexican border city believes he will make it less dangerous for journalists  

Silence in the house, by Dominic Grieve: The former UK attorney general says MPs are shying away from tough topics in parliament

Puppet masters, by Roger Law: The creator of iconic TV satire Spitting Image on whether we still have our sense of humour

Drawing the line, by John Power: Australia is debating free speech, one cartoon at a time. Cartoonist Bill Leak interviewed just before he died

Puppet state, by Alfonso Lázaro de la Fuente: A Spanish puppeteer, arrested after terrorism charges related to a show, discusses the impact on his life

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Novel take on terror, by
 Karim Miské: The award-winning crime writer on why fiction and reality overlap. Plus his short story featuring a future where tech rules supreme. Interview by Sally Gimson

The war of the words, by Amira Hanafi: Translated extracts from an American-Egyptian writer’s project to capture the shifting linguistic landscape in Egypt since 2011. Interview by Sally Gimson

Crimean closedown, by Vyacheslav Huk: The Crimean novelist on being unable to publish in his mother tongue and a story of the narrator’s memories. Introduced and translated by Steve Komarnyckyj

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Index around the world, by
 Kieran Etoria-King: What to look out for at Index’s Freedom of Expression Awards 2017, alongside news of other projects that Index has been working on in the last few months 

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Getting print out, by Jemimah Steinfeld: Self-publishing may be a new solution to censorship in China and other countries 

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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