11 Oct 24 | News and features, Russia, Ukraine
The Ukrainian government has confirmed the death of journalist Victoria Roshchyna, who died during a prisoner swap in September. Free expression organisations, including Index on Censorship, are calling on Russia to disclose the circumstances in which the 27-year-old died.
According to Russian news outlet Mediazona, she died whilst being transferred from a prison in Taganrog, a city in the southwest of Russia near the Ukrainian border, to Moscow.
Petro Yatsenko, a Ukrainian government spokesperson for prisoner of war coordination, and Yaroslav Yurchyshyn, head of the Ukrainian parliament’s committee on freedom of speech, yesterday confirmed Roshchyna’s death. Her father has been notified of her death by the Russian authorities, according to Yurchyshyn.
Roshchyna wrote from the front line for several Ukrainian media outlets before she was seized by Russian forces in August 2023 whilst travelling to east Ukraine for a report. Her capture was confirmed by Russia in April 2024.
This was not the first time Roshchyna had been taken by the Russian forces in eastern Ukraine. In April 2022, Index published a powerful piece about her experience of being arrested while travelling from Zaporizhzhia to Mariupol. It is an exemplary piece of level-headed reporting. But it contains some chilling detail, including the moment when a member of the FSB, the Russian secret service, tells her: “If we bury you somewhere here, no one will ever find out. You will be lost forever.”
Index on Censorship will ensure that the memory of Victoria Roshchyna will never be lost.
Jemimah Steinfeld, chief executive of Index on Censorship, said: “The death in custody of any journalist is always gut-wrenching but especially so when it is one we have published. Victoria Roshchyna was a talented young journalist with her life ahead of her. We are proud to count her as an Index writer.
“Her death is a great loss, one that has shaken the Index team. It is also a stark reminder of the threat that Putin’s regime poses to freedoms more generally and to media freedom specifically, which has only increased several years into Russia’s full-scale invasion of Ukraine.
“We call for an immediate and thorough investigation into the cause of her death and for those responsible to be held accountable. And our thoughts go out to her family, friends and colleagues at this challenging time. May her memory be a blessing.”
20 Sep 24 | News and features, Ukraine, United Kingdom
It was a genuine privilege to co-host the UK premiere of the film From Babyn Yar to Freedom this week in collaboration with the theatre company Dash Arts. Made by Ukrainian director Oleg Chorny in 2017, the film tells the life story of the Soviet writer Anatoly Kuznetsov and his mission to bring the world’s attention to the full horror of the Babyn Yar massacre of September 1941. Kuznetsov defected to the UK in 1969 with the smuggled, uncensored text of his masterpiece, Babi Yar: A Document in the Form of a Novel.
Babyn Yar was a ravine in Kyiv that witnessed the “Holocaust by bullets” of 100,000 predominantly Jewish people. However, before the publication of Kuznetsov’s book in the West, the Moscow authorities had insisted on the essentially Soviet-Ukrainian identity of the victims.
The private screening of the film was made possible by the Jewish Community centre, JW3, which hosted the invitation-only premiere. The remarkable film traces Kuznetsov’s life in Kyiv and London by talking to those who knew him, including his son Olexiy, whom the writer left behind in the Soviet Union when he fled to the West.
Unfortunately, it has not been possible to release the film more widely because of a dispute over footage from a 1969 interview with Kuznetsov by CBS News journalist Morley Safer. Index and Dash hope publicity around the screening will held break the deadlock over the rights to the interview.
The screening was followed by a discussion led by Josephine Burton, the artistic director of Dash Arts, who used Kuznetsov’s words in the 2021 production Songs for Babyn Yar. Burton has been a tireless advocate for the film and contacted me after I launched a fundraiser for Kuznetsov’s unmarked grave in London’s Highgate Cemetery. Director Oleg Chorny and assistant producer Natalia Klymchuk fielded questions from the audience over video link from Kyiv.
Several mysteries still surround the story of Kuznetsov. Was he right to suspect he was being targeted by the KGB in London? Was his death from a heart attack at 49 in 1979 suspicious? And why does his surviving daughter not want his grave marked?
