The dichotomy of Turkey

On 1 August, a significant prisoner swap between the USA and Russia took place in Turkey’s capital Ankara and 26 prisoners were freed, including the peerless American reporter Evan Gershkovich. In playing a central role in the most extensive prisoner exchange since the end of the Cold War, Turkey’s National Intelligence Organization (MIT) won accolades. The operation reminded the world that its NATO membership has been the cornerstone of Turkey’s defence and security policy since it joined the bloc in 1952.

Yet over the next 24 hours, Turkey’s Information and Communication Technologies Authority barred access to Instagram without providing a specific reason. Reports suggested the ban was a response to Instagram’s removing posts related to the death of Hamas leader Ismail Haniyeh, a close ally of Turkey’s strongman president

During his 21-year reign, Recep Tayyip Erdoğan has established himself as the most relentless implementer of censorship in Turkish history. Twitter, Wikipedia, OnlyFans, YouTube, Google Sites, Blogger, Blogspot, Google Docs, SoundCloud, WordPress, Facebook, Reddit, Google Drive, Dropbox, WhatsApp, Voice of America, Deutsche Welle, and Roblox have been among the victims of Erdoğan’s censorship.

Erdoğan has always oppressed free voices by tagging them as fascists. He has attacked and imprisoned all sectors of Turkish society under that accusation – except for Turkey’s actual fascistic groups which are parts of his far-right governing coalition.

On 5 August, Erdoğan accused Mark Zuckerberg’s Meta of “digital fascism.” But five days later, Turkey restored access to Instagram. The nine-day block reminded people of the arbitrary nature of Erdoğan’s regime, which is built on macho posturing to audiences at home and bullying “foreign powers” in the name of the Turkish nation.

Turkish users could then re-access Instagram after the country’s minister of transport and infrastructure claimed Instagram had accepted that “our demands… will be met”. Yet Instagram continues to remove posts mourning the death of Haniyeh: nothing has changed.

Three days after Instagram was reinstated, a woman who criticised Erdoğan’s ban in a YouTube interview was arrested for “insulting Turkey’s President”. She was sent to a prison where she remains at the time of writing this.

For some, Erdoğan’s Instagram ban was but a pointless act. I see it as part of a more ominous tactic. Banning Instagram solidifies the idea that censorship in Turkey is all about Erdoğan’s whims. The strongman can cut access to Google, Amazon, Netflix, iCloud, and other vital internet services if and when he feels like it. He’s all-powerful: no legal entity can stop him from doing whatever he wants.

Russia: Index welcomes release of Vladimir Kara-Murza and Evan Gershkovich from jail

Index on Censorship welcomes the news that Vladimir Kara-Murza, a journalist, author, filmmaker and fierce Putin critic, and Wall Street Journal reporter Evan Gershkovich have today been released as part of a multi-country prisoner exchange including Russia and the USA. 

The prisoner swap, one of the largest ever, has taken place in Ankara under the auspices of the Turkish National Intelligence Agency and involves 26 people held in Russia, Belarus, the USA, Germany, Slovenia, Norway and Poland. The exchange follows private discussions between the intelligence services of Russia and the United States and is the largest such exchange in decades.

Index has long championed the causes of Kara-Murza and Gershkovich.

Kara-Murza, a British citizen and father of three, had been a tireless pro-democracy campaigner and a champion of legislation that has provided for human rights violators and corrupt officials around the world to be subject to asset freezes and visa bans (so-called Magnitsky Acts). Kara-Murza was sentenced to 25 years in prison in 2022; he was awarded the Václav Havel Human Rights Prize the same year. 

In mid-July, WSJ reporter Gershkovich was sentenced to 16 years in a high-security penal colony on espionage charges. He was arrested in March 2023 while on a reporting trip in the city of Yekaterinburg 1,600 km east of Moscow with prosecutors arguing that he worked for the US Central Intelligence Agency, claims which the journalist, his employer and the US government denied.

