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[vc_row disable_element=”yes” css=”.vc_custom_1495018452261{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column css=”.vc_custom_1474781640064{margin: 0px !important;padding: 0px !important;}”][vc_column_text css=”.vc_custom_1477669802842{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]CONTRIBUTORS[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes” css=”.vc_custom_1495018460243{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1474781919494{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Karim Miské” title=”Novelist” color=”#ee3424″ profile_image=”89017″]Karim Miské is a documentary maker and novelist who lives in Paris. His debut novel is Arab Jazz, which won Grand Prix de Littérature Policière in 2015, a prestigious award for crime fiction in French, and the Prix du Goéland Masqué. He previously directed a three-part historical series for Al-Jazeera entitled Muslims of France. He tweets @karimmiske[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781952845{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Roger Law” title=”Caricaturist ” color=”#ee3424″ profile_image=”89217″]Roger Law is a caricaturist from the UK, who is most famous for creating the hit TV show Spitting Image, which ran from 1984 until 1996. His work has also appeared in The New York Times, The Observer, The Sunday Times and Der Spiegel. Photo credit: Steve Pyke[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781958364{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Canan Coşkun” title=”Journalist” color=”#ee3424″ profile_image=”89018″]Canan Coşkun is a legal reporter at Cumhuriyet, one of the main national newspapers in Turkey, which has been repeatedly raided by police and attacked by opponents. She currently faces more than 23 years in prison, charged with defaming Turkishness, the Republic of Turkey and the state’s bodies and institutions in her articles.[/staff][/vc_column][/vc_row][vc_row equal_height=”yes” content_placement=”top” css=”.vc_custom_1474815243644{margin-top: 30px !important;margin-right: 0px !important;margin-bottom: 30px !important;margin-left: 0px !important;}”][vc_column width=”1/2″ css=”.vc_custom_1474619182234{background-color: #455560 !important;}”][vc_column_text el_class=”text_white”]Editorial
“We had tongues, but could not speak. We had feet but could not walk. Now that we have land, we have the strength to speak and walk,” said a group of women quoted in Ritu Menon’s article discussing why ownership of land has started to shift the power balance in India.
[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720631074{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495018553351{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2014/12/winter2014-magazine-cover-e1434042891830.jpg?id=62269) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495018522192{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Contents
A look at what’s inside the winter 2014 issue[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720637924{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495018679207{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2014/12/Gaiman-pic-credit-Kimberly-Butler.jpg?id=62304) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495019209534{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Podcast
Neil Gaiman and Martin Rowson on censorship[/vc_column_text][/vc_column][/vc_row][vc_row equal_height=”yes” css=”.vc_custom_1491994247427{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1493814833226{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}”][vc_row_inner css=”.vc_custom_1495018869817{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2014/12/15721410208_a036ffe467_o.jpg?id=62585) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495018840047{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Information war
Andrei Aliaksandrau investigates the new information war as he travels across Ukraine.[/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815095611{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495019050825{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2014/12/magna-carta.jpg?id=62653) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495019017760{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]1215 and all that
John Crace on the Magna Carta: Don’t shit with the people, or the people shit with you. Or something like that.[/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815155369{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495019157426{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2016/01/20160127-_MG_4305.jpg?id=72965) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495019127591{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Thoughts policed
Max Wind-Cowie on free speech in politics
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“There is no civil war in Ukraine. It is a war between Russia and Ukraine, and it is inspired by heavy Russian propaganda,” says Volodymyr Parasyuk as we sit in a café on the main square of the regional capital Lviv in western Ukraine.
This year Parasyuk became a national hero in his country. Some say he changed history when he made a passionate speech on Maidan Nezalezhnosti in Kiev on 21 February 2014, after the police killed about 100 protesters. Parasyuk, head of a sotnia, a unit of 100 men, and part of the protesters’ defence force, demanded President Yanukovich resign and said otherwise protesters would launch an armed attack. The next day the head of state fled the country, and there was a new government formed in Ukraine.
Parasyuk knows what he is saying about war. He joined a voluntary battalion of Ukrainian forces and fought separatists in the east of his country during the summer and autumn. He was wounded and spent a couple of days in detention, but managed to escape.
“This is direct aggression by the Kremlin against my country. This war is completely directed from Russia. We do not have internal reasons to fight each other, the conflict is provoked by lies and propaganda that come from the east,” says Parasyuk.
To read the full article, subscribe to Index on Censorship magazine or download the app, get 25% off print orders until 31 Dec 2014.
This excerpt was posted on 18 December 2014 at indexoncensorship.org
[vc_row][vc_column][vc_custom_heading text=”Packed inside this issue, are; an interview with fantasy writer Neil Gaiman; new cartoons from South America drawn especially for this magazine by Bonil and Rayma; new poetry from Australia; and the first ever English translation of Hanoch Levin’s Diary of a Censor; plus articles from Turkey, South Africa, South Korea, Russia and Ukraine.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: DRAFTING FREEDOM TO LAST” css=”.vc_custom_1483550985652{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
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