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[vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”102216″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_column_text]Visitors to Eurasian countries — Turkey, Russia, Ukraine or, to a lesser extent, Azerbaijan — might be impressed by the sheer number of domestic television channels that offer news programming.
The average TV viewer in Turkey flipping through the local channels is treated to an alphabet soup — atv, Kanal D, NTV, STV, interspersed with FOX TV, CNN Türk, public broadcaster TRT and countless others — all employing a vast number of journalists and purporting to keep the viewers abreast of events shaping the domestic and global agenda. The broadcasts are slick: filled with chyrons, attention-grabbing graphics, remote reports, breaking news, heated exchanges between talking heads and all the other trappings of the modern-day 24-hour news cycle.
Watching the lively debates hosted by TV personalities, who exude an air of professionalism and discernment, with or without live audiences nodding in acquiescence or registering disapproval, viewers may be given the impression that they are being exposed to a wide range of opinions in a vibrant, competitive media market.
But does this wealth of channels translate into pluralism of points of view?
“Certainly not,” says Esra Arsan, journalism scholar and former columnist for Turkey’s Evrensel, one of the remaining newspapers supplying alternative news and commentary left in the country. “In Turkey, there’s no pluralistic media environment. The Turkish media have never been pluralistic in the true sense of the word, but at least there were once mechanisms that allowed for the voices of the right, left, mainstream and fringe wings to be heard, especially, on small media groups occupying the niche space,” she says, citing the formerly independent Turkish-language media, their Kurdish-language counterparts and those of other minority groups.
Arsan described the massive media reorganisation that took place in parallel with the rise of president Recep Tayyip Erdogan’s AKP party since 2007. “It was characterised by replacing the old media owners with the new ones with close ties to the government, and exercising total control over them, especially, in big media,” she adds.
During the Erdogan-inspired restructuring of the media, professional journalists and newsroom managers were forced out or jailed, Arsan says. The replacement managers left a lot to be desired. “Many of these people are uneducated, have no idea of journalistic ethics or professionalism, they’ve become the mouthpieces for the government”. She points out that more than 3,000 professional journalists who were working prior to 2007 are now jobless.
“Nowadays, no matter how many television broadcasters there are in Turkey, we can say the government exercises control over 90 percent of them,” says Ceren Sözeri, a communications faculty member at Istanbul’s Galatasaray University, citing a recent study conducted by Reporters Without Borders.
“Among the channels not under government control were stations belonging to Doğan Group, such as Kanal D and CNN Türk. Very recently, it was sold to Demirören Group, a conglomerate with close ties to the government,” Sözeri says.
Among the TV channels that are still able to provide diversity in the face of the pro-government news she tentatively cites FOX TV, Tele1 and HalkTV, the latter being associated with the CHP, the main opposition party. “With these exceptions, almost all other remaining channels work in conformity with the government, we can say we have an environment completely devoid of diversity,” Sözeri says.
Driven by Erdogan’s efforts to build a single-party regime, this media reorganisation pursued the goal of controlling information disseminated in the country. Buffered by the concurrent changes to the constitution and legal reforms, the jailing of journalists started to rise as well.
If this sounds familiar, that’s because it should: “What [Russian president] Putin did since he came to power, was establish control over influential media outlets that had the capacity to form public opinion, firstly, TV,” notes Gulnoza Said, Europe and Central Asia research associate at the Committee to Protect Journalists.
“All federal channels are very tightly controlled by the state now, with the instructions sent to the heads of TV companies on how to report on certain situations. It’s very clear that anybody who appears on your screen on a federal channel in Russia knows how they can and cannot speak about important and critical issues like Ukraine and Syria,” she says noting the two hot-button issues around Russia’s ongoing military involvement abroad.
According to the latest numbers released by the Media and Law Studies Association, a Turkish non-profit that offers legal protection to the rising number of journalists who find themselves in the crosshairs of the government, with 173 journalists in jail, Turkey currently holds the dubious title of the regional leader.
