Seeking the real story of Prigozhin’s challenge to Putin

30 Jun 23 | News and features, Newsletters, Russia, Ukraine

Last week’s mutiny by Yevgeny Prigozhin, the leader of the mercenary Wagner Group, provided a challenge to established western media outlets, such was the speed of the advance by the man known as Putin’s chef towards Moscow and the lack of verifiable information coming out of Russia. The subsequent accommodation between Prigozhin and Putin, apparently brokered by the Belarus leader Alyaksandr Lukashenska, has left even the most seasoned neo-Kremlinologists scratching their heads.

Step forward the Russian dissidents and independent news services. Index has been privileged to work with the opposition to Putin since long before the war in Ukraine and it was good to see them coming into their own last week. Here are some of our recommendations for those who want to stay abreast of the fast-moving and often baffling developments in Russia. Kevin Rothrock (@KevinRothrock), the managing editor of the English-language version of the independent online site Meduza, kept his Twitter feed consistently updated during the coup-that-never-was. Where others were breathless and over-excited, Rothrock was calm and measured. His colleague Lilya Yapparova (@lilia_yapparova) provided detailed analysis on the future of Prigozhin from sources inside the Russian military and the Wagner Group itself. Yapparova’s far-reaching investigation looks into what Wagner forces might contribute to Belarusian military capacity and the organisation’s operations in Africa and Syria. She also looks into Wagner’s finances in Russia, its continued recruitment for the war in Ukraine and internet trolling operations. Yapporova quotes the work of Dossier Center, a media outlet connected to the British-based Putin opponent Mikhail Khodorkovsksy, which tracks criminals associated with the Russian president. Khodorkovsky himself was active on his Telegram channel throughout the mutiny and accessible to non-Russian speakers through the messaging app’s translate function. Controversially he urged Russians to support Prigozhin’s coup. His view was that anything would be better than Putin. The Russian billionaire later concluded that the outcome of Prigozhin’s operation was not important. “The very fact that this happened is a powerful blow to Putin after which he will be perceived differently by millions.”

Doxa, the publication founded by students opposed by Putin and now outlawed by the regime, continues to do a good job of aggregating news from reliable sources. This week it included a report from The Bell, founded by Russian financial journalist Elizaveta Osetinskaya, suggesting that Prigozhin’s troll factory companies have been paralysed following raids after the uprising and were looking for a new owner. Osetinskaya, a former editor of Russian Forbes magazine, was declared a foreign agent after condemning the invasion of Ukraine.

In a new development this week, Novaya Gazeta, the independent Russian news outlet whose editor Dmitry Muratov won the Nobel Peace Prize in 2021, was put on the Kremlin’s list of “undesirable” organisations. This makes it a crime for the publication, now based in Latvia, to operate in Russia. It is also now illegal for Russians to engage with the publication or share its content online.

OVD-Info, the human rights project which won the 2022 Index on Censorship campaigning award, decided not to provide a running commentary of events and stuck to its mission of reporting on arrests of regime opponents. In his weekly newsletter Dan Storyev, English editor of OVD-Info, wrote: “Russia has had a busy few days as I am sure we all know. This newsletter is not for military analysis so I won’t cover Prigozhin’s manoeuvres here — but it’s important to remember, that in the end, it is going to be ordinary Russians, Russian civil society who would bear the brunt of any violence that a coup, or a paranoid preventive crackdown could unleash.”

If there is one thing that unites all the outlets mentioned here (beyond their undoubted courage), it is the care they take in the sourcing of all information they publish. In the post-truth world of Putin’s Russia, facts are precious commodities.

Contents – Modi’s India: The Age of Intolerance

26 Apr 23 | Afghanistan, China, Egypt, India, Iran, Italy, Peru, Russia, Turkey, Ukraine, United States, Zimbabwe

Contents

The central theme of the Spring 2023 issue of Index is India under Prime Minister Narendra Modi.

After monitoring Modi’s rule since he was elected in 2014, Index decided to look deeper into the state of free expression inside the world’s largest democracy.

Index spoke to a number of journalists and authors from, or who live in, India; and discovered that on every marker of what a democracy should be, Modi’s India fails. The world is largely silent when it comes to Narendra Modi. Let’s change that.

Up Front

Can India survive more Modi?, by Jemimah Seinfeld: Nine years into his leadership the world has remained silent on Modi's failed democracy. It's time to turn up the temperature before it's too late.

