In the “safe” world of Swedish journalism, death threats are an everyday reality

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With a well-developed public service TV and Radio sector, press subsidies and political stability, being a journalist in Sweden is a touch easier than many other places around the world. Sweden is also relatively good at protecting journalists, and though they have had their disagreements, the state and political parties are broadly supportive of open, well-funded journalism. As a foreign correspondent, it is also a refreshingly easy country to work in, with people usually willing and ready to talk to the press.

A spectre that has haunted Swedish journalism for decades is anti-democratic extremism, a phenomenon given new impetus by the rise of mainstream nationalist politics in recent years. Journalists have been labelled as “cultural Marxists” and members of the so-called pk-elit, shorthand for the politically correct elite, by members of old white power organisations and the newer alt-right movements alike.

Much of the far-right view Sweden’s generally liberal newspapers and its public broadcasters as part of a shadowy agenda that is failing to report on the real issues, covering up crimes by immigrants and mounting a propaganda campaign against nationalist movements. As well as specific journalists, hatred of the media, in general, is widespread. The result is an ongoing campaign of intimidation and death threats.

Local journalists at Nerikes Allehanda, the local newspaper for the town of Örebro in central Sweden, were recently issued with death threats after reporting on Peter Springare, a local policeman who had posted on social media about immigrants causing crime in the city on 3 February. Springare was hailed as a brave whistleblower, but reporters and the newspaper’s leader writer received a wide range of abuse for discussing both the correctness and ethics of his statements. Shortly before Christmas, journalist Robert Laul received death threats after criticising controversial right-wing journalist Niklas Svensson’s reporting of undocumented migrants.

Similarly, white powder – which turned out to be harmless – was sent to Janne Josefsson, a Swedish investigative journalist based at public broadcaster SVT in Gothenburg last month. Authorities had to evacuate the entire studio building, severely disrupting the work of SVT’s news teams. The package also contained an anonymous death threat. Josefsson and his colleagues at the Uppdrag Granskning investigative show are known for reporting on all aspects of Swedish society, from the far right to organised crime, and are no strangers to intimidation.

The Swedish journalists’ union has documented how attacks on journalists are on the rise. This is troubling for a country that has long cast itself as a refuge for persecuted media workers from Russia, East Africa and elsewhere. In spring 2016 a survey of members of Swedish Radio’s journalistic corps and reporters at the association of newspaper publishers TU found that one in three had been subject to some kind of threat in the previous year.

Although a great number of those threats came from the populist right and more established neo-Nazis, journalists in Sweden have also been harassed by both criminal gangs and radical Islamist groups in recent months. In the town of Gävle north of Stockholm for example, Anna Gullberg from local paper Gefle Dagblad received a death threat in response to the paper’s investigation of a radical mosque, with the perpetrator finally sentenced last week.

These threats are more serious than the torrent of abuse and the attempts to undermine journalistic integrity on Twitter felt by reporters around the world. In Sweden, it is not difficult to find out where people live or locate their social media profiles. As a result, many journalists have been forced to either apply for the removal of their personal details from public databases or move home. A Swedish tradition that places journalists prominently at the heart of an open society with relative respect for difference of opinion is under serious threat.

Lisa Bjurwald, a media commentator, author and part owner of industry news site Medievärlden has warned that “journalists avoid writing about racist political parties and neo-Nazi groups for example because they can’t deal with the storm and volume of hate mail” in a recent newspaper interview.

The underlying questions though are how many of these alleged threats carry any risk, and does it really matter if they do? Journalists in Sweden increasingly feel as if their safety is routinely threatened as part of their work, however genuine the threat may be.

In the sea of online abuse there may only be a handful of real, tangible threats, but knowing what is casual intimidation or egotistical posturing and what is a genuine risk to the safety of journalists and their families is almost impossible. In 2015 Niklas Orrenius, one of Sweden’s leading reporters and the star journalist at newspaper Dagens Nyheter, temporarily left the country with his family after a series of threats connected to his coverage of an anonymous far-right blogger. A well-known racist activist had photographed himself outside the front door to Orrenius’ apartment and uploaded the picture to the web with a promise to come back.