Jessica Ní Mhainín, Head of Policy and Campaigns at Index on Censorship, said, In most of Europe, Kara-Murza is rightly lauded for his work in defence of human rights and was awarded the Václav Havel Human Rights Prize in 2022. During his time in detention, he was held in solitary confinement and has had access to medical treatment restricted despite suffering from polyneuropathy, a condition affecting his central nervous system, brought on by two failed poisonings by FSB agents in 2015 and 2017.”

Index on Censorship CEO Jemimah Steinfeld said: “Evan Gershkovich’s trial was held in secret and his conviction is widely regarded as politically motivated. Index will continue to stand up for press freedom both in Russia and in other countries worldwide. His release has come not a moment too soon but we will continue to fight for the release of reporters unjustly held in countries around the globe for doing their jobs.”

Sasha Skochilenko, who was sentenced to a seven-year jail term for distributing anti-war leaflets in a Russian grocery store, and Alsu Kurmasheva, a Russian-American reporter for Radio Free Europe/Radio Liberty who was seized by Russian authorities on a trip to visit her mother and has been in prison since October, are among those have who also been released. Former US Marine Paul Whelan, who was sentenced to 16 years in prison in 2020 on espionage charges, has also been freed.

Vadim Krasikov, a colonel in Russia’s FSB intelligence service, who has been serving a life sentence in a German jail since 2019 for the murder in broad daylight in a Berlin park of dissident Zelimkhan Khangoshvili, is also part of the exchange.

For more information, please contact policy and campaigns manager Jessica Ní Mhainín on [email protected] or acting editor Sally Gimson on 07890 403338 or [email protected]

Contents – The long reach: How authoritarian countries are silencing critics abroad

Contents

The Spring 2024 issue of Index looks at how authoritarian states are bypassing borders in order to clamp down on dissidents who have fled their home state. In this issue we investigate the forms that transnational repression can take, as well as highlighting examples of those who have been harassed, threatened or silenced by the long arm of the state.

The writers in this issue offer a range of perspectives from countries all over the world, with stories from Turkey to Eritrea to India providing a global view of how states operate when it comes to suppressing dissidents abroad. These experiences serve as a warning that borders no longer come with a guarantee of safety for those targeted by oppressive regimes.

 

Up Front

Border control, by Jemimah Steinfeld: There's no safe place for the world's dissidents. World leaders need to act.

The Index, by Mark Frary: A glimpse at the world of free expression, featuring Indian elections, Predator spyware and a Bahraini hunger strike.

Features

Just passing through, by Eduardo Halfon: A guided tour through Guatemala's crime traps.

Exporting the American playbook, by Amy Fallon: The culture wars are finding new ground in Canada, where the freedom to read is the latest battle.

The couple and the king, by Clemence Manyukwe: Tanele Maseko saw her activist husband killed in front of her eyes, but it has not stopped her fight for democracy.

Obrador's parting gift, by Chris Havler-Barrett: Journalists are free to report in Mexico, as long as it's what the president wants to hear.

Silencing the faithful, by Simone Dias Marques: Brazil's religious minorities are under attack.

The anti-abortion roadshow, by Rebecca L Root: The USA's most controversial new export could be a campaign against reproductive rights.

The woman taking on the trolls, by Daisy Ruddock: Tackling disinformation has left Marianna Spring a victim of trolling, even by Elon Musk.

Broken news, by Mehran Firdous: The founder of The Kashmir Walla reels from his time in prison and the banning of his news outlet.

Who can we trust?, by Kimberley Brown: Organised crime and corruption have turned once peaceful Ecuador into a reporter's nightmare.

The cost of being green, by Thien Viet: Vietnam's environmental activists are mysteriously all being locked up on tax charges.

Who is the real enemy?, by Raphael Rashid: Where North Korea is concerned, poetry can go too far - according to South Korea.

