Book fairs and freedom

[vc_row full_width=”stretch_row_content_no_spaces” full_height=”yes” css_animation=”fadeIn” css=”.vc_custom_1516891729158{background: #ffffff url(https://www.indexoncensorship.org/wp-content/uploads/2018/01/6MD4OKVXIG5JX3NEIA2M_prvw_63818-1024x683ss-1.jpg?id=97759) !important;}”][vc_column width=”1/6″][/vc_column][vc_column width=”2/3″][vc_custom_heading text=”After Gothenburg and Frankfurt book fairs faced tension over who was allowed to attend, we asked four leading thinkers, Peter Englund, Ola Larsmo, Jean-Paul Marthoz, Tobias Voss, to debate the issue” font_container=”tag:h2|text_align:left|color:%23000000″][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

WORDS APART

In the first of a series of pieces on where the line is drawn on freedom of speech at book fairs, DOMINIC HINDE interviews PETER ENGLUND, a former member of the Swedish Academy’s Nobel committee

Peter Englund is a familiar face around the world, even if many outside Sweden would struggle to place him straight away. For seven years, the award-winning author and former permanent secretary to the Swedish Academy was a fixture on TV screens, emerging each autumn to announce the winner of the Nobel Prize in Literature.The Nobel committee has attracted criticism for some of its choices over the years, but Englund, who retired from the post in 2015, said its decisions were never politically charged, and that the Swedish tradition of open dialogue had always been a core principle.

“When I was permanent secretary I used to say that you could never win the Nobel Prize because of your political view, but that it was quite possible to win in spite of your political attitude. The Swedish Academy is also extremely conscious of the extraordinary importance of freedom of expression, not least because it is a basic requirement if writers and researchers are going to be able to work properly.”

Englund is a long-time supporter of free speech causes around the world and, in his own work, has written extensively about totalitarianism in Europe under both communist and fascist regimes. He recently joined the debate closer to home on the competing demands of freedom of speech and growing right-wing movements in Sweden.

The past decade has seen the emergence of far-right populism in the traditionally liberal and open Nordic state. The Sweden Democrats party – who grew from the fringe white power movement in the 1990s – have made significant inroads in parliament and an alternative far-right media has blossomed. More extreme neo-Nazi groups have ridden on the coat tails of the Sweden Democrats and asserted their right to protest in the name of free speech, claiming Sweden is a country in decline, where the mainstream media ignores crime and immigration issues. Englund and some of his fellow writers have increasingly found themselves dubbed an elite of “cultural Marxists” by far- right activists. There is even a Swedish word – åsiktskorridor – which specifically refers to the narrow corridor of opinion extremists assert is allowed by the political establishment.

“I think it is important that we quite simply refuse to recognise this description of the situation. It is an important part of the populist right’s tactics to whip up ‘culture wars’ over more-or-less fictional symbolic questions, and you have to avoid letting yourself get dragged in,” said Englund.

Confronted with the openly anti-democratic and xenophobic politics which is emerging, many on the Swedish left and centre-right have begun to grapple with how Sweden, which has the oldest press freedom laws in the world, can reconcile its commitment to free speech and diversity with such views. In September 2017, the debate came to a head when Nya Tider (New Times), a populist right-wing newspaper, which has been accused of publishing fake news, was booked to appear at the annual Gothenburg Book Fair.

The fair is Sweden’s biggest cultural and journalistic event, but several well-known journalists and writers who would usually be there chose to stay away in protest at Nya Tider’s attendance. Some argued that Sweden’s tradition of a free press meant even the far-right were entitled to have their opinions heard, but Englund and others decided not to take part.

“I chose not to participate because it meant that I would have to appear on the same stage – broadly speaking – as these right-wing extremists, homophobes, conspiracy theorists, anti-Semites, Holocaust deniers and Putin supporters, and that would have helped to normalise their views,” argued Englund.

He believes that freedom of expression does not mean automatically welcoming extremists to all platforms, and that the Swedish commitment to an open society does not entail encouraging participation by extremist voices.