Index will follow up on suggestions from audience members about the rights issues over the interview footage and we call on CBS to do the decent thing and ensure the film is released to the wider television and cinematic audience it deserves.
You can read about From Babyn Yar to Freedom in the latest edition of Index. Dash Arts is currently working on a new project on Ukraine, The Reckoning in collaboration with The Reckoning Project, based on testimonies of Russian war crimes in Ukraine.
19 Aug 24 | Burkina Faso, Canada, China, Germany, India, Iran, Magazine Contents, Malaysia, Nigeria, Pakistan, Palestine, Russia, Saudi Arabia, Turkey, Ukraine, United Kingdom, United States, Volume 53.02 Summer 2024
Contents
The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.
Up Front
Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen
The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner
Features
Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech
We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash
The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online
Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars
The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith
Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression
First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany
Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency
A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts
Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws
Special Report: The final cut - how cinema is being used to change the global narrative
Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch
Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury
Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos
Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood
Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor
When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?
Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin
A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle
Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers
Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia
Comment
Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile
Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time
Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement
We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners
Culture
It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics
No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content
The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality
Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents
Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index
07 Aug 24 | Belarus, Lithuania, News and features, Ukraine, Volume 53.02 Summer 2024
Andrej Strizhak, a human rights activist and Belarus exile, uses an electric scooter to go around the streets of Vilnius’s old town.
“It is a very convenient means of transportation,” he told Index, sitting in a coffee shop at The House of the Signatories where Lithuania’s Act of Independence was signed in 1918.
Strizhak is founder of the Belarus Solidarity Foundation, Bysol, a humanitarian organisation which gives financial help to political prisoners, striking workers and other activists critical of the repressive regime of President Aliaksandr Lukashenka. Recently Bysol has also focused on aid to Ukraine in its fight against the Russian invasion that Vladimir Putin launched in February 2022.
For Strizhak, both struggles are connected.
“Belarus’s ‘freedom key’ is in Ukraine, and many Belarusians are helping fight the war in Ukraine,” he said. “If Putin fails, then Lukashenka will lose his principal ally.”
His colleague, former male model, fitness trainer and media celebrity turned political activist Andrey Tkachov, joined us in the café. Tkachov like Strizhak is in his thirties. He’s an immensely tall and striking figure, dressed in black. He oversees the management of the Medical Solidarity Fund, operating under the Bysol Foundation umbrella. He sees the conflict in stark terms.
“It is a war between good and evil. Russia is knowingly bombing hospitals and we are working on getting medical supplies and equipment.”
Bysol has raised over $10.7 million and acts as a platform for other organisations or individuals to raise funds for humanitarian causes.
Most of it has been done through cryptocurrency because, as Strizhak explained, it is “hard for the government to trace these transactions.”
During the first days of the Ukrainian war, Bysol received requests for cash to buy vehicles, drones and first aid kits; funds were needed for emergency contraceptive and rape kits for Ukrainian war victims of sexual abuse and for legal fees to pursue justice for war crimes. Within a few days, Bysol raised over $130,000 for Ukrainian humanitarian causes and for Belarusian volunteers working in Ukraine.
As the war progressed, the foundation used its money to aid wounded Belarusian fighters to obtain medical assistance, move to Poland or Lithuania and heal from PTSD. Bysol handed over radios, sets of uniforms for medical doctors and anti-thermal camouflage cloaks to the Belarusians fighting in Ukraine.
They gave others help too.
For those who refused to fight or faced repression for opposing the war, Bysol staff drafted manuals on evacuation from Belarus, Russia and Ukraine. They also posted instructions in a Telegram chat group, BysolEvacuation. Users issued advice on how to leave the war zone, discussed visa procedures and shared experiences on border crossings.