The Index, by Mark Frary: The latest news from the free speech frontlines. Big impact elections, poignant words from the daughter of a jailed Tunisian opposition politician, and the potential US banning of Tik Tok.

Features

Cultural amnesia in Cairo, by Nick Hilden: Artists are under attack in the Egyptian capital where signs of revolution are scrubbed from the street.

‘Crimea has turned into a concentration camp’, by Nariman Dzhelal: Exclusive essay from the leader of the Crimean Tatars, introduced by Ukranian author Andrey Kurkov.

Fighting information termination, by Jo-Ann Mort: How the USA's abortion information wars are being fought online.

A race to the bottom, by Simeon Tegel: Corruption is corroding the once-democratic Peru as people take to the streets.

When comics came out, by Sara Century: The landscape of expression that gave way to a new era of queer comics, and why the censors are still fighting back.

In Iran women’s bodies are the battleground, by Kamin Mohammadi: The recent protests, growing up in the Shah's Iran where women were told to de-robe, and the terrible u-turn after.

Face to face with Iran’s authorities, by Ramita Navai: The award-winning war correspondent tells Index's Mark Frary about the time she was detained in Tehran, what the current protests mean and her Homeland cameo.

Scope for truth, by Kaya Genç: The Turkish novelist visits a media organisation built on dissenting voices, just weeks before devastating earthquakes hit his homeland.

Ukraine’s media battleground, by Emily Couch: Two powerful examples of how fraught reporting on this country under siege has become.

Storytime is dragged into the guns row, by Francis Clarke: Relaxed gun laws and the rise of LGBTQ+ sentiment is silencing minority communities in the USA.

Those we must not leave behind, by Martin Bright: As the UK government has failed in its task to rescue Afghans, Index's editor at large speaks to members of a new Index network aiming to help those whose lives are in imminent danger.

Special Report: Modi's India

Modi’s singular vision for India, by Salil Tripathi: India used to be a country for everyone. Now it's only for Hindus - and uncritical ones at that.

Blessed are the persecuted, by Hanan Zaffar: As Christians face an increasing number of attacks in India, the journalist speaks to people who have been targeted.

India’s Great Firewall, by Aishwarya Jagani: The vision of a 'digital India' has simply been a way for the authoritarian government to cement its control.

Stomping on India’s rights, by Marnie Duke: The members of the RSS are synonymous with Modi. Who are they, and why are they so controversial?

Bollywood’s Code Orange, by Debasish Roy Chowdhury: The Bollywood movie powerhouse has gone from being celebrated to being used as a tool for propaganda.

Bulldozing freedom, by Bilal Ahmad Pandow: Narendra Modi's rule in Jammu and Kashmir has seen buildings dismantled in line with people's broader rights.

Let’s talk about sex, by Mehk Chakraborty: In a country where sexual violence is abundant and sex education is taboo, the journalist explores the politics of pleasure in India.

Uncle is watching, by Anindita Ghose: The journalist and author shines a spotlight on the vigilantes in India who try to control women.

Comment

Keep calm and let Confucius Institutes carry on, by Kerry Brown: Banning Confucius Institutes will do nothing to stop Chinese soft power. It'll just cripple our ability to understand the country.

A papal precaution, by Robin Vose: Censorship on campus and taking lessons from the Catholic Church's doomed index of banned works.

The democratic federation stands strong, by Ruth Anderson: Putin's assault on freedoms continues but so too does the bravery of those fighting him.

Culture

Left behind and with no voice, by Lijia Zhang and Jemimah Steinfeld: China's children are told to keep quiet. The culture of silence goes right the way up.

Zimbabwe’s nervous condition, by Tsitsi Dangarembga: The Zimbabwean filmmaker and author tells Index's Katie Dancey-Downes about her home country's upcoming election, being arrested for a simple protest and her most liberating writing experience yet.

Statues within a plinth of their life, by Marc Nash: Can you imagine a world without statues? And what might fill those empty plinths? The London-based novelist talks to  Index's Francis Clarke about his new short story, which creates exactly that.

Crimea’s feared dawn chorus, by Martin Bright: A new play takes audiences inside the homes and families of Crimean Tatars as they are rounded up.

From hijacker to media mogul, Soe Myint: The activist and journalist on keeping hope alive in Myanmar.