With 10 journalists currently in jail, according to a CPJ report, Azerbaijan is a distant second in the region, and number one among the former Soviet nations. Russia has five, according to the same report.
In addition to the state-owned AzTV and Ictimai (Public) TV that was created in 2005 as part of the country’s commitments before the Council of Europe, there are four nationwide broadcasters in Azerbaijan: Atv, Xazar, Space and Lider.
Azerbaijani media rights lawyer Alasgar Mammadli says that all these channels fail to inject diversity into the discourse in his country because no outlet presents a balanced viewpoint.
“The media only cover the government’s point of view. Considering the realities of Azerbaijan where the majority of information is obtained through TV and radio, we not only don’t have access to objective information, there’s no room for pluralistic news, we only have one expression, one colour.” He calls it “propaganda coming from the government that is disseminated to a large swath of the public,” noting that the internet is the only place offering some semblance of pluralism.
“In the entire region, I’d probably not name a single country where we’ve seen a positive trend, with the slight exception of, surprisingly, Uzbekistan,” says CPJ’s Said, noting that with the new administration of president Shavkat Mirziyoyev there has been a process of liberalisation, and for the first time in more than two decades, there are no journalists in jail.
Said notes that another negative trend is very visible in Ukraine since Russia annexed its region of Crimea in 2014. “At the time, after the Euromaidan [the wave of civil unrest that resulted in the government change], the Ukrainian media space had been relatively free for some time, but right now what we see is that the authorities are trying to control the flow of information, and the attempts are very visible and quite strong.”
Said explains that Ukrainian journalists are facing obstacles practically every day, stressing that she is not talking about Russian journalists trying cover the news from Ukraine. “The [Ukrainian] Ministry of Defense is making it extremely difficult for local journalists to get the so-called ‘military accreditation’ that would allow them to go to the eastern part of the country and cover combat operations,” says Said, adding that one of the newly imposed requirements is that the journalists applying for accreditation must provide previously written stories about the conflict.
“I would say it is censorship, because the government is trying to control the way the journalists cover the conflict,” she points out.
Galina Petrenko, director of Detector Media, a Ukrainian media watchdog organisation, disagrees: “There is pluralism [in Ukraine]. The economic interests doubtless manipulate the discourse, as the largest media belong not to the government, but to oligarchs, formidable businessmen conjoined with the power. That’s why business interests of each of these owners are reflected in the content of the media they own.”
Ukraine’s TV and radio council puts the number of the national TV broadcasters at 30, in addition to 72 regional channels. The country counts 120 satellite TV channels.
Maria Tomak of the Kyiv-based Media Initiative for Human Rights in Kyiv says that oligarchic ownership of the media has implications for pluralism. “We do have the freedom of speech, in comparison with Russia and other nations, but we do have limitations that are sometimes very tricky and are related to the economic factors, since we don’t have all that many independent media.”
She says that there is more than one “clan” or “group of influence” engaged in a struggle for power and influence. This conflict more or less preserves a tenuous pluralism. “When they start ‘oligarchic wars’, TVs show documentary footage or run news stories that clearly indicate who calls the shots at a particular channel. They mudsling or broadcast expose-style programmes, but it’s hard to call them objective, and it is hard to call it pluralism in its ideal sense.”
Bad examples are contagious
“The countries of the region quite often and quite speedily learn from each other’s negative experience,” says Mammadli. “For instance, Azerbaijan started officially blocking sites in February of 2017 through amendments to legislation. Before that, it was prevalent in Turkey and Russia.” He adds that the majority of the blocked sites are related to the alternative news sources. Mammadli puts the number of the internet sites and resources blocked in Russia at more than 136,000.
“We live in a region neighbouring Russia and Turkey and share ties with them, which speeds up the migration of these experiences into our country. Thus, the negative changes or attitudes towards human rights or the tendencies to limit freedom and rule of law in these countries can come to our country very fast,” he says. “It turns into a competition with the following logic, ‘the neighbor did it and got away with it, so let me try and see what happens’.’’