With threats like this, most journalists are understandably unwilling to call the bluff of Sweden’s armchair warriors.

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Reporters working to share the truth are being harassed, intimidated and prosecuted – across the globe.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″ css=”.vc_custom_1488908111801{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2013/08/newspapers.jpg?id=50885) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text]


Mapping Media Freedom


Click on the bubbles to view reports or double-click to zoom in on specific regions. The full site can be accessed at https://mappingmediafreedom.org/


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Contents: Danger in truth, truth in danger

[vc_row][vc_column][vc_custom_heading text=”Index on Censorship has dedicated its milestone 250th issue to exploring the increasing threats to reporters worldwide. Its special report, Truth in Danger, Danger in Truth: Journalists Under Fire and Under Pressure, is out now.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Highlights include Lindsey Hilsum, writing about her friend and colleague, the murdered war reporter Marie Colvin, and asking whether journalists should still be covering war zones. Stephen Grey looks at the difficulties of protecting sources in an era of mass surveillance. Valeria Costa-Kostritsky shows how Europe’s journalists are being silenced by accusations that their work threatens national security.

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Kaya Genç interviews Turkey’s threatened investigative journalists, and Steven Borowiec lifts the lid on the cosy relationships inside Japan’s press clubs. Plus, the inside track on what it is really like to be a local reporter in Syria and Eritrea. Also in this issue: the late Swedish crime writer Henning Mankell explores colonialism in Africa in an exclusive play extract; Jemimah Steinfeld interviews China’s most famous political cartoonist; Irene Caselli writes about the controversies and censorship of Latin America’s soap operas; and Norwegian musician Moddi tells how hate mail sparked an album of music that had been silenced.

The 250th cover is by Ben Jennings. Plus there are cartoons and illustrations by Martin Rowson, Brian John SpencerSam Darlow and Chinese cartoonist Rebel Pepper.

You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. It has produced 250 issues, with contributors including Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.

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Journalists under fire and under pressure

Editorial: Risky business – Rachael Jolley  on why journalists around the world face increasing threats

Behind the lines – Lindsey Hilsum asks if reporters should still be heading into war zones

We are journalists, not terrorists – Valeria Costa-Kostritsky looks at how reporters around Europe are being silenced by accusations that their work threatens national security

Code of silence – Cristina Marconi shows how Italy’s press treads carefully between threats from the mafia and defamation laws from fascist times

Facing the front line – Laura Silvia Battaglia gives the inside track on safety training for Iraqi journalists

Giving up on the graft and the grind – Jean-Paul Marthoz says journalists are failing to cover difficult stories

Risking reputations – Fred Searle on how young UK writers fear “churnalism” will cost their jobs

Inside Syria’s war – Hazza Al-Adnan shows the extreme dangers faced by local reporters

Living in fear for reporting on terror – Ismail Einashe interviews a Kenyan journalist who has gone into hiding

The life of a state journalist in Eritrea – Abraham T. Zere on what it’s really like to work at a highly censored government newspaper

Smothering South African reporting –  Carien Du Plessis asks if racism accusations and Twitter mobs are being used to stop truthful coverage at election time

Writing with a bodyguard – Catalina Lobo-Guerrero explores Colombia’s state protection unit, which has supported journalists in danger for 16 years

Taliban warning ramps up risk to Kabul’s reporters – Caroline Lees recalls safer days working in Afghanistan and looks at journalists’ challenges today

Writers of wrongs – Steven Borowiec lifts the lid on cosy relationships inside Japan’s press clubs

The Arab Spring snaps back – Rohan Jayasekera assesses the state of the media after the revolution

Shooting the messengers – Duncan Tucker reports on the women investigating sex-trafficking in Mexico

Is your secret safe with me? – Stephen Grey looks at the difficulties of protecting sources in an age of mass surveillance

Stripsearch cartoon – Martin Rowson depicts a fat-cat politician quashing questions

Scoops and troops – Kaya Genç interviews Turkey’s struggling investigative reporters

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Rebel with a cause – Jemimah Steinfeld speaks to China’s most famous political cartoonist