The law, when it suits him, by JP O'Malley: Donald Trump could be making prison cells great again.

Special Report: The long reach - how authoritarian countries are silencing critics abroad

Nowhere is safe, by Alexander Dukalskis: Introducing the new and improved ways that autocracies silence their overseas critics.

Welcome to the dictator's playground, by Kaya Genç: When it comes to safeguarding immigrant dissidents, Turkey has a bad reputation.

The overseas repressors who are evading the spotlight, by Emily Couch: It's not all Russia, China and Saudi Arabia. Central Asian governments are reaching across borders too.

Everything everywhere all at once, by Daisy Ruddock: It's both quantity and quality when it comes to how states attack dissent abroad.

A fatal game of international hide and seek, by Danson Kahyana: After leaving Eritrea, one writer lives in constants fear of being kidnapped or killed.

Our principles are not for sale, by Jirapreeya Saeboo: The Thai student publisher who told China to keep their cash bribe.

Refused a passport, by Sally Gimson: A lesson from Belarus in how to obstruct your critics.

Be nice, or you're not coming in, by Salil Tripathi: Is the murder of a Sikh activist in Canada the latest in India's cross-border control.

An agency for those denied agency, by Amy Fallon: The Sikh Press Association's members are no strangers to receiving death threats.

Always looking behind, by Zhou Fengsuo and Nathan Law: If you're a Tiananmen protest leader or the face of Hong Kong's democracy movement, China is always watching.

Putting Interpol on notice, by Tommy Greene: For dissidents who find themselves on Red Notice, it's all about location, location, location

Living in Russia's shadow, by Irina Babloyan, Andrei Soldatov and Kirill Martynov: Three Russian journalists in exile outline why paranoia around their safety is justified.

Comment

Solidarity, Assange-style, by Martin Bright: Our editor-at-large on his own experience working with Assange.

Challenging words, by Emma Briant: An academic on what to do around the weaponisation of words.

Good, bad and everything that's in between, by Ruth Anderson: New threats to free speech call for new approaches.

Culture

Ukraine's disappearing ink, by Victoria Amelina and Stephen Komarnyckyj: One of several Ukrainian writers killed in Russia's war, Amelina's words live on.

One-way ticket to freedom?, by Ghanem Al Masarir and Jemimah Steinfeld: A dissident has the last laugh on Saudi, when we publish his skit.

The show must go on, by Katie Dancey-Downs, Yahya Marei and Bahaa Eldin Ibdah: In the midst of war Palestine's Freedom Theatre still deliver cultural resistance, some of which is published here.

Fight for life - and language, by William Yang: Uyghur linguists are doing everything they can to keep their culture alive.

Freedom is very fragile, by Mark Frary and Oleksandra Matviichuk: The winner of the 2022 Nobel Peace Prize on looking beyond the Nuremberg Trials lens.

Contents – Having the last laugh: The comedians who won’t be silenced

Contents

The Winter 2023 issue of Index looks at how comedians are being targeted by oppressive regimes around the world in order to crack down on dissent. In this issue, we attempt to uncover the extent of the threat to comedy worldwide, highlighting examples of comedians being harassed, threatened or silenced by those wishing to censor them.

The writers in this issue report on example of comedians being targeted all over the globe, from Russia to Uganda to Brazil. Laughter is often the best medicine in dark times, making comedy a vital tool of dissent. When the state places restrictions on what people can joke about and suppresses those who breach their strict rules, it's no laughing matter.

Up Front

Still laughing, just, by Jemimah Steinfeld: When free speech becomes a laughing matter.

The Index, by Mark Frary: The latest in the world of free expression, from Russian elections to a memorable gardener

Features

Silent Palestinians, by Samir El-Youssef: Voices of reason are being stamped out.

Soundtrack for a siege, by JP O'Malley: Bosnia’s story of underground music, resistance and Bono.

Libraries turned into Arsenals, by Sasha Dovzhyk: Once silent spaces in Ukraine are pivotal in times of war.