“Another important tactic for the populist right is to make themselves mainstream, and that is not something I want to contribute to” he explained. “For me [The Gothenburg controversy] was not a question of freedom of expression. That freedom remains intact. Nobody has tried to stop their paper being printed or attacked their journalists. On top of that, freedom of expression does not mean that you can be allowed to say anything at all, and does not mean that you have an absolute right to take part in any kind of forum.”

Events in Gothenburg reflected a wider disagreement in Swedish society about how best to counter populist politics and where the line between freedom of expression and extremism sits. Englund acknowledges that opponents of the far-right have not always got this right. The country goes to the polls in less than a year and the Sweden Democrats have ambitions to play a role in government, meaning the question may soon become more pressing than ever.

“In Sweden there have been attempts to deal with the far-right question through a combination of shutting them out and through triangulation,” he said. “Shutting them out means refusing to co-operate with them. Triangulation is not about accepting their description of the situation, or their proposed methods for dealing with it, but about understanding that among their voters there is a frustration, and even a fear, which does somehow need to be addressed, and which you can neither ignore nor tweet to death with smart sarcastic posts.

“History is fairly instructive on this. A necessary step for those sorts of movements to come to power – and this happened in both Italy and Germany – was that already established power structures had to invite them in, operating under the serious misconception that they could then be tamed. Those countries that were able to avoid fascism in the 1930s did it not least by showing resistance instead.”

That means being prepared to challenge those from all sides who threaten democratic principles, he believes.“We should, of course, be wary of the threat from the extreme right – the past tells us that – in the same way we have to keep an eye out for what is happening on the extreme left. I believe in democracy in Europe, but to avoid it meeting the same fate as the Weimar Republic, it has to be belligerent.”

Dominic Hinde is a journalist

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WHY I ATTENDED GOTHENBURG

Award-winning Swedish author OLA LARSMO explains why he went to the Gothenburg Book Fair

One of the important freedom of expression debates in Sweden has been running for about a year now and concerns the annual Gothenburg Book Fair. When it was announced that the extreme right-wing publication Nya Tider was allowed to rent a space at the 2017 Fair, some 200 Swedish writers wrote in a joint statement that they would not attend. This sparked a heated debate. What about defending the rights of people to spread deplorable or even dangerous opinions? What happens if you don’t?

I decided to attend the fair – along with other writers who stated that they would not be run out of the place by extremists. But I have great respect for those who chose not to. We are all trying to defend society against what must be considered a rising tide of fascism. But how to do that, and at the same time defend freedom of speech?

On 7 April 2017, a man hijacked a truck in central Stockholm and drove down a pedestrian street, targeting everyone in his way. Five people were killed. The suspect later said he was acting as a supporter of Isis. The response from ordinary people was massive. Beside the mountain of flowers in central Stockholm, it was obvious that everybody was determined to counteract the intimidation of terror by going on with life as normally as they could, because the trust between ordinary citizens is what makes an open society possible.

This was very much at the back of my mind when I decided to go to the fair. We also managed to organise a number of seminars and events that addressed the threat hate speech poses to freedom of speech. It felt like an opportunity to point to the elephant in the middle of the room.

Nya Tider is not “banned” – in fact they receive a tax- financed grant of about $358,167 – the same as other papers with the same circulation. The question was whether the fair had an obligation to open its space to a paper associated with the extreme right. Since the fair is a private enterprise, many felt that they were within their rights to choose their exhibitors freely.

During the last few years, Swedish writers, journalists and politicians have been facing a rising wave of death threats and hate speech. Solid research shows that these threats emanate mostly from right-wing extremists and, to a lesser degree, from radical Islamists.

They target publicists with the purpose of driving them to self-censorship.

So how, then, should society deal with these threats with- out lowering the ceiling for freedom of speech? That this threat is real became obvious as a demonstration of several hundred neo-Nazis tried to reach the fair on the Saturday, but were stopped by the Gothenburg police. The attendance that day shrank to half the ordinary numbers.Writers are a specific target for these extremists, and the 200 writers stated openly that they did not want to share the floor with a paper associated with that political agenda.Personally I feel that those of us committed to defending freedom of speech have to use all powers to counter the double threat we are now facing: that of intimidation through hate speech and, on the other hand, stronger legislation that threatens to smother what it is supposed to defend. We can’t close our eyes to either.