The women who paid the ultimate price

10 Mar 23 | Ruth's blog

Wednesday marked International Women’s Day, an opportunity to reflect upon the role of women in society. In the midst of a war in Europe and global economic crisis it is easy to focus on the immediate, on the current existential crisis, but there is an onus on us to remember what is happening further afield.

On Wednesday for International Women’s Day I addressed students on behalf of the Anne Frank Trust. I highlighted the importance of not only telling women's stories but also the power of amplifying their lived experiences, wherever they may be. Collectively we all made a promise that this week - and I hope in future weeks - we would seek to tell the stories of the women who have made a mark and ensure that the world knows their names.

I seek to deliver on that promise.

I am proud to be the Chief Executive of Index on Censorship, a charity which endeavours to provide a voice to the persecuted, which campaigns for freedom of expression around the world. I work daily with dissidents who risk everything to change their societies and their communities for the better. Men and women. But today I would like to highlight the names of some of those women who have paid the ultimate sacrifice in the last year for the supposed “crime” of doing something we take for granted every day - using the human right of freedom of expression.

  • Deborah Samuel - a student brutally murdered in Nigeria after being accused of blasphemy on an academic social media platform.

  • Nokuthula Mabaso - a leading woman human rights defender in South Africa and leader of the eKhenana Commune. She was assassinated outside of her home, in front of her children.

  • Shireen Abu Akleh - a veteran Palestinian-American correspondent for Al Jazeera who was killed while reporting on an Israeli raid in the West Bank.

  • Jhannah Villegas - a local journalist in the Philippines was killed at her home. The police believe this was linked to her work.

  • Francisca Sandoval - a local Chilean journalist was murdered, and several others hurt when gunmen opened fire on a Workers’ Day demonstration.

  • Mahsa Amini  - a name all too familiar to us, as her murder inspired a peaceful revolution which continues to this day. Murdered by the Iranian morality police for “inappropriate attire”.

  • Oksana Baulina - a Russian journalist killed during shelling by Russian forces in the Ukrainian capital, Kyiv.

  • Oksana Haidar - a 54-year-old Ukrainian journalist and blogger better known under the pseudonym “Ruda Pani”, killed by Russian artillery, northeast of Kyiv.

  • Oleksandra Kuvshynova - a Ukrainian producer who was killed outside of Kyiv, while working with Fox News.

  • Petronella Baloyi - a South African land and women human rights defender gunned down while in her home.

  • Yessenia Mollinedo Falconi, a Mexican journalist who was the founder and editor of El Veraz. A crime and security correspondent, she received a death threat a fortnight before she was shot. She was killed alongside her colleague Sheila Johana García Olivera

  • Vira Hyrych - a journalist for Radio Free Europe’s Ukrainian service, killed by Russian shelling.

  • Yeimi Chocué Camayo - an Indigenous women’s rights activist, killed in Columbia when returning to her house.

  • Cielo Rujeles - wife of social leader Sócrates Sevillano, shot and killed alongside her husband in Colombia.

  • Luz Angelina Quijano Poveda - a delegate of the Community Action Board in Punta Betín, Colombia, murdered at her home.

  • Sandra Patricia Montenegro - a PE teacher and social leader was shot and killed in front of her students in Colombia.

  • Melissa Núñez - a transgender activist shot dead by armed men in Honduras.

  • María del Carmen Vázquez - a Mexican activist and member of the Missing Persons of Pénjamo, murdered by two men at her home in. She was looking for her son who disappeared last summer.

  • Blanca Esmeralda Gallardo - activist and member of the Collective Voice of the Missing in Puebla, who was assassinated on the side of the highway in Mexico as she waited for a bus to take her to work. She was searching for her 22-year-old daughter who vanished in 2021.

  • Yermy Chocue Camayo - treasurer of the Chimborazo indigenous reservation in Colombia, and human rights defender, killed as she headed home.

  • Dilia Contreras - an experienced presenter for RCN Radio in Columbia, shot dead in a car alongside her colleague Leiner Montero after covering a festival in a local village.

  • Edilsan Andrade - a Colombian social leader and local politician, shot and killed in the presence of one of her children.

  • Jesusita Moreno, aka Doña Tuta - a human rights activist who defended Afro-Colombian community rights. Facing threats against her life, she was assassinated whilst at her son's birthday party.

  • Maria Piedad Aguirre - a Colombian social leader who was a defender of black communities, violently murdered with a machete; she was found at home by one of her grandchildren.