Shot by both sides, by Martin Bright: The Russian writers being cancelled.

A sinister news cycle, by Winthrop Rodgers: A journalist speaks out from behind bars in Iraqi Kurdistan.

Smoke, fire and a media storm, by John Lewinski: Can respect for a local culture and media scrutiny co-exist? The aftermath of disaster in Hawaii has put this to the test.

Message marches into lives and homes, by Anmol Irfan: How Pakistan's history of demonising women's movements is still at large today.

A snake devouring its own tail, by JS Tennant: A Cuban journalist faces civic death, then forced emigration.

A 'seasoned dissident' speaks up, by Martin Bright: Writing against Russian authority has come full circle for Gennady Katsov.

Special Report: Having the last laugh - The comedians who won't be silenced

And God created laughter (so fuck off), by Shalom Auslander: On failing to be serious, and trading rabbis for Kafka.

The jokes that are made - and banned - in China, by Jemimah Steinfeld: Journalist turned comedian Vicky Xu is under threat after exposing Beijing’s crimes but in comedy she finds a refuge.

Giving Putin the finger, by John Sweeney: Reflecting on a comedy festival that tells Putin to “fuck off”.

Meet the Iranian cartoonist who had to flee his country, by Daisy Ruddock: Kianoush Ramezani is laughing in the face of the Ayatollah.

The SLAPP stickers, by Rosie Holt and Charlie Holt: Sometimes it’s not the autocrats, or the audience, that comedians fear, it’s the lawyers.

This great stage of fools, by Danson Kahyana: A comedy troupe in Uganda pushes the line on acceptable speech.

Joke's on Lukashenka speaking rubbish Belarusian. Or is it?, by Maria Sorensen: Comedy under an authoritarian regime could be hilarious, it it was allowed.

Laughing matters, by Daisy Ruddock: Knock knock. Who's there? The comedy police.

Taliban takeover jokes, by Spozhmai Maani and Rizwan Sharif: In Afghanistan, the Taliban can never by the punchline.

Turkey's standups sit down, by Kaya Ge: Turkey loses its sense of humour over a joke deemed offensive.

An unfunny double act, by Thiện Việt: A gold-plated steak and a maternal slap lead to problems for two comedians in Vietnam.

Dragged down, by Tilewa Kazeem: Nigeria's queens refuse to be dethroned.

Turning sorrow into satire, by Zahra Hankir: A lesson from Lebanon: even terrible times need comedic release.

'Hatred has won, the artist has lost', by Salil Tripathi: Hindu nationalism and cries of blasphemy are causing jokes to land badly in India.

Did you hear the one about...? No, you won't have, by Alexandra Domenech: Putin has strangled comedy in Russia, but that doesn't stop Russian voices.

Of Conservatives, cancel culture and comics, by Simone Marques: In Brazil, a comedy gay Jesus was met with Molotov cocktails.

Standing up for Indigenous culture, by Katie Dancey-Downs: Comedian Janelle Niles deals in the uncomfortable, even when she'd rather not.

Comment

Your truth or mine, by Bobby Duffy: Debate: Is there a free speech crisis on UK campuses?

All the books that might not get written, by Andrew Lownie: Freedom of information faces a right royal problem.

An image or a thousand words?, by Ruth Anderson: When to look at an image and when to look away.

Culture

Lukashenka's horror dream, by Alhierd Bacharevič and Mark Frary: The Belarusian author’s new collection of short stories is an act of resistance. We publish one for the first time in English.

Lost in time and memory, by Xue Tiwei: In a new short story, a man finds himself haunted by the ghosts of executions.

The hunger games, by Stephen Komarnyckyj and Mykola Khvylovy: The lesson of a Ukrainian writer’s death must be remembered today.

The woman who stopped Malta's mafia taking over, by Paul Caruana Galizia: Daphne Caruana Galizia’s son reckons with his mother’s assassination.