Self-censorship stifling UK artistic expression

Widespread self-censorship and fear of causing offence is suppressing creativity and ideas in the United Kingdom, according to a conference report published by Index on Censorship.

The findings are based on the January 2013 conference ‘Taking the Offensive – defending artistic freedom of expression in the UK’ — the first national debate about the social, political and legal challenges to artistic freedom of expression.

The conference was hosted by Jude Kelly, OBE, artistic director of Southbank Centre. The keynote speech was delivered by Nicholas Serota, director of Tate. It brought together arts leaders with senior police, lawyers, media and internet executives, religious commentators and arts funders to explore challenges to artists and the growth of self-censorship in contemporary culture.

There are multiple pressures on artistic freedom of expression and censorship has become a major issue for the arts sector in this country, the report reveals. Among the key findings:

  • • Widespread self-censorship at an institutional level is suppressing creativity and ideas, with some artists from black and ethnic communities experiencing additional obstacles
  • • Worries about public and media ‘outrage’ or the loss of funding if they cause offence are causing many cultural institutions to be overly cautious in their choice of work at commission and production stages
  • • The fear of police intervention or legal action is fuelled by a lack of information about the legal framework around freedom of expression

Some of the pressures on artistic free expression in the UK can be explained by a climate of caution and security consciousness.  A preoccupation with risk assessment in arts organisations and public institutions, including the police, can lead to a prevalence of uncontentious, safe programming that limits both the range of voices and the space for artistic expression.

Throughout the day-long conference, there was a recurring call for programmers and producers to reclaim controversy; to embrace the disagreement and discord that is inherent to art work that engages with socially sensitive subjects.  Many participants stressed the importance of art that explores challenging questions and the contribution that debate, generated by artwork, makes to democracy.  Greater transparency about decision making, greater co-operation between organisations and more open debate with the public were seen as key components to any strategy to reinforce support for freedom of expression.


The full conference report is available in PDF or online here

Conference Report Contents Summary | Introduction | What is artistic freedom of expression? | What are the limits to freedom of expression? | Institutional self-censorship | Reinforcing support for artistic freedom of expression | Conclusion | Appendix I: Audience Feedback and Statistics | Appendix II: Conference Programme | Appendix III: Cases of Censored Artwork | Artist Videos | Full report in PDF


Index responds to Theresa May comments

Theresa May’s comments on the Andrew Marr Show have lead to a round of speculation around the actions that the Home Secretary will take in the wake of Woolwich, especially in regard to the shelved Communications Data Bill.

Home Secretary Theresa May appeared on the Andrew Marr Show. View the video. (Photo: BBC)

Home Secretary Theresa May appeared on the Andrew Marr Show. See the video. (Photo: BBC)

Kirsty Hughes, Chief Executive of Index on Censorship said:

“May is using Woolwich as an excuse to argue for bringing back a totally disproportionate measure of population-wide data collection that no democracy should countenance. The law already allows for those inciting violence to be prosecuted. The best way to contest hate speech is with more speech not less speech. The government shouldn’t be creating lists of who should and shouldn’t appear on TV.”

May told Marr on Sunday, “we need to see if there are additional steps we should be taking to prevent radicalisation”.

May told the BBC One host that the government would be looking at banning orders, as well as the role of Ofcom.

“There is no doubt that people are able to watch things through the internet that can lead to radicalisation,” she said.


Related: Could “snooper’s charter” stop terror attacks?

Economist report sees democracy under siege

The Economist Intelligence Unit (EIU) recently released the Democracy Index for 2012, and it paints a bleak picture of where we are with democracy around the world today.

 “There has been a decline in some aspects of governance, political participation, and media freedoms, and a clear deterioration in attitudes associated with, or conducive to, democracy in many countries, including in Europe.” 

The EIU measures how democratic countries are based on five categories: “electoral process and pluralism; civil liberties; the functioning of government; political participation; and political culture”. Norway, Sweden, Iceland, and Denmark have topped this year’s list, which ranks 165 countries and two territories. Even though half of the global population live “in a democracy of some sort”, the EIU reports that previous gains in democratisation have been eroded in the past few years.

The global financial crisis has aggravated this decline, and this can be felt in many parts of the world. According to the EIU, the economic crisis has been a double-edged sword:  in some ways it can “undermine authoritarianism”, but it can also help reinforce it. While in some cases the economic crisis has emboldened protesters — it has also left governments feeling “vulnerable and threatened”, which has meant a rise in attempts to restrict freedom of expression and control the media.

This isn’t restricted to more authoritarian countries. The report notes a “noticeable decline in media freedoms, affecting all regions to some extent, has accelerated since 2008.” A rise in unemployment and a lack of job security has helped create a “climate of fear and self-censorship among journalists in many countries.”

Perhaps challenges in Latin America and the Middle East and North Africa — particularly in younger democracies, are no surprise. But there have been some startling changes in more well-established democracies. Developed western countries have seen a decline in political participation, as well as restrictions on civil liberties in the name of security.

The report shows a troubling situation in Europe, as confidence in the region’s public institutions continues to drop. In Eastern Europe, the scores of ten countries have declined. The scores of Western European countries since 2008 have shown the impact of the economic crisis. Out of 21 countries, 15 have had a decrease in their scores between 2008 and 2010. 

The United Kingdom moved up from a score of 18 to 16 this year. The EIU pins the UK’s score on a “deep institutional crisis”, and says that trust in the government is “at an all-time low.” The United States, on the other hand, moved down from 19 to 21 this year, as the report says that the country’s democracy “has been adversely affected by a deepening of the polarisation of the political scene and political brinkmanship and paralysis.”

If the Democracy Index tells us anything, it’s that the economic crisis definitely plays a role in how healthy a democracy is.  The United Nation’s International Labour Office now predicts that youth unemployment will only continue to rise in the next five years — estimating that today’s youth will be approximately “three times more likely than adults” to face unemployment. At the start of the year, the World Bank predicted an “uncertain future” for the global economy; with limited growth in the coming years. As countries scramble to cope with economic woes, I think that this report is an important reminder that we shouldn’t lose sight of freedom of expression.

SUPPORT INDEX'S WORK