Soap operas get whitewashed – Irene Caselli offers the lowdown on censorship and controversy in Latin America’s telenovelas

Are ad-blockers killing the media? – Speigel Online’s Matthias Streitz in a head-to-head debate with Privacy International’s Richard Tynan

Publishing protest, secrets and stories – Louis Blom-Cooper looks back on 250 issues of Index on Censorship magazine

Songs that sting – Norwegian musician Moddi explains how hate mail inspired his album of censored music

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A world away from Wallander – An exclusive extract of a play by late Swedish crime writer Henning Mankell

“I’m not prepared to give up my words” – Norman Manea introduces Matei Visniec, a surreal Romanian play where rats rule and humans are forced to relinquish language

Posting into the future – An extract from Oleh Shynkarenko’s futuristic new novel, inspired by Facebook updates during Ukraine’s Maidan Square protests

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Index around the world: Josie Timms recaps the What A Liberty! youth project

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

The lost art of letters – Vicky Baker looks at the power of written correspondence and asks if email can ever be the same

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

Rachael Jolley: Threats to reaching knowledge: why libraries play a vital role

The winter 2015 issue of Index on Censorship magazine focuses on taboos and the breaking down of social barriers. Cover image by Ben Jennings.

Rachael Jolley, editor of Index on Censorship magazine, in a speech to the §2 – Libraries and Democracy conference in Umea, Sweden.

When I was nine, ten and eleven, my mother, my brother and I had a weekly ritual of driving to the local library, a flat modern building with big glass windows. We’d spend a quiet hour wandering up and down its carpeted corridors, picking out two or three plastic-covered books to take home to read.

All sorts of people found stories, history and biographies within their reach.

I have measured out my life in library books: from weekly visits to Bristol libraries, to school in Pittsburgh – a city which pays tribute to the greatest library supporter of them all Andrew Carnegie – to further study at the great Colindale newspaper archive library, and perhaps the most exciting celebrity library spot, standing next to the poet and librarian Philip Larkin in the neighbourhood butchers in Hull.

US poet laureate Rita Dove believes that libraries provide: “A window into the soul and a door into the world.” There are two types of freedom captured in that thought: The freedom to think, and the freedom to find out about others.

Books, magazines and newspapers are a door into the world and that’s why over centuries governments have tried to stop them being opened.

When that door opens on to the world, who knows what people might think or do? That door is not open to everyone now, or in the past. And when it comes to the freedom to express oneself: to write, draw, paint, act or protest then restrictions have often been levied by governments and other powerful bodies to stop the wider public being allowed those too.

Over the centuries, often, books were only made available to some. Sometimes they were written in a language that only a tiny group of people knew. When paper was expensive, books were for the few, not the many. In times gone by education was also expensive (and it still is in many places); those who were allowed to learn reading and writing were once in the minority.

That’s why public libraries, open to all and funded from the public purse, are so important. Their existence helped the many get access to what the few had held close to their chests; information, literature, inspiration.

US businessman and philanthropist Andrew Carnegie was one of the world’s most enthusiastic endowers of libraries. He helped fund more than 2,000 libraries around the United States plus hundreds more in the UK and beyond, because when he was a poor teenager, a wealthy man, Colonel James Anderson, opened up his private library of 400 books to Andrew and other working boys on Saturday nights, and this, Carnegie believed, made a huge difference to his life chances, and his ability to rise from poor, struggling beginnings to be a successful and wealthy steel magnate.

Carnegie believed in libraries’ power to do good. To open people’s minds. To help build knowledge. To help the ordinary person be introduced to ideas that might never otherwise be seen.

Of course, the history of libraries is much older than Carnegie’s time, stretching back to the Romans, Greeks, Chinese and Islamic libraries, where archives of important documents were kept.

Libraries hold history; documents that tell us what was bought and sold in ancient Greece; or how a Roman senator spoke. They inform us about the reality of other times, and allow us to learn from that past.