CPJ’s Said notes that these traditionally autocratic regimes keep one eye on the USA, which has been regarded as the flagman of press freedom and liberal democracy for decades. “Everybody used to look up at the USA, but since Trump was elected president, you know his routine, he wakes up in the middle of the night and starts tweeting, attacking journalists and critical media, calling everything they produce ‘fake news’.”
In her view, this definitely affects global press freedom, as dictators and elected officials with autocratic tendencies step up their pressure on critical media outlets in their own countries.
Arsan says of the effects of this phenomenon in Turkey: “If the dictator says the news is wrong or fake, even if you bring the most truthful news to them, be it on the issue of the human rights, war, the economy, the people will tend to disbelieve you. This makes the job of a journalist that much harder, because we chase the truth, and we see the tendency to disbelieve or outright denial on behalf of the audience.”
“Vulnerable stability” as the dangerous consequence
The shrinking plurality in the media throughout the entire region leads to a somewhat distorted processes of decision making during elections, says Said.
“The lack of plurality, which is a lack of democratic process or access to such, does, in general, make any society more vulnerable. If we look at the situation inside any country, also, when you look at dictators like Putin, you may get an impression that their power is very stable and strong. But that’s a very vulnerable stability,” she adds, explaining it with the fact that it is, ultimately, one person making decisions for the entire country of millions of people.
“If you look at what Erdogan has been doing for the last 10 years or so, he has been pursuing the policy of turning Turkey into a regional leader and suppressing any alternative voice. Same with Putin and his foreign policy in Ukraine with the annexation of Crimea, or Syria. In a way, it is back to the USSR, where people could discuss things only among their family or close friends in their kitchens.”
In the opinion of Arsan, as media plurality shrinks, societies become increasingly unaware of crises, which might set them on a path to disintegration. “This is the process of criminalising political discussion,” she said. “This is common in many Eurasian countries, as well as in the Middle East. These are the dictatorships without an end. People don’t want to go to the ballot boxes anymore because they don’t think they can effect change.”
For Mammadli, the people’s inability to access true information and analyse it means that they are contending with mass propaganda. From this point of view, the societies where people don’t know the truth will base their reactions on a lie, he says.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_column_text]
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Index on Censorship documents threats to media freedom in Europe through a monitoring project and campaigns against laws that stifle journalists’ work. We also publish an award-winning magazine
Learn more about our work defending press freedom.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Index on Censorship’s project Mapping Media Freedom tracks limitations, threats and violations that affect media professionals in 43 countries as they do their job.
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Updated statement: High profile Russian journalist and Kremlin critic Arkady Babchenko staged his own “murder”, it was revealed in a press conference where the journalist appeared on Wednesday 30 May. Earlier news reports have said he was shot and killed in Kiev, Ukraine, at his home, where he lived with his wife. However, that has since been revealed to be untrue.
Babchenko claimed it was necessary to do this in order to catch people who were trying to kill him.
Babchenko left Russia in February 2017, writing that it was “a country I no longer feel safe in”. Babchenko, a former war correspondent for Novaya Gazeta, was known for his fierce criticism of Russia’s annexation of Crimea, its support for separatists in eastern Ukraine and its military intervention in Syria.
Index calls on the Ukrainian police to continue their investigations into the 2016 murder of journalist Pavlo Sheremet, which has yet to be solved.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1527698401910-293e4fff-01bc-10″ taxonomies=”15″][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”100124″ img_size=”full”][vc_column_text]Flying from Moscow to Simferopol is quick and relatively affordable if you’re travelling out of season, but according to Ukrainian law it’s also illegal. After the 2014 Russian annexation of the peninsula, Ukraine passed a law that prohibits travelling to Crimea via Russia. Violating it can lead to a fine and a ban on entering Ukraine.