Strizhak and other activists first established Bysol in August 2020, as a response to violence against the opposition after the Belarus presidential election which saw Lukashenka winning a sixth term in office. Strizhak had already been detained several times by the police for his political activities and during the election summer, friends advised him to go on “vacation” abroad. He traveled to Kyiv, hoping to spend a month in Ukraine. There, building on his humanitarian work and crowdfunding skills, Strizhak came up with the idea of a fund-raising organisation.
He was joined in Ukraine by Tkachov, with whom he had worked during the Covid-19 pandemic and who had just been released from police custody. Tkachov had stayed in Belarus and joined anti-government protests in Minsk, witnessing police using grenades and shooting at peaceful opposition.
“The day after the elections, my friend and I took a ride around Minsk to check the aftermath of the protests,” Tkachov told Index. “An OMON (special police force) car stopped us and took us to a detention centre.” Officers gave Tkachov some “special attention” for his critical political opinions. He was handcuffed and beaten.
“Some of us fainted from the pain and from the inflicted injuries. We laid in puddles of blood and urine and prayed to be alive,” he said. Eventually, he lost consciousness when a soldier stepped on his neck.
“I regained consciousness only when police brought me to the prison, and a soldier poured water on me,” he said.
Together with the other 35 detainees, he spent three days in a cell suitable to accommodate 10 people.
In the late autumn of 2020 both dissidents decided to move to Lithuania, a member state of the EU and NATO, determined to expand Bysol. “Ukraine did not feel safe enough for us,” explained Strizhak.
Strizhak first raised money through a friend in the Netherlands who opened a fundraising account on Facebook. “We couldn’t do it from Belarus or Ukraine. Only people who live in ‘the white-world’ - the USA or Western Europe - can open fundraising accounts on Facebook,” he said.
Help started pouring in and more so when they were established in Vilnius. The most active supporters of the fund were and still are the Belarusian diaspora.
Walking a thin line between publicity and safety, Bysol has come to rely on cryptocurrency. Using traditional currency, customers rely on bank services and often pay high fees for financial transactions that might take a few days to complete, but cryptocurrency is a digital currency based on a network spread across many computers, unregulated by central government authorities. Unlike traditional financial institutions, opening a cryptocurrency wallet does not require identification verification, credit, or background checks: a person needs just a laptop or a smartphone with an internet connection and there is virtually no way for the government officials to stop, censor or reverse these transactions.
People find Bysol through social media and by word of mouth and the foundation follows a rigorous verification process before providing any help.
“We can’t name recipients and they can’t say ‘Thank you’ to us,” Strizak said.
Tkachov focuses on supporting Belarusian medical professionals and medical causes.
“Medical doctors actively expressed their opposition to the government’s actions. They were the ones who saw wounded, beaten and dead protesters. They described people arriving at the hospital as if they were brought from a battlefield with gunshot wounds or limbs ripped off by grenade explosions,” he said. Many medical doctors who expressed their disagreement about the government’s actions were laid off from state-run hospitals.
The Department of Investigation Committee in Minsk has initiated criminal proceedings against Strizhak who is accused of providing “training of individuals to take part in group activities, grossly violating public order” and financing extremism. Bysol itself has been labelled an extremist organisation and Belarus has listed its founders on the country’s wanted list and the wanted list of the Commonwealth of Independent States (CIS), made up of Russia and other ex-Soviet states still in Russia’s orbit.
Tkachov said he was always interested in history, especially events leading to the outbreak of World War II. “I could not understand why the powerful states could not prevent it,” he said. “Witnessing unfolding events in Ukraine, I finally understood it. When I think about how much more needs to be done, I worry my efforts are not enough, or are not effective enough. We need to help many people.”
Since his early years, Strizhak was determined to bring change to society: “I can’t tolerate hypocrisy, lies or double standards,” he said. He travelled to the Donbas region of Ukraine from 2017 to 2020 to document war crimes committed by pro-Russian separatists. He has mourned the death of close work partners.
Although he is now far from the war zone, he visualises his efforts with a consciousness of the samurai way of “dying before going into battle.” Like Japan’s ancient warriors, he said, he is waging his humanitarian efforts fully committed and without fear.