That’s why conquering armies have looked to destroy libraries and museums. Part of imposing a new present on a population is sometimes about re-writing the past. From the Library at Alexandria, to the Mosque library at Chinguetti to the Roman library on the Palatine Hill. If documents had not been preserved, we would know far less. We can do more than guess what might have happened, we can actually KNOW details, because records are still available.

In the 21st century libraries are under threat from many directions. As governments and local councils cut public spending, libraries in many western countries, including in the United Kingdom, are being closed down. Does that point to a lack of need or desire for such things? Have libraries become redundant?

In this new age of enlightenment is our thirst for knowledge less desperate than in previous generations or is our thirst quenched by easy access to hundreds of television channels and the internet? Indeed, with electronically accessible information free to anyone with a computer, is the internet the ultimate library, rendering its brick and glass-built equivalents redundant, in the same way the printing press marginalised the illuminated manuscript?

We in Europe are more free than previous generations have ever been to learn, find and understand. With our zillions of instant access points for information and discussion, we can look at Facebook, Twitter and thousands of ideas online in the twitch of mouse click after all. But does that access bring more understanding or deeper knowledge? And what is the future role then of a library?

Librarians are much needed as valuable guides: to help students and other readers to learn techniques to sift information, question its validity and measure its importance. To understand what to trust and what to question; and that all information is not equal. Students need to be able to weigh up different sources of research. The University of California Library System saw a 54% decline in circulation between 1991 to 2001 of 8,377,000 books to 3,832,000. It is shocking that some students are failing themselves by not using a broad range of books, and journals that are free from their university libraries to widen and deepen their understanding.

Both libraries and newspapers in their analogue form gave us the opportunity to stumble over ideas that we might not have otherwise encountered. Over there, on that page opposite the one we are reading in a newspaper, is an article about Chilean architecture that we knew nothing about it, but suddenly find a spark of interest in, and over there on the library shelf next to Agatha Christie, is Henning Mankell, a new author to us, and one that suddenly sounds like one we might like to read. And then off we go on a new winding track towards knowledge; one that we didn’t even know we wanted to explore. But that analogue world of stumbled-upon exploration is closing down. We have to make sure that we still have the equipment to carry on stumbling down new avenues and finding out about new writers, and history that we never knew we would care about.

Technology tends to remove the “stumbling upon”, by taking us down straight lines. Instead it prompts us to read or consume more of the same. Technology learns what we like, but it doesn’t know and cannot anticipate what might fascinate us in a chance, a random, encounter. In a world where we remove the unexpected then we miss out on expanding our knowledge. Something that libraries have always offered. The present is all too easily an echo chamber of social media where we follow only the people we agree with, and where we fail to engage with the arguments of those with whom we disagree. Is the echo chamber being enhanced by the linear nature of the digital library, the digital bookstore and the digital newspaper? AND if we follow only those that we like and agree with, do we lull ourselves into believing that those are the only opinions and beliefs out there. And we are so unused to disagreement that we want to close it down. We are somehow afraid to have it in the same room as us. Somehow we seem to be stumbling on towards a world where disagreement is frowned upon, and not embraced as a way of finding what is out there.

This is just one challenge to freedom of expression and thought. There are others.

Recently at Index on Censorship, we heard from Chilean-American writer Ariel Dorfman, a long-time supporter and writer for us…. that his play, Death and the Maiden, was being banned by a school in New Jersey because some parents didn’t like the language contained in it. In other words it offended or upset somebody. Meanwhile Judy Blume’s books about the realities of teenage life, including swearing and teenage pregnancy, gets her banned from US libraries and schools.

But isn’t fiction, theatre and art about connecting with the real, isn’t it about challenging people to think, and to be provoked?

When a film has been banned from our cinemas or a book banned from distribution has it meant no one is keen to read it? In fact the opposite is usually true, people flock to find out what it is or to watch the film wherever they can. One Flew Over the Cuckoo’s Nest, A Clockwork Orange and DH Lawrence’s novel Sons and Lovers found new audiences because they were banned. Monty Python’s controversial film Life of Brian was once marketed here in Sweden as the film so funny, it was banned in Norway!! (As you can imagine it did very well here in Sweden.)