Ola Larsmo is a long-time president of Swedish PEN

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MAKING IT FAIR

No serious book fair could exclude or censor a legal publication, argues Frankfurt’s vice president of international affairs TOBIAS VOSS

The Frankfurt Book Fair is a commercial enterprise. Yet the “commodity” we trade in is a very distinctive one: books convey ideas and, among other things, ideas significantly shapes social discourse, whether aesthetic, moral or political in nature. In this respect, it is necessary to regularly question the limiting of “critical” or “problematic” content. All book fairs thrive on the diversity of content presented by participants. In this regard, book fairs that strive to meet this objective are, therefore, a demonstration of the diversity of opinion and discourse. No serious international book fair that aims to represent the market and diversity of opinion is in a position to exclude or censor market players.

This approach – tolerating at times extremely problematic positions – must then also apply to titles that are perceived as an affront, as offensive or downright repugnant, by segments of the public.

The only exception for such a ban or exclusion is existing legislation. Only if a title is forbidden by law in Germany, then we feel it is right to ban this title or even the actual fair participant, from the exhibition.

Our book fair respects the separation of powers as an essential organisational principle for guaranteeing democratic freedoms, the associated institutions and the decisions and measures established under it. Whenever existing laws are violated at Frankfurt, we, as the organiser, will take action against this infringement through the department of public prosecution and the police.

A functioning democracy must tolerate dissent (as it has, after all, done successfully in Germany for decades), and must accept that the freedom of expression also applies to segments of the public that question – and at times even wish to do away with – the established legal order. The fair does not see it as its duty to establish its own political, moral or aesthetic criteria for permitting or forbidding things.

In keeping with its principles, the Frankfurt is committed to freedom of expression, freedom of publication, dialogue as a means of fair communication and respect for the democratic separation of powers and the decisions and measures that have been established to ensure it. The fair demonstrates this position in a wide variety of ways – through international involvement, by supporting the “Cities of Refuge” project and by curating well over 200 discussion events at our event and at book fairs abroad.

Tobias Voss is vice president, international affairs, of the Frankfurt Book Fair

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Crowds gather outside the Frankfurt Book Fair, the world’s largest book trade-fair, Marc Jacquemin/Frankfurt Book Fair

Crowds gather outside the Frankfurt Book Fair, the world’s largest book trade-fair, Marc Jacquemin/Frankfurt Book Fair

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TALK THE TALK

Banning organisations with which you disagree means you don’t have the chance to argue your case, says JEAN-PAUL MARTHOZ

The recent Gothenburg and Frankfurt book fairs have again been riven with controversies around the presence of far-right publishers. From a progressive perspective, banning the far-right seems the appropriate thing to do. The rationale is clear: the barbarians are at the gates and no one has ever said that democracies should offer their foes the rope with which to hang them.

From a liberal point of view, however, things are not so easy. Liberal democracies are, by definition, committed to providing space to ideas that radically question their most essential values – and even threaten their very existence.

There should be freedom for the enemies of freedom. As long as far-right publishers are not legally banned, and don’t exhibit books that clearly flout the law, there are few arguments against them which would pass Voltaire’s test on freedom of expression.

While the far-right has been associated with the most thuggish forms of censorship, its leaders have been effective in denouncing the progressives’ “fear of the truth”. Free speech for me, but not for thee?

By principle, liberals should not concede one of their most iconic values to the far- right, even if the latter has opportunistically hijacked free speech in order to provide a veneer of respectability to hate speech.

Banning can be seen as a confession of weakness or an admission that liberal arguments are not convincing enough to be – nor capable of being – expressed in a way which might distract potential far-right sympathisers from extremist organisations.

In fact, any attempt to get the far-right out of the public arena only reinforces one of its core recruiting arguments: “patriots” are victims of a conspiracy in a “rigged system” run by a cosmopolitan and hypocritical liberal establishment.

Responding to the far-right is all the more crucial today, since it has the capacity to get around its exclusion and reach a wide audience through the internet and social networks. The only way to reduce its influence is to produce counter-arguments and alter- native discourse and disseminate them widely beyond the converted.