  • Elizabeth Mendoza - social leader, was shot and killed in her home in Colombia.  Her husband, son and nephew were also murdered.

  • María José Arciniegas Salinas - a Colombian indigenous human rights defender, assassinated by armed men who said they belonged to the Comandos de la Frontera group.

  • Shaina Vanessa Pretel Gómez - who was known among the LGBTIQ+ community for her activism, including work to establish safe spaces for homeless people and a passion for the arts, was shot dead early in the morning by a suspect on a motorbike.

  • Rosa Elena Celix Guañarita - a Colombian human rights defender was shot while socialising with friends.

  • Mariela Reyes Montenegro - a leader of the Union of Workers and Employees of Public Services was murdered in Colombia.

  • Alba Bermeo Puin - an indigenous leader and environmental defender in Ecuador was murdered when five months pregnant.

  • Mursal Nabizada - a former female member of Afghanistan's parliament and women’s rights campaigner murdered at her home.

This is not an exhaustive list by any stretch of the imagination. Compiling the names and profiles of women who have been killed as a result of their right to exercise freedom of expression is almost impossible, not least because of the nature of the repressive regimes which too many people live under. But every name represents thousands of others who day in, day out put their lives at risk to speak truth to power. They were mothers, grandmothers, daughters, nieces, granddaughters, sisters, aunts, friends, partners, wives.

To their families, they were the centre of the world. To us, today, their stories bring fear and inspiration in equal measure. They are heroes whose bravery we should all seek to emulate.

Bunker Cabaret: From the bomb shelters of Kyiv to Somerset House

03 Mar 23 | FEATURED: Francis Clarke, News and features, Ukraine

You are handed a piece of paper as you enter the room. Move around, come up close, move away, sit down, do what you want; it instructs. All it asks is you be present together (and, naturally in the modern age, turn off your mobile phone).

Eventually everybody pulls up a chair, but the conformity of the audience doesn’t extend to the performance. A mixture of song, dance, poetry and performance art, Bunker Cabaret is a creative explosion.

Performed at Somerset House in Central London by the Hooligan Art Community, Bunker Cabaret is billed as an “exploration of love versus totalitarianism, and the personal conflicts of making art in time of war.” Formed in Kyiv in 2019, two of its male actors, Sam Kyslyi and Danylo Shramenko, developed scenes in a bomb shelter in the city, which would become the inspiration for the show. Leaving Ukraine, they were joined later by other members including Mirra Zhuchkova, who earlier escaped to Germany.

Photo by Steve Tanner

Bunker Cabaret opens with Kyslyi stood on a bed of fairy lights, interspersing elegant dancing with shadow boxing. The fusing of beauty with brutality, which one would imagine was how the seeds of the show were sown, is evident.

The audience is dropped into an animated conversation between Kyslyi and Shramenko. Almost childlike, it’s a game of “guess this noise”, which seems innocent enough until the correct answers compose of weaponry and warcraft. The lived experience of being trapped in a war zone is conveyed by the ability to note the difference in sound between a MiG-29 and a MiG-31.

A series of monologues are performed, including from Zhuchkova. Hers are dreamlike, almost abstract (and nightmarish), perhaps reflecting the pain of being torn away from home, and the hope of one day returning. The sound of fireworks punctuates the end of her final speech, with a strong, unifying gesture for each person in the audience. Kyslyi’s monologues are more real and descriptive of his experience, often resulting into a burst of song at the end.

Loud traffic passes outside the large windows of the room, where people could easily peek inside. This seems like a conscious decision, and like the instructions given at the start, the audience and environment play a part of the performance just as much as the actors in the room.

Ukrainian artists have been targeted since the Russian occupation and assault began. The attacks on Kyiv killed Artem Datsyshyn, the principal dancer of the National Opera of Ukraine, and the famous actress Oksana Shvet.  Musicians, painters and photographers are among those killed so far; an attempt to erase Ukraine’s cultural and artistic contributors.

Despite being under attack, closed Ukrainian cultural institutions have started to programme again. Several branches of the National Art Gallery in Lviv reopened, as well as The Theater on Podil in Kyiv. Still, the circumstances for art and artists in Ukraine remains challenging.

Bunker Cabaret is not a conventional performance, but neither are the circumstances that brought it to Somerset House. It's a paean to the fortitude of art in the hardest of conditions.

Bunker Cabaret is currently on a UK tour. Dates and ticket details are here.