Increasingly there are loud voices saying that we shouldn’t think about the unpleasant bits in the world, that we should ignore the difficult or traumatic because it is too complicated, or too ugly to have in the room. In a special editorial published at the time of the Charlie Hebdo killings, the South African Mail and Guardian said; “The goals of terrorism, if we are to dignify utter insanity with aims, are fear and polarisation.” If we live in a society where we think we are not allowed to speak about subjects; where they are considered too controversial, where appearing on a platform with someone is somehow seen as a tacit nod to agreeing with them, are giving into those goals?

So what can those living in Europe do to enhance or defend freedom of expression and what are the role of libraries? Firstly, we should never stop learning about our history. Remember periods where freedoms of expression, of thought, of living in a non traditional way, or practising a religion that was not state sanctioned, were not laid out as European rights as they are today. From witch trials, to the Edict of Nantes, to social stigma of unmarried women, to children abused by adults. There are moments in every family’s history, when someone had a desperate need for some secret, some taboo, some injustice to be talked about. To be put under the public spotlight.

Given that historical, but personal, reflection, perhaps each of us can have a clearer understanding of why freedom of expression as a right is something worth defending today.

Freedom of expression has always had a role in challenging injustice and persecution. Some argue that without freedom of expression we would not have other freedoms. Freedom of expression also includes offering groups that have historically been ostracised or sidelined or ignored — a chance to put their views, to be part of the wider debate, to be chosen to join a television chat show. Europe is a diverse society, all those voices should be heard.

Another point about enhancing freedom of expression in Europe, and outside, is that a lively and vigorous and diverse media is extremely important. So we should fight against control of the media by a single corporation, or by increased government influence. We need newspapers, and broadcasters, that cover what is happening, and don’t ignore stories because someone would rather those stories were not covered.

And another role for libraries of the future is as debate houses – a living room – at the centre of communities where people of different backgrounds come together to hear and discuss issues at the heart of our societies. And to meet others in their community. These neutral spaces are increasingly needed.

The value of passionate argument is often valued less than it should be. Where debates or arguments are driven underground, those who are not allowed to speak somehow obtain a glamour, a modern martydom. We must allow dissent and argument. We must let people whose ideas we abhor speak. Freedom of speech for those we like and agree with is no freedom at all.

There are those that dismiss freedom of speech as an indulgence defended by the indulged or the middle class or the left wing or the right wing or some other group that they would like not to hear from. However throughout history, freedom of speech and thought and debate has been used by the less powerful to challenge the powerful. Governments, state institutions, religious institutions. And to argue for change. That is not an indulgence.

And if you believe someone else’s arguments are ill founded, incorrect or malicious, then arguing a different point of view in a public place, a library, or a university hall, is much more powerful, than saying you are not allowed to say those things because we don’t like or disagree with them. To make those arguments, to understand what is happening we need to be able to access knowledge, libraries must continue to be community spaces where people can delve for that research and find out about the world, and themselves.

Libraries and those who support them have often been defenders of the right to knowledge. Because at the heart of any library is the idea of a freedom to think and discover.

We should remember that reading something never killed anyone. Watching a play didn’t either. If you find something that you disagree with, even disagree strongly, it is not the same as a dagger through your heart, as someone told me it was last summer in Italy.

As Turkish writer Elif Shafak said recently the response to a cartoon is another cartoon, the response to a play is another play. We are and can be prepared to listen, read or watch things that we disagree with. Listen to the argument; argue back with your own. Consider the evidence. The point of speech is to arrive at truth, and no one should be offended by that.

Ethiopia pardons jailed Swedish journalists

Ethiopia has pardoned two Swedish journalists charged with supporting terrorism and will release them soon, a government source said on Monday. Johan Persson and Martin Schibbye were sentenced to 11 years in prison in October 2011, after illegally entering the country with ethnic  rebel group, the Ogaden National Liberation Front. The chairman of the Swedish Union of Journalists, Jonas Nordling, said that the sentence aimed to deter journalists from investigating alleged human rights abuses in the Ogaden region, adding there was no evidence to support the pair’s conviction on terror charges.