Journalists who travel to Crimea via Ukraine need the necessary documentation to work in a territory that is de facto controlled by Russia. In addition to a Russian accreditation and work visas — obtained at the end of a long and demanding process that can prove particularly difficult for freelancers — journalists also need to make their way to Kyiv and present a series of documents to Ukraine’s ministry of information and immigration service, to obtain a permit to enter Crimea, which takes a minimum of one or two days. Then they can head south and make their way to what has become the border with Crimea, 668 kilometres away. Once on the peninsula, they are usually interviewed by FSB officers.
Anton Naumliuk, a Russian journalist who covers Crimea for Radio Liberty, has been travelling to the peninsula about six times a year recently, always via Ukraine. He says he’s noticed that the procedure on the Ukrainian side is becoming simpler and faster. He’s also seen the border gradually built up. “Two years ago there was nothing, just the ground,” he said. Now there’s portacabins and fences. In the summer, there can be long queues.
Journalists often encounter difficulties on the Russian side, he explained. “[FSB officers] ask you who you’ll meet. This interrogation can take hours. If the journalist is quite well-known they try not to do it. If you’re young, if you’re Ukrainian, or carry equipment, you’re more likely to be interrogated. It can be quite nerve-wracking.”
Journalists can be asked to display the content of their phones or computers, although, according to Russian law, they cannot be forced to provide passwords to law enforcement. Officers can search hard drives or flashcards. This means journalists are advised to wipe any sensitive information which could compromise their sources before crossing the border. FSB agents have also been known to ask journalists for their phones’ IMEI number, which could allow them to track the person’s movements when they are reporting in the peninsula.
On my way back from a recent reporting trip to Crimea I met Tetiana Pechonchyk, who monitors human rights violations in Crimea at the Human Rights Information Centre in Kyiv. Her organisation has been campaigning for an easier access for journalists to the peninsula, in a context where coverage by Ukrainian journalists has gradually become near to impossible. “Almost no Ukrainian journalist is able to work in Crimea. A lot of Ukrainian journalists who covered the occupation and persecutions connected to it left Crimea. Ten Crimean media outlets moved to mainland Ukraine with their staff. They continue to cover Crimea but a majority of the websites are blocked on the peninsula, while not being blocked in Russia,” she said.
According to the Human Rights Information Centre’s monitoring, the number of assaults against journalists in Crimea has gone down, but for Pechonchyk, this does not mean much: “They pushed most of independent journalists out. Once you’ve emptied the field then you have no one to repress. They were lots of physical attacks in 2014. In 2015 Russia used legal tools against media outlets. They wouldn’t give a Russian license to outlets. Then they picked journalists who work for the Ukrainian media and terrified them one by one. Small media and bloggers have started appearing in Crimea. The role of professional journalists has been taken over by average citizens who film videos of searches in Tatar houses, go to politically motivated trials to cover them. Now authorities have started persecuting citizen journalists as well.”
Naumliuk began reporting from Crimea because he saw what was taking place there as a continuation of the war in Donbass. “It’s a lot more important than it seems at first glance and offers some understanding into what happened after the breakup of the Soviet Union and what will happen to such a big territory, in places like Belarus and Kazakhstan,” he said. He mostly covers court cases, with a focus on persecutions against Tatars. He says very few foreign outlets work with him regularly, they’ll only ask for his help if something happens.
“[Without constant coverage] it’s super difficult to understand the situation. There’s no human rights organisations working on the ground and very few independent journalists. Very little information on repression against political prisoners goes out. For this reason, it seems nothing is happening in Crimea. It’s all very quiet. But if you speak with Tatars the picture changes. A majority of kids live without their father because of what has been happening,”Naumliuk said.
“I think that not enough journalists go, and that’s there’s not enough stories coming from Crimea, because of the travel,” Ola Cichowlas, who recently travelled via Ukraine to spend two days reporting in Crimea for the Agence France Presse, said in an interview.
“Meanwhile, the world has gotten tired of the story,” Pechonchyk said. Foreign journalists often come for the anniversary of the annexation, do a quick story and then leave.