Banning an organisation, or censoring its ideas, too often exempts it from the rigorous and imaginative thinking which is the only effective way to push back and win the battle of ideas.

Jean-Paul Marthoz is a Belgian journalist and essayist. He is the author of The Media and Terrorism (2017, Unesco)

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”93959″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228408533808″][vc_custom_heading text=”Book fair detention” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228408533808|||”][vc_column_text]December 1984

An excerpt from Mindblast, a book by Dambudzo Marechera, which was due to be launched at the Second Zimbabwe Book Fair.

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”94784″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064227508532452″][vc_custom_heading text=”Sweden: Limits of press freedom” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064227508532452|||”][vc_column_text]September 1975

Blaine Stothard reports on the Swedish Watergate and potential limits on press freedom.

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90797″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229808536482″][vc_custom_heading text=”White noise: separatist rock” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064229808536482|||”][vc_column_text]November 1998

Neo-Nazi groups are recruiting throughout the developed world; leading the drive are their high energy, punk-derived anthems of hate. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”What price protest?” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F12%2Fwhat-price-protest%2F|||”][vc_column_text]In homage to the 50th anniversary of 1968, the year the world took to the streets, the winter 2017 issue of Index on Censorship magazine looks at all aspects related to protest.

With: Micah White, Ariel Dorfman, Robert McCrum[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”96747″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/12/what-price-protest/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

Subscription options from £18 or just £1.49 in the App Store for a digital issue.

Every subscriber helps support Index on Censorship’s projects around the world.

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Sweden: Mainstream populism has emboldened extremist opponents of the press

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Tess Asplund faces protesters from the Nordic Resistance Movement in Borlänge, Sweden, in May 2016

Tess Asplund faces protesters from the Nordic Resistance Movement in Borlänge, Sweden, in May 2016

In exactly a year from now, Sweden will go to the polls to elect a new government, and it seems certain that the far-right Sweden Democrats party will further cement their place in parliament, and possibly even support a conservative coalition government.

The rise of the party – and the normalisation of their nationalist agenda – over the past decade has been accompanied by a more toxic fringe with clearer ties to extra-parliamentary far-right and neo-Nazi-movements who have identified established journalists as a barrier to the re-assertion of traditional Swedish values. Buoyed by the success of populism in mainstream politics, neo-Nazi groups such as the Nordic Resistance Movement (NMR) have become more visible and the NMR will this year protest outside of the Gothenburg Book Fair, a hub for Swedish publishing and journalism which symbolises the “cultural Marxism” the far right assert has ruined the country.

The sight of Nordic white supremacists rallying at such a huge cultural event is though merely the tip of an invisible iceberg of intimidation and opposition to Sweden’s cultural and journalistic community by the far right.

A survey by Swedish public TV’s Kulturnyheter editorial desk of five major Swedish media outlets found that the overall level of threats to journalists was increasing, as were the amount of incidents filed with the police by journalists or their employers.  Attacks range from low-level intimidation and character assassination on social media to direct and persistent death threats. A now-removed website recently named a list of journalists it deemed traitors – alongside politicians and other public figures – with a call for violence against them.

The relationship between the Sweden Democrats and the networks that seek to intimidate journalists is not straightforward, but party figures have been connected to the site Granskning Sverige for example. Granskning Sverige was implicated in misinformation campaigns against journalists through selective editing of interviews, and party figures shared Granskning Sveriges content whilst party spokesperson Adam Martinnen gave his approval of the site in an interview.

When the newspaper Expressen revealed the names of the people behind Granskning Sverige, its editor in chief was visited in their home by two supporters of the site.

A common belief amongst conservatives and the far right is that journalism is a hotbed of far-left politics. Mats Qviberg, a former financier who purchased and then sold a share in the Metro newspaper, recently said of his own staff that there were “Stalinists” who needed to be “cleaned out”.

Lisa Bjurwald, a former journalist with the Aftonbladet tabloid newspaper who has authored several books on right-wing extremism, has taken a leading role in discussions regarding far-right threats to journalists. Bjurwald and her colleague Lisa Röstlund both received threats from a 55-year old anonymous emailer last summer. They managed to identify the harasser and testified against her in court in May. The emails contain threats, including: “I would cut you up so that you can’t produce any more bastard kids.” And “It would be wonderful to see your Leninist whore throats cut.”

Her misgivings are backed up by statistics. A recent survey by Gothenburg’s school of journalism, media and communication run in coordination with the Swedish Journalism Union concluded that threats were an everyday reality for a majority of Swedish journalists. Thirty percent had been directly threatened and two-thirds had been the subject of derisory comments or assaults on their integrity. Thirty percent also said they avoided tackling controversial subjects in order to avoid harassment.

In July the Swedish minister for Culture and Democracy, Alice Bah Kuhnke, unveiled a strategy spearheaded by the Fojo media institute at Sweden’s Linnaeus University to protect journalists and tackle threats and intimidation, aiming to support the location and prosecution of harassers or those posing a danger to journalists, elected officials and artists.

“The problems with hate and threats to journalists have escalated in recent years and constitute a considerable threat to Sweden’s democracy. In their latest report, the Swedish Civil Contingencies agency suggested that an inquiry was needed to increase the legal protection for journalists reflective of the seriousness of threatening and harassment to representatives of the media industry. That same report says that threats and provocation of journalists are particularly serious because they are working in the service of democracy,” says Kersti Forsberg, Fojo’s director.

Worryingly for a profession built on democratic values, another significant element in the Swedish picture is declining trust in the media among the Swedish population. A book and report by researchers at Gothenburg found that trust in the media fell noticeably the further right voters identified on the political spectrum, peaking amongst supporters of far-right politics. Even more noticeably, the study showed that 54% of those surveyed felt the media was not reporting on the negative social consequences of immigration in Sweden.

Rather than merely being the work of a small group of individuals, opposition to journalists and intimidation is now a relatively mainstream undertaking when seen in the context of mistrust of journalistic institutions.

Swedish journalism, which has often been a benchmark for institutional strength and which takes its role as an important organ of society seriously, faces new threats, and the establishment of populist right politics as a permanent fixture has put it under more pressure than ever. Rather than merely being a target for individual threats and harassment, journalists in Sweden are realising that significant sections of society see them not as guarantors of democracy but as a partisan threat which needs to be neutralised.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1506333367029-0a79f09b-a789-1″ taxonomies=”9008, 6564″][/vc_column][/vc_row]

Exiled Turkish journalist Hamza Yalçın arrested in Spain

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Hamza Yalçın (Photo: Odak magazine)

Hamza Yalçın (Photo: Odak magazine)

The arrest of Turkish-Swedish journalist Hamza Yalçın by Spanish authorities is a gross abuse of the Interpol international arrest warrant system and a brazen attempt to stifle press freedom by Turkey’s president, Recep Tayyip Erdogan. Index on Censorship calls on Spanish authorities to allow Yalçın to return to Sweden.

Yalçın was detained at Barcelona’s El Prat airport on 3 August following an international arrest warrant through Interpol initiated by Turkey.

A day later he was arrested by Spanish police on charges of “insulting the Turkish president” and “terror propaganda” related to an article he wrote for Odak magazine. Yalçın was the chief columnist for Odak and the coordinator for its Training and Solidarity Movement. On 18 March, Turkish prosecutors launched an investigation into Doğan Baran, Odak’s managing editor, and Yalçın for his article entitled The Latest Developments in the Military and the Revolutionary Struggle. Both Baran and Yalçın face charges for “insulting the president” and “denigrating the military.”

“This is a clear abuse of the Interpol system because it is a direct violation of Article 2 of its constitution, which requires respect for fundamental rights and freedoms of individuals. It is extremely concerning that an exiled journalist can be arrested for exercising their right to freedom of expression,” said Hannah Machlin, project manager for Mapping Media Freedom, Index on Censorship’s project monitoring press freedom in Turkey and 41 other European area countries.

The Spanish authorities now have 40 days to decide whether to extradite Yalçın back to Turkey.

“Index demands Spain free Hamza Yalçın and allow him to return to his home in Sweden,” Machlin added.