According to the State Migration Service of Ukraine, 106 foreign journalists have travelled to Crimea via Ukraine between 2015 and March 2018.
In this context, the Human Rights Information Centre and other organisations have tried to push for a facilitated access for foreign journalists who travel to Crimea, but also for aid workers and lawyers for whom it can take much longer to obtain a permit. “The first issue in terms of access is security,” says Pechonchyk. “For a foreign journalist it’s safer to come to Crimea via the Russian Federation than enter via mainland Ukraine. You’re almost always interrogated by the FSB when you go via Ukraine, with a higher risk of being put under surveillance. If you fly to Crimea from Moscow you violate Ukrainian law but it’s safer.”
Pechonchyk believes the process enabling foreign journalists to travel to Crimea should be made simpler: “It shouldn’t be a permission, but a notification. People should be allowed to do it from abroad, via a consulate or an embassy through an online form, and they should be able to apply in English – it’s all in Ukrainian at the moment. This should be a multi-entry permit and the number of categories able to get it should be extended.” At the moment, the list only includes journalists, human rights defenders, people working for international organisations, travelling for religious purposes, to visit relatives or people who have relatives buried in Crimea. Researchers and filmmakers, for instance, are not included and struggle to go to Crimea legally.
Pechonchyk also believes there should be exceptional cases – emergencies – where journalists and lawyers are allowed to travel from Russia, to attend a trial, or report on an arrest, for instance. The existing legislation offers little clarity and seems to be mostly applied when Ukraine wants to punish individuals who supported the annexation, as happened in 2017 when they banned a Russian singer who was to take part in the Eurovision and had performed in Crimea.
But there seems to be little room for a debate on this in Ukrainian society at the moment. Difficulties of access also apply to journalists who visit the self-proclaimed separatist republics of Donetsk or Luhansk, who need a series of accreditations from the Ukrainian and the separatist side, are not supposed to enter the separatist republics from Russia, and can face backlash once they have travelled to the republic. This is what happened when in May 2016, personal information of journalists having visited DNR and LNR was leaked to Myrotvorets, a Ukrainian website known to be supported by Ukrainian police and secret services. The leak included journalists from more than 30 media outlets, who had been merely covering the war on the rebel side but were depicted by nationalists as “collaborating with terrorists”. No one was prosecuted for the leak.
Johann Bihr, who covers Eastern Europe for Reporters Without Borders, told Index: “It’s important that foreign journalists keep heading to Crimea and going back there. And we encourage Russia and Ukraine to facilitate access for journalists. If they fail to do so we face some kind of double penalty, where Crimea is abandoned by the international community because it has not been recognised and turns into an information black hole.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1525192972009-6f6057be-6973-0″ taxonomies=”6564″][/vc_column][/vc_row]
Russian and Ukrainian investigative journalist Ekaterina Sergatskova met with Index to discuss her experiences reporting on the conflicts in Iraq and Ukraine.
In 2014, Ukraine saw political and civil unrest amidst conflicting pro-Europe and pro-Russia disputes. The 2014 Ukrainian revolution both stemmed from and perpetuated this unrest, as most of southern and eastern Ukraine opposed the ousting of the democratically elected president, Viktor Yanukovych.
Sergatskova, a reporter on this issue, explains that the conflict made for a harsh environment for journalists: “It is a really hard period of journalism in Ukraine and it is continuing.”
In 2016, a group of hackers released personal contact information of journalists that were considered threatening to the Ukrainian government, including Sergatskova. Following the leak, she received death threats.
Three months after the leak, journalist Pavel Sheremet — a friend and colleague of Sergatskova — was murdered in a crime that is believed to be linked to his reporting. After a year and a half, Sergatskova says, there are still have no answers.
The journalist says that following such incidents, she and her colleagues feel unsafe but nevertheless will persist in their reporting: “We have a lot of really good investigators and they will not stop … because it’s their mission. We’re afraid of it, but we have only one way to save our country, to develop, to be a normal country with normal rules, we need to do our work.”