Yalçın was arrested in 1979 on charges of being linked to the People’s Liberation Party-Front of Turkey (THKP-C) Third Way organization. Odak reported that Yalçın was given two consecutive life sentences by the military junta, which was then in control of the Turkish government, for his “revolutionary activities.” He was granted asylum by Sweden and has lived there since 1984.  

Odak magazine, which is campaigning for his release, said in a statement that Yalçın “has been made into a target many times for his articles and values.”

The Council of Europe’s parliamentary assembly published Resolution 2161 in April 2017 on the abuse of the Interpol system. The resolution underlined that “in a number of cases in recent years, however, Interpol and its Red Notice system have been abused by some member States in the pursuit of political objectives, in order to repress freedom of expression.” [/vc_column_text][vc_separator][vc_custom_heading text=”Media freedom is under threat worldwide. Journalists are threatened, jailed and even killed simply for doing their job.” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fcampaigns%2Fpress-regulation%2F|||”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship monitors press freedom in Turkey and 41 other European area nations.

As of 9/8/2017, there were 503 verified incidents associated with Turkey in the Mapping Media Freedom database.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship campaigns against laws that stifle journalists’ work. We also publish an award-winning magazine featuring work by and about censored journalists. Support our work today.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1502284900540-fbb3abe9-4651-4″ taxonomies=”55″][/vc_column][/vc_row]

Mouth Shut, Loud Shouts: Index at Marabouparken

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Foto: Paulo Bruscky Lingua/gens: Tongue Performance 1996 © Konstnären och Galeria Nara Roesler

Foto: Paulo Bruscky
Lingua/gens: Tongue Performance 1996
© Konstnären och Galeria Nara Roesler

Mouth Shut, Loud Shouts is a new group exhibition at Stockholm’s Marabouparken that deals with questions of censorship and silencing deeply rooted in colonial regimes. The show will feature a reading room, which includes a selection of material from the Index on Censorship.

Mouth Shut, Loud Shouts have built a reading room to hold publications and material related to the exhibition, where attendees can spend time and read. A large part of the library is dedicated to Index on Censorship magazine, a global quarterly magazine, with reporters and contributing editors around the world. It was founded in 1972 by British poet and novelist Stephen Spender whose work focused on social injustice and class struggle. Alongside translator Michael Scammell they set up a magazine to publish the untold stories of dissidents behind the ‘Iron Curtain’ – the very first issue included a never-before-published poem, written while serving a sentence in a labour camp, by the Soviet dissident Aleksandr Solzhenitsyn, and just this year it published a story by Haroldo Conti, which had never before been published in English. From the beginning, Index declared its mission to stand up for free expression as a fundamental human right for people everywhere. It was particularly vocal in its coverage of the oppressive military regimes of southern Europe and Latin America, but was also clear that freedom of expression was not only a problem in faraway dictatorships, and focused its reporting on the different ways censorship and freedom of expression operates across the whole globe.

The collection of magazines are part of an archive loaned by the Bishopsgate Institute in London, an important space for the preservation of material on the labour, cooperative, free thought, protest and LGBTQ movements since 1895.

A series of posters, free to be taken away can be found here. These new works are connected to a project called The Klinik whose aim is to bring together artists and cultural workers to discuss cases in the censoring of artistic expression. Johanna Gustavsson and Felice Hapetzeder have produced two new posters that respond to Klinik workshops held in Stockholm in Autumn 2106. On the 16 September Belit Sağ, Secil Yayali and Felice Hapetzeder will hold public workshops exploring different forms censorship activating questions of how censorship operates in the arts in Stockholm.

In addition, there are a number of publications which relate to questions the exhibition touches upon and the exhibiting artists and their work.

About the exhibition

The suppression of speech, information, language and image is expansive and operates in different ways across the globe. Works within the exhibition present how censoring can operate as a mode of marginalisation and delegitimisaiton. Whilst some work directly opposes forms of state censorship, other works deal with pervasive embodied codes of self-censorship. Importantly the work looks to practices that transgress these modes of silencing and suppression, finding spaces, avenues and aesthetic forms that leak out voices to the world and ourselves.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

When: Opens 15 September 2017
Where: Marabouparken, Löfströmsvägen 8, Sundbyberg. [email protected]
Tickets: